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In 1986, when Bon Jovi’s third studio album, Slippery When Wet, was released, America had found its next superband. In Bon Jovi: America’s Ultimate Band, Margaret Olson chronicles the history and music of the band from its inception to present day. She closely examines Bon Jovi’s musical and social relevance to listeners past and present, exploring the remarkable ways the band has emerged as the expression and product of deep cultural needs and how, within a few years of commercial success, it has made a lasting impact on Generation X, the music business, and American culture. Through opportunities offered by cable television (particularly MTV), Hollywood, and corporate brands, Bon Jovi has been able to influence not only the music, film, and television industries but also the worlds of fashion, musical theater, art, philanthropy, and politics. Like any megaband, its members have struggled with addiction, the demands of fame, and a lack of critical respect. They have persevered, however, to become one of the United States’ world’s best-selling touring bands. Bon Jovi is a testament to the way modern culture and entertainment can become intertwined, and its success underscores the length of the band’s career, the professionalism of its management, the recognition of what audiences want, and the unique way the music—more than anything else—both reflects and shapes the social and musical American landscape it inhabits. Titles in the Tempo series are ideal introductions to major pop and rock artists, the music they produce, and their cultural and musical impact on society. Bon Jovi: America’s Ultimate Band should interest fans, students, and scholars alike.
'APPETITE FOR DESTRUCTION has the best of Wall's Kerrang! features, each bolstered by new, insightful post-scripts. You won't read a funnier rock book****' MOJO 'Wall is firing on all cylinders' CLASSIC ROCK 'This hilarious tome is a collection of his finest moments... Wall had a great knack from getting under the skin of interviewees' BIG ISSUE Whether it's hanging around with Marillion's Fish in Berlin, seeing Whitesnake fail to ignite 1985's Rock in Rio, talking through old times with Jimmy Page in his Berkshire pile or following Ozzy Osbourne to Moscow, there isn't a rock luminary that Wall hasn't cross-examined or kept the flame burning with at some point over the last thirty years. Here, amongst several pieces, he catches Lars Ullrich just on the cusp of world domination; has dinner with Ritchie Blackmore on the eve of a Deep Purple comeback; and is up all night in LA with W. Axl Rose. APPETITE FOR DESTRUCTION gathers together Wall's journalism for Kerrang!, for whom he was the star writer in their eighties heyday. It also features brand-new introductions to all the pieces, written with maybe less hair but also the benefit of twenty years' hindsight.
This is a story for young readers (mostly male) about a series of adventures on a steel horse (a bicycle). The story is told through the eyes of the bicycle ass Joe Waring and his friends spend their summer holidays riding around the countryside. The story is set in America.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
A lighthearted collection of stories, adventures, and misadventures from cycling encounters with animals and life’s experiences.
Highlights in a career of law enforcement spanning five decades.
Offering a concrete framework and practical methods for working from an existential perspective, this book has as its core the belief that many of our problems arise from the essential paradoxes of human existence, rather than personal pathology.
Bury those easy-to-read Black romance books. Mosquito is where African-American literature is heading as we approach the twenty-first century.--E. Ethelbert Miller, Emerge