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"What did she say? – Just what she ought, of course. A lady always does." This book explores the act of declaring love in works of literature written between the middle of the eighteenth century and the death of Jane Austen - and uncovers the uncertain boundaries of the self in the force-field of courtship. Declaring love is understood as the hazardous attempt to find public, social terms which can communicate personal feelings and bring intimacy into being. This was a period highly sensitive to the propriety and artificiality of public forms, and hence peculiarly alive to problems around the idea of saying what you feel, problems experienced especially though not exclusively by women. Through this historical lens the author considers the ways in which we may become entangled with one another through language, the limits to our operation as independent individuals, and whether in love you can only feel what you can tell. The first part of the book examines eighteenth-century attitudes towards the independent or disengaged self, performance culture, and the feasibility of sincerity, through readings of a wide range of different works. This provides the basis for a discussion of Austen's novels in the final two chapters, focused on the dynamics of courtship and the moment of proposal, and making much of the role of Austen's narrative voice in supporting the subjectivity of the one in love.
It's easy to stand in the crowd, but it takes courage to stand alone… Ghandi Malcom O'Rourke didn't want to want the gift his father had given him, but Ivy Clearwater is not someone he can ignore—even if everything inside him warns him to let her go. Except Ivy has plans of her own and is ready to fight for Mack. Whatever the cost. He's been taken hostage and there is no one else to save him. She ignores the voice telling her to wait for backup and goes into the danger zone to pull him out. She must fight for her life and the live of her captor turned lover. Lives are lost and Ivy is left dealing with the aftermath of what she had to do to save Mack's life. She retreats home, vowing to nurse Mack back to health. But her lover has other ideas. Mack's ready to settle the score with his father, no matter the cost. SIN will take you farther than you want to go, keep you longer than you want to stay, and cost you more than you want to pay. SIN SERIES: Book 1 – Payment for Sin Book 2 – Atonement Within Book 3 – Declaration of Love Search Terms: sexy hero, hot and steamy, romance, ageless romance, Scottish romance, outlander, FICTION / Romance / Contemporary FICTION / Romance / New Adult FICTION / Romance / Romantic Comedy F, sexy, sport romance, hired wife, fake girlfriend, happily ever after, sweet love story, bully romance academy romance, bully romance, coming of age romance, bully romance dark romance, bully romance high school, bully romance college, bully romance reverse harem, new adult romance, contemporary romance
"What did she say? - Just what she ought, of course. A lady always does." This book explores the act of declaring love in works of literature written between the middle of the eighteenth century and the death of Jane Austen - and uncovers the uncertain boundaries of the self in the force-field of courtship. Declaring love is understood as the hazardous attempt to find public, social terms which can communicate personal feelings and bring intimacy into being. This was a period highly sensitive to the propriety and artificiality of public forms, and hence peculiarly alive to problems around the idea of saying what you feel, problems experienced especially though not exclusively by women. Through this historical lens the author considers the ways in which we may become entangled with one another through language, the limits to our operation as independent individuals, and whether in love you can only feel what you can tell. The first part of the book examines eighteenth-century attitudes towards the independent or disengaged self, performance culture, and the feasibility of sincerity, through readings of a wide range of different works. This provides the basis for a discussion of Austen's novels in the final two chapters, focused on the dynamics of courtship and the moment of proposal, and making much of the role of Austen's narrative voice in supporting the subjectivity of the one in love.
It is possible to find true love through dating. In True Love Dates, Debra Fileta encourages singles not to "kiss dating goodbye" but instead to experience a season of dating as a way to find real love. Through powerful, real-life stories and Fileta's personal journey, this book offers profound insights from the expertise of a professional counselor. Christians are looking for answers to finding true love. They are disillusioned with the church that has provided little practical application in the area of love and relationships. They're bombarded by Christian books that shun dating, idolize courting, fixate on spirituality, and in the end, offer little real relationship help. True Love Dates provides honest help for dating by providing a guide into vital relationship essentials. Debra is a professional Christian counselor who reaches millions with her popular blog, Truelovedates.com, and her book offers sound advice grounded in Christian spirituality. She delivers insight, direction, and counsel when it comes to entering the world of dating and learning to do it right the first time around. Drawing on the stories and struggles of hundreds of young men and women who have pursued the search for true love, Fileta helps readers bypass unnecessary pain while focusing on the things that really matter in the world of dating.
This is my first published book that contains my most sacred thoughts in poetic form.
The #1 New York Times Bestseller “An engaging look at the often head-scratching, frequently infuriating mating behaviors that shape our love lives.” —Refinery 29 A hilarious, thoughtful, and in-depth exploration of the pleasures and perils of modern romance from Aziz Ansari, the star of Master of None and one of this generation’s sharpest comedic voices At some point, every one of us embarks on a journey to find love. We meet people, date, get into and out of relationships, all with the hope of finding someone with whom we share a deep connection. This seems standard now, but it’s wildly different from what people did even just decades ago. Single people today have more romantic options than at any point in human history. With technology, our abilities to connect with and sort through these options are staggering. So why are so many people frustrated? Some of our problems are unique to our time. “Why did this guy just text me an emoji of a pizza?” “Should I go out with this girl even though she listed Combos as one of her favorite snack foods? Combos?!” “My girlfriend just got a message from some dude named Nathan. Who’s Nathan? Did he just send her a photo of his penis? Should I check just to be sure?” But the transformation of our romantic lives can’t be explained by technology alone. In a short period of time, the whole culture of finding love has changed dramatically. A few decades ago, people would find a decent person who lived in their neighborhood. Their families would meet and, after deciding neither party seemed like a murderer, they would get married and soon have a kid, all by the time they were twenty-four. Today, people marry later than ever and spend years of their lives on a quest to find the perfect person, a soul mate. For years, Aziz Ansari has been aiming his comic insight at modern romance, but for Modern Romance, the book, he decided he needed to take things to another level. He teamed up with NYU sociologist Eric Klinenberg and designed a massive research project, including hundreds of interviews and focus groups conducted everywhere from Tokyo to Buenos Aires to Wichita. They analyzed behavioral data and surveys and created their own online research forum on Reddit, which drew thousands of messages. They enlisted the world’s leading social scientists, including Andrew Cherlin, Eli Finkel, Helen Fisher, Sheena Iyengar, Barry Schwartz, Sherry Turkle, and Robb Willer. The result is unlike any social science or humor book we’ve seen before. In Modern Romance, Ansari combines his irreverent humor with cutting-edge social science to give us an unforgettable tour of our new romantic world.
From the team that brought you The Obstacle Is the Way and Ego Is the Enemy, a daily devotional of Stoic meditations—an instant Wall Street Journal and USA Today Bestseller. Why have history's greatest minds—from George Washington to Frederick the Great to Ralph Waldo Emerson, along with today's top performers from Super Bowl-winning football coaches to CEOs and celebrities—embraced the wisdom of the ancient Stoics? Because they realize that the most valuable wisdom is timeless and that philosophy is for living a better life, not a classroom exercise. The Daily Stoic offers 366 days of Stoic insights and exercises, featuring all-new translations from the Emperor Marcus Aurelius, the playwright Seneca, or slave-turned-philosopher Epictetus, as well as lesser-known luminaries like Zeno, Cleanthes, and Musonius Rufus. Every day of the year you'll find one of their pithy, powerful quotations, as well as historical anecdotes, provocative commentary, and a helpful glossary of Greek terms. By following these teachings over the course of a year (and, indeed, for years to come) you'll find the serenity, self-knowledge, and resilience you need to live well.
Western culture has endlessly represented the ways in which love miraculously erupts in people’s lives, the mythical moment in which one knows someone is destined for us, the feverish waiting for a phone call or an email, the thrill that runs down our spine at the mere thought of him or her. Yet, a culture that has so much to say about love is virtually silent on the no less mysterious moments when we avoid falling in love, where we fall out of love, when the one who kept us awake at night now leaves us indifferent, or when we hurry away from those who excited us a few months or even a few hours before. In The End of Love, Eva Illouz documents the multifarious ways in which relationships end. She argues that if modern love was once marked by the freedom to enter sexual and emotional bonds according to one’s will and choice, contemporary love has now become characterized by practices of non-choice, the freedom to withdraw from relationships. Illouz dubs this process by which relationships fade, evaporate, dissolve, and break down “unloving.” While sociology has classically focused on the formation of social bonds, The End of Love makes a powerful case for studying why and how social bonds collapse and dissolve. Particularly striking is the role that capitalism plays in practices of non-choice and “unloving.” The unmaking of social bonds, she argues, is connected to contemporary capitalism which is characterized by practices of non-commitment and non-choice, practices that enable the quick withdrawal from a transaction and the quick realignment of prices and the breaking of loyalties. Unloving and non-choice have in turn a profound impact on society and economics as they explain why people may be having fewer children, increasingly living alone, and having less sex. The End of Love presents a profound and original analysis of the effects of capitalism and consumer culture on personal relationships and of what the dissolution of personal relationships means for capitalism.
National Book Award Finalist • Here is the unforgettable story of the Binewskis, a circus-geek family whose matriarch and patriarch have bred their own exhibit of human oddities—with the help of amphetamines, arsenic, and radioisotopes. One of The Atlantic’s Great American Novels of the Past 100 Years Their offspring include Arturo the Aquaboy, who has flippers for limbs and a megalomaniac ambition worthy of Genghis Khan . . . Iphy and Elly, the lissome Siamese twins . . . albino hunchback Oly, and the outwardly normal Chick, whose mysterious gifts make him the family’s most precious—and dangerous—asset. As the Binewskis take their act across the backwaters of the U.S., inspiring fanatical devotion and murderous revulsion; as its members conduct their own Machiavellian version of sibling rivalry, Geek Love throws its sulfurous light on our notions of the freakish and the normal, the beautiful and the ugly, the holy and the obscene. Family values will never be the same.
What beliefs are core to the Christian faith? This book is here to help you understand the reason for your hope as a Christian so that you can see it with fresh sight and invite others into the conversation. A lot of Christians take their story—the narratives that give rise to their beliefs—for granted. They pray, go to church, perhaps even read their Bible. But they might be stuck if a stranger asked them to explain what they believe and why they believe it. Author, pastor, and theologian Mike Horton unpacks the essential and basic beliefs that all Christians share in a way that is easy to understand and applicable to our lives today. And in a way that will make you excited to be a Christian! Core Christianity covers topics like: Jesus as both fully God and fully man. The doctrine of the Trinity. The goodness of God despite a broken world. The ways God speaks. The meaning of salvation. What is the Christian calling? Includes discussion questions for individual or group use. This introduction to the basic doctrines of Christianity is perfect for those who are new to the faith, as well as those who have an interest in deepening their understanding of what it means to be a follower of Jesus Christ.