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Back in print for the first time in decades—and featuring a new interview with the author, in celebration of her centennial birthday—the delectable escapades of Hollywood legend Olivia de Havilland, who fell in love with a Frenchman—and then became a Parisian In 1953, Olivia de Havilland—already an Academy Award-winning actress for her roles in To Each His Own and The Heiress—became the heroine of her own real-life love affair. She married a Frenchman, moved to Paris, and planted her standard on the Left Bank of the River Seine. It has been fluttering on both Left and Right Banks with considerable joy and gaiety from that moment on. Still, her transition from Hollywood celebrity to parisienne was anything but easy. And in Every Frenchman Has One, her skirmishes with French customs, French maids, French salesladies, French holidays, French law, French doctors, and above all, the French language, are here set forth in a delightful and amusing memoir of her early years in the “City of Light.” Paraphrasing Caesar, Ms. de Havilland says, “I came. I saw. I was conquered.”
IPPY Award Bronze Medalist for Performing Arts Digging deep into the vaults of Warner Brothers and the collections of the Academy of Motion Picture Arts and Sciences as well as other private archives, this book explores the complex personal and professional relationship of Errol Flynn and Olivia de Havilland. Flynn, even 50 years after his death, continues to conjure up images to the prototypical handsome, charismatic ladies' man; while de Havilland, a two-time Best Actress Academy Award winner, is the last surviving star of Gone with the Wind. Richly illustrated with both color and black-and-white photos, most previously unpublished, this detailed history tells the sexy story of these two massive stars, both together and apart.
Documenting the most notorious house in Hollywood, this history spans the life and death of Mulholland Farm, the elegant and infamous mountaintop showplace built by film star Errol Flynn at the height of his fame. While appearing to be stylish and refined, Flynn installed secret passageways, two-way mirrors, and other voyeuristic tools into the house to spy on the famous women he entertained, as well as couples making love. He lived in Mulholland Farm during Hollywood’s Golden Era, when he was the most famous playboy movie star alive, remaining in the home through the rape trial that almost ruined him and the snatching of John Barrymore's body. The intricate story of the farm also spans five continents to include Franklin Delano Roosevelt, Ronald Reagan, Fidel Castro, Humphrey Bogart, Shirley Temple, Clark Gable, Billy Graham, Johnny Cash, Roy Rogers, the Rolling Stones, and the other two owners of the property, Christian singer/songwriter Stuart Hamblen and rock ‘n’ roll legend Rick Nelson.
This joint biography of Bette Davis and Joan Crawford follows Hollywood's most epic rivalry throughout their careers. They only worked together once, in the classic spine-chiller "What Ever Happened to Baby Jane" and their violent hatred of each other as rival sisters was no act. In real life they fought over as many man as they did film roles. The story of these two dueling divas is hilarious, monstrous, and tragic, and Shaun Considine’s account of it is exhaustive, explosive, and unsparing. “Rip-roaring. A definite ten.” - New York Magazine.
Overwhelmed by electronic gadgets? Buried under an avalanche of e-mails? Juggling too many tasks and responsibilities? Desperately in need of a deep breath and a time-out? For all of us who answer yes to any of these questions, help is on the way. Getting to the heart of our hassled and over-scheduled existence, Christine Louise Hohlbaum cheerfully investigates 101 ways to increase our quality of life and productivity by reevaluating how we perceive and use time. Everyone has their own personal bank account of time, and while we cannot control time itself, we can manage the activities with which we fill the time we have available to us. The Power of Slow gives readers practical, concise directions to change the relationship they have with time and debunks the myths of multitasking, speed, and urgency as the only ways to efficiency. Tips include: · When working on a project on your computer, close all the windows, with the exception of the one you need to do your job. · Learn to say no in a polite and constructive way to favors, invitations, and requests. · Manage your own expectations, as well as those of others, by clearly stating what is possible in the time frame given. · Declare gadget-free zones (both geographical and temporal) to really enjoy your leisure time. · Know when your plate is full. · Make commitments to difficult tasks in five-minute increments and gradually increase the increments. · Save your most favorite or the easiest tasks for last to avoid procrastination. The Power of Slow will help readers identify areas in need of improvement and show them how to become more efficient and less frazzled at work and at home---and live a better, more balanced life.
A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays. The book includes the stories of film historian/critic Leonard Maltin, TCM host Robert Osborne discussing Rock Hudson's secret 1970s film vault, RoboCop producer Jon Davison dropping acid and screening King Kong with Jefferson Airplane at the Fillmore East, and Academy Award-winning film historian Kevin Brownlow recounting his decades-long quest to restore the 1927 Napoleon. Other lesser-known but equally fascinating subjects include one-legged former Broadway dancer Tony Turano, who lives in a Norma Desmond-like world of decaying movie memories, and notorious film pirate Al Beardsley, one of the men responsible for putting O. J. Simpson behind bars. Authors Dennis Bartok and Jeff Joseph examine one of the least-known episodes in modern legal history: the FBI's and Justice Department's campaign to harass, intimidate, and arrest film dealers and collectors in the early 1970s. Many of those persecuted were gay men. Victims included Planet of the Apes star Roddy McDowall, who was arrested in 1974 for film collecting and forced to name names of fellow collectors, including Rock Hudson and Mel Tormé. A Thousand Cuts explores the obsessions of the colorful individuals who created their own screening rooms, spent vast sums, negotiated underground networks, and even risked legal jeopardy to pursue their passion for real, physical film.
Best remembered for the iconic classics Gone with the Wind (1939) and The Wizard of Oz (1939) to the silver screen, Victor Fleming also counted successful films such as Red Dust (1932), Captains Courageous (1937), Test Pilot (1939), Dr. Jekyll and Mr. Hyde (1941), and the groundbreaking Joan of Arc (1948) among his more than forty directing credits. One of the most sought-after directors in Hollywood's golden age, Fleming (1889--1949) was renowned for his ability to make films across a wide range of genres. In Victor Fleming: An American Movie Master, author Michael Sragow paints a comprehensive portrait of the talented and charismatic man who helped create enduring screen personas for stars such as Clark Gable, Spencer Tracy, and Gary Cooper.
*Includes pictures. *Includes both actresses' quotes about each other and their careers. *Includes a bibliography for further reading. "Famous people feel that they must perpetually be on the crest of the wave, not realising that it is against all the rules of life. You can't be on top all the time, it isn't natural." - Olivia de Havilland "You know, I've had a helluva life. Not just the acting part. I've flown in an international balloon race. I've piloted my own plane. I've ridden to the hounds. I've done a lot of exciting things." - Joan Fontaine Olivia de Havilland is one of the last few living actresses who worked during the Golden Era of Hollywood, but also one of the most decorated, winning dozens of awards over the course of a 50 year career. Among those, she most notably won the Academy Award for Best Actress for To Each His Own (1946) and The Heiress (1949), more than a decade after she got her start as an 18 year old in Hollywood. Ironically, de Havilland was in California in part because the young British girl who had been born in Tokyo stopped in the States for medical treatment. Of course, de Havilland isn't well remembered for any of those accolades or other movies but because she played Melanie Hamilton in Gone With the Wind (1939), perhaps the most famous movie in American history. Although she was a veteran actress at the time, de Havilland's career hadn't progressed much since she started, and rumor has it that she eventually got the role after her own sister, Joan Fontaine, was asked to audition for the part and recommended Olivia instead. Olivia was ultimately nominated for an Academy Award for Best Supporting Actress and became a household name in her adopted country overnight. Having been typecast in light romantic comedies before Gone With the Wind, that performance ensured de Havilland subsequently had a long, productive and versatile career making everything from Westerns and dramas. Of those movies, she is perhaps most closely associated with the enigmatic Errol Flynn, another foreign-born actor who was more notorious for his roles off the screen than on it. Before his untimely death, they appeared in several films together and became one of Hollywood's most popular on-screen couples. Although Fontaine and de Havilland would make history by becoming the only sisters to both win an Academy Award for Best Actress, that anecdote was just one of the various stories about the siblings that has shed light on their notoriously contentious and complicated relationship. As Fontaine once put it, "I married first, won the Oscar before Olivia did, and if I die first, she'll undoubtedly be livid because I beat her to it!" De Havilland herself once said, "Joan is very bright and sharp and can be cutting." Of course, one of the reasons people have remained interested in the sisters is that both of them had such long acting careers, and Fontaine became best remembered both for a career that spanned 60 years and several high profile marriages. With typical humor, Fontaine joked about the fact she had so many husbands, commenting in jest, "If you keep marrying as I do, you learn everybody's hobby." But that attention has only served to obscure her very serious professional career, which saw her won the Oscar for Best Actress for her role in Alfred Hitchcock's Suspicion (1941). She also earned a nomination for her performance in The Constant Nymph (1943), and in a television career that spanned several decades, she earned an Emmy nomination for her work on Ryan's Hope in 1980, nearly 40 years after winning the Academy Award for Suspicion. Fontaine even appeared on Broadway in a couple of productions that ran for several years. This book profiles the life and career of two of Hollywood's most prolific actresses. Along with pictures of important people, places, and events, you will learn about the sisters like never before.