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This clearly written book offers readers a succinct foundation to the most important topics in the field of data compression. Part I presents the basic approaches to data compression and describes a few popular techniques and methods that are commonly used to compress data. The reader will discover essential concepts. Part II concentrates on advanced techniques, such as arithmetic coding, orthogonal transforms, subband transforms and Burrows-Wheeler transform. This book is the perfect reference for advanced undergraduates in computer science and requires a minimum of mathematics. An author-maintained website provides errata and auxiliary material.
Data compression is one of the most important fields and tools in modern computing. From archiving data, to CD-ROMs, and from coding theory to image analysis, many facets of modern computing rely upon data compression. This book provides a comprehensive reference for the many different types and methods of compression. Included are a detailed and helpful taxonomy, analysis of most common methods, and discussions on the use and comparative benefits of methods and description of "how to" use them. Detailed descriptions and explanations of the most well-known and frequently used compression methods are covered in a self-contained fashion, with an accessible style and technical level for specialists and non-specialists.
Peter never saw the small brilliant beam of light nor the tall white figure materialize from thin air, twenty feet behind him, as he slowed to walk the last few feet before leaving the park. The figure paced exactly twenty feet behind as Peter made his way down the path toward his house. As he opened the door Peter felt a tingling in him mind, as if a thousand small electrical currents were turned on. He took two more steps before falling half-in and half-out of his entranceway. Peter struggled to grab a thought and hold it as jumbled images flashed from deep within his memory pouring forth like fireworks on the Fourth of July. His eyes fought to open from the dark void he felt in his mind, but could not. His eyes only saw the back of each retina while a movie seemed to dance within the light. It reminded Peter of time-lapse pictures taken of freeways at night; all you saw were long streaks of car-lights speeding by. From far away he heard the soothing voice repeat, "Relax. Please do not try to resist the transfer, Peter."
Now in paperback after six hardback printings, the damn funny...wild collection of bracingly intelligent essays about topics that aren't quite as intelligent as Chuck Klosterman'(Esquire). Following the success of Fargo Rock City, Klosterman, a senior writer at Spin magazine, is back with a hilarious and savvy manifesto for a youth gone wild on pop culture and media, taking on everything from Guns'n'Roses tribute bands to Christian fundamentalism to internet porn. 'Maddeningly smart and funny' - Washington Post'
This book presents the main concepts in handling digital images of mixed content, traditionally referenced as mixed raster content (MRC), in two main parts. The first includes introductory chapters covering the scientific and technical background aspects, whereas the second presents a set of research and development approaches to tackle key issues in MRC segmentation, compression and transmission. The book starts with a review of color theory and the mechanism of color vision in humans. In turn, the second chapter reviews data coding and compression methods so as to set the background and demonstrate the complexity involved in dealing with MRC. Chapter three addresses the segmentation of images through an extensive literature review, which highlights the various approaches used to tackle MRC segmentation. The second part of the book focuses on the segmentation of color images for optimized compression, including multi-layered decomposition and representation of MRC and the processes that can be employed to optimize the coding rates of those different layers. Rounding out the coverage, the final chapter examines the segmentation of color images for optimized transmission.
Satan has figured in film since the very birth of cinema. The Satanic Screen documents all of Satan’s cinematic incarnations, covering not only the horror genre but also a whole range of sub-genres including hardcore porn, mondo and underground film. Heavily illustrated with rare still photographs, posters and arcana, the book investigates the perennial symbiotic interplay between Satanic cinema and leading occultists, making it essential reading for anyone interested in the Black Arts and their continuing representation in populist culture. Revised and updated since its first acclaimed publication in 2001, Schreck’s study of the diabolical in film has since become a widely referenced standard work on the subject, enriched by Schreck's own personal engagement with magic and spiritual practice, which provides cineastes and sorcerers alike a veritable Encyclopedia Satanica of one of the oldest and most culturally profound genres in motion picture history.
Sherwood Pictures is the filmmaking ministry of Sherwood Baptist Church in Albany, Georgia, and the leading producer of church-based, independent Christian films. This book situates their work in the history of religion and film in America and shows how they bring to fruition early 20th century Protestant expectations for the use of film in the life of the church and their hopes for a vibrant Christian film industry. Also covered are the handful of churches, inspired by Sherwood, that have taken up their own cameras to create a growing church film movement. This book offers another examination of the relationship between conservative evangelical Protestant Christianity and the wider popular culture.
In The End of Cinema As We Know It, contributors well known in the 'movie' field talk about the movie industry and look at the variety of new ways we are viewing films. They query whether or not we are getting different, better movies?
Discover new theoretical connections between stochastic phenomena and the structure of natural language with this powerful volume! Information Theory Meets Power Laws: Stochastic Processes and Language Models presents readers with a novel subtype of a probabilistic approach to language, which is based on statistical laws of texts and their analysis by means of information theory. The distinguished author insightfully and rigorously examines the linguistic and mathematical subject matter while eschewing needlessly abstract and superfluous constructions. The book begins with a less formal treatment of its subjects in the first chapter, introducing its concepts to readers without mathematical training and allowing those unfamiliar with linguistics to learn the book’s motivations. Despite its inherent complexity, Information Theory Meets Power Laws: Stochastic Processes and Language Models is a surprisingly approachable treatment of idealized mathematical models of human language. The author succeeds in developing some of the theory underlying fundamental stochastic and semantic phenomena, like strong nonergodicity, in a way that has not previously been seriously attempted. In doing so, he covers topics including: Zipf’s and Herdan’s laws for natural language Power laws for information, repetitions, and correlations Markov, finite-state,and Santa Fe processes Bayesian and frequentist interpretations of probability Ergodic decomposition, Kolmogorov complexity, and universal coding Theorems about facts and words Information measures for fields Rényi entropies, recurrence times, and subword complexity Asymptotically mean stationary processes Written primarily for mathematics graduate students and professionals interested in information theory or discrete stochastic processes, Information Theory Meets Power Laws: Stochastic Processes and Language Models also belongs on the bookshelves of doctoral students and researchers in artificial intelligence, computational and quantitative linguistics as well as physics of complex systems.