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Everyone has a moment of selfishness, and Olympos is no different. Olympos wants a different life-to be a different animal. He only thinks of himself, visiting the most fearsome creature in the forest. But the task that she gives Olympos will cost his friends everything and soon Olympos is faced with the most painful decision. Will Olympos be able to get himself out of his predicament, or will he suffer the consequences? Would you choose to sacrifice yourself to save your friends? In Olympos, the Selfish Squirrel, Olympos is faced with this decision. Join new author Darla DeSosa-Rocha as she takes you on a journey from selfishness to altruism. Darla DeSosa-Rocha is a third grade teacher who enjoys teaching and has always enjoyed reading and writing. Darla earned her bachelor's degree in upstate New York and is pursuing her master's degree. Darla and her husband, Rick, currently reside north of Tampa, Florida where they enjoy the sunshine and warm weather.
In the 40 essays that constitute this collection, Guy Davenport, one of America's major literary critics, elucidates a range of literary history, encompassing literature, art, philosophy and music, from the ancients to the grand old men of modernism.
The legendary 1964 Broadway run of Hamlet directed by John Gielgud is one of the most famous productions of Shakespeare’s most important play. Audacious for its time in concept and execution, it placed the actors in everyday clothes within an unassuming “rehearsal” set, with the Ghost of Hamlet’s father projected as a shadow against the rear wall and voiced by the director himself. It was also a runaway critical and financial success, breaking the then-record for most performances of a Broadway show. This was in no small part due to the starring role played by Richard Burton, whose romance with Elizabeth Taylor was the object of widespread fascination. Present throughout, and ever attentive to the backstage drama and towering egos on display, was the actor William Redfield, who played Guildenstern. During the three months of the play’s preparation, from rehearsals through out-of-town tryouts to the gala opening night on Broadway, Redfield wrote a series of letters describing the daily happenings and his impressions of them. In 1967, they were in 1967 collected into Letters from an Actor, a brilliant and unusual book that has since become a classic behind-the-scenes account that remains an indispensable contribution to theatrical history and lore. This new edition at last brings Redfield’s classic back into print, as The Motive and the Cue—the Sam Mendes-directed play about the Gielgud production that is based in part on the book—continues its successful run in London’s West End.