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A pair of fierce foes are forced to work together to save the arts at their school in this “enemies-to-lovers rom-com of my dreams” (Rachel Lynn Solomon, author of Today Tonight Tomorrow) that fans of Jenny Han and Morgan Matson are sure to adore. Lifelong rivals Natalie and Reid have never been on the same team. So when their school’s art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She’s fighting to direct the school’s first ever student-written play, but for her small production to get funding, the school’s award-winning band will have to lose it. Reid’s band. And he’s got no intention of letting the show go on. But when their rivalry turns into an all-out prank war that goes too far, Natalie and Reid have to face the music, resulting in the worst compromise: writing and directing a musical. Together. At least if they deliver a sold-out show, the school board will reconsider next year’s band and theater budget. Everyone could win. Except Natalie and Reid. Because after spending their entire lives in competition, they have absolutely no idea how to be co-anything. And they certainly don’t know how to deal with the feelings that are inexplicably, weirdly, definitely developing between them…
A pair of fierce foes are forced to work together to save the arts at their school in this “enemies-to-lovers rom-com of my dreams” (Rachel Lynn Solomon, author of Today Tonight Tomorrow) that fans of Jenny Han and Morgan Matson are sure to adore. Lifelong rivals Natalie and Reid have never been on the same team. So when their school’s art budget faces cutbacks, of course Natalie finds herself up against her nemesis once more. She’s fighting to direct the school’s first ever student-written play, but for her small production to get funding, the school’s award-winning band will have to lose it. Reid’s band. And he’s got no intention of letting the show go on. But when their rivalry turns into an all-out prank war that goes too far, Natalie and Reid have to face the music, resulting in the worst compromise: writing and directing a musical. Together. At least if they deliver a sold-out show, the school board will reconsider next year’s band and theater budget. Everyone could win. Except Natalie and Reid. Because after spending their entire lives in competition, they have absolutely no idea how to be co-anything. And they certainly don’t know how to deal with the feelings that are inexplicably, weirdly, definitely developing between them…
Key Selling Points On Cue was shortlisted for the PNBA Book Award and listed as a CCBC Best Books for Kids and Teens. Enhanced features (dyslexia-friendly font, cream paper, larger trim size) to increase reading accessibility for dyslexic and other striving readers.
DIVDIVIn the first book of the Jocelyn O’Roarke series, when a Broadway show’s lead actress is murdered, her understudy must race to find the killer before it’s too late /divDIV Struggling actress Jocelyn “Josh” O’Roarke just got a real offer. Well, something resembling a real offer. Her old friend Austin Frost has written a play for Broadway and cast the glamorous Harriet Weldon as the lead. Not wishing to leave his old friend Josh behind, he has invited her to be Harriet’s understudy. The role of understudy is a difficult one—and it becomes even more so when Harriet turns up dead and the police name Josh their prime suspect./divDIV /divDIVWith the NYPD breathing down her neck, Josh must find the people responsible while ensuring that the show will go on./divDIV /divMurder on Cue is the first book of the Jocelyn O’Roarke mystery series, which also includes First Hit of the Season and Death Mask. /div
The Blue Book of pool cues is a visual masterpiece. Includes short biographies on most of the popular makers with hundreda of black & white images making pool cue identification easy.
Fleeing from the evil Sir Philip Morton, Peter Brownrigg finds himself on the wrong side of the law. On the run to London he meets Kit and the two decide to stick together. But a chance discovery endangers their lives and soon Peter is deep in murderous plots, secrets and even treason. Set in the turbulent days of Elizabeth I, this classic story of danger and intrigue conjures up a world of mystery, twists and turns and thrilling action.
Cue the Rocky Music is a memoir for anyone whos ever dared to follow their dreams or told they couldnt. Mike Kunda wanted to be Rocky Balboa. What he didnt know, was that in thirty years he would be. You wont know whether to wince or smile as young Mike wears costumes and faces bullies with a lack of physical prowess. Mike goes toe-to-toe with life and finds the courage to fail on his terms. After a series of connections with Sylvester Stallone, Mikes life goes from movie reel to real, as he takes another step toward his ideal job as a Rocky Balboa impersonator in Philadelphia.
This book is concerned with sensory cue integration both within and between sensory modalities, and focuses on the emerging way of thinking about cue combination in terms of uncertainty. These probabilistic approaches derive from the realization that our sensors are noisy and moreover are often affected by ambiguity. For example, mechanoreceptor outputs are variable and they cannot distinguish if a perceived force is caused by the weight of an object or by force we are producing ourselves. The probabilistic approaches elaborated in this book aim at formalizing the uncertainty of cues. They describe cue combination as the nervous system's attempt to minimize uncertainty in its estimates and to choose successful actions. Some computational approaches described in the chapters of this book are concerned with the application of such statistical ideas to real-world cue-combination problems. Others ask how uncertainty may be represented in the nervous system and used for cue combination. Importantly, across behavioral, electrophysiological and theoretical approaches, Bayesian statistics is emerging as a common language in which cue-combination problems can be expressed.
"Guarantees characters that glow with equal parts wit, sass, and sensuality." Library Journal (Starred Review) The first in a fun, flirty new series from Mia Sosa! After a very public breakup with a media-hungry politician, fitness trainer Tori Alvarez escapes to Aruba for rest, relaxation, and copious amounts of sex on the beach—the cocktail, that is. She vows to keep her vacation a man-free zone but when a cute guy is seated next to her on the plane, Tori can’t resist a little harmless flirting. Hollywood heartthrob Carter Stone underwent a dramatic physical transformation for his latest role and it’s clear his stunning seat mate doesn’t recognize the man beneath the shaggy beard and extra lean frame. Now Carter needs help rebuilding his buff physique and Tori is perfect for the job. It doesn’t hurt that she makes his pulse pound in more ways than one. Sparks are flying, until a pesky paparazzo reveals Carter’s identity. Tori is hurt and pissed. She wants nothing to do with another man in the limelight, but she’s still got to whip him into shape. Can Carter convince Tori he’s worth the threat to her privacy that comes with dating a famous actor, or will Tori chisel him down to nothing before he even gets the chance? Grab the popcorn…
There is no such thing as a “golden cue” that works for everyone 100% of the time. Therefore, the more cues a coach has in their toolbox, the more likely they will be able to effectively communicate with their athletes. Coaches use cues—short, easy-to-remember phrases—to help athletes perform movements correctly as well as to convey useful sports psychology perspectives. Athletes commonly hear movement cues like “Crush the Can” and “Grip the Ground” along with motivational cues like “Consistency is King.” A passionate coach, lifelong athlete, and advanced degree holder in kinesiology, Karl Eagleman, creator of the popular Whiteboard Daily Instagram, has put together a valuable resource for coaches, athletes, and anyone who wants to improve their own movement. The Whiteboard Daily Book of Cues contains a comprehensive collection of illustrations drawn on a whiteboard—a medium that virtually all coaches are familiar with. It boasts the largest list of cues ever compiled, covering Olympic weightlifting, powerlifting, gymnastics, kettlebell exercises, and monostructural movements (running, rowing, jumping rope, etc.). Each illustration is hand drawn in a simple, stylized way to make the cues easy to retain and to utilize during training. No two athletes are the same; we all learn in our own unique ways. By providing hundreds of cues, this book will help coaches and athletes learn a new way to understand movement for themselves and/or to communicate safe, effective movement to others.