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Oliver Twist, by Charles Dickens, a great fiction book of 19th century, here is the beginning; AMONG other public buildings in a certain town which for many reasons it will be prudent to refrain from mentioning, and to which I will assign no fictitious name, it boasts of one which is common to most towns, great or small, to wit, a workhouse; and in this workhouse was born, on a day and date which I need not take upon myself to repeat, inasmuch as it can be of no possible consequence to the reader, in this stage of the business at all events, the item of mortality whose name is prefixed to the head of this chapter. For a long time after he was ushered into this world of sorrow and trouble, by the parish surgeon, it remained a matter of considerable doubt whether the child would survive to bear any name at all; in which case it is somewhat more than probable that these memoirs would never have appeared, or, if they had, being comprised within a couple of pages, that they would have possessed the inestimable merit of being the most concise and faithful specimen of biography extant in the literature of any age or country
The story of Oliver Twist - orphaned, and set upon by evil and adversity from his first breath - shocked readers when it was published. After running away from the workhouse and pompous beadle Mr Bumble, Oliver finds himself lured into a den of thieves peopled by vivid and memorable characters - the Artful Dodger, vicious burglar Bill Sikes, his dog Bull's Eye, and prostitute Nancy, all watched over by cunning master-thief Fagin. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.
Example in this ebook CHAPTER XXXVII. CONTAINING AN ACCOUNT OF WHAT PASSED BETWEEN MR. AND MRS. BUMBLE AND MONKS, AT THEIR NOCTURNAL INTERVIEW. It was a dull, close, overcast summer evening, when the clouds, which had been threatening all day, spread out in a dense and sluggish mass of vapour, already yielded large drops of rain, and seemed to presage a violent thunderstorm,—as Mr. and Mrs. Bumble, turning out of the main street of the town, directed their course towards a scattered little colony of ruinous houses, distant from it some mile and a-half, or thereabouts, and erected on a low unwholesome swamp, bordering upon the river. They were both wrapped in old and shabby outer garments, which might perhaps serve the double purpose of protecting their persons from the rain, and sheltering them from observation; the husband carried a lantern, from which, however, no light yet shone, and trudged on a few paces in front, as though—the way being dirty—to give his wife the benefit of treading in his heavy foot-prints. They went on in profound silence; every now and then Mr. Bumble relaxed his pace, and turned his head round, as if to make sure that his helpmate was following, and, discovering that she was close at his heels, mended his rate of walking, and proceeded at a considerable increase of speed towards their place of destination. This was far from being a place of doubtful character, for it had long been known as the residence of none but low and desperate ruffians, who, under various pretences of living by their labour, subsisted chiefly on plunder and crime. It was a collection of mere hovels, some hastily built with loose bricks, and others of old worm-eaten ship timber, jumbled together without any attempt at order or arrangement, and planted, for the most part, within a few feet of the river’s bank. A few leaky boats drawn up on the mud, and made fast to the dwarf wall which skirted it, and here and there an oar or coil of rope, appeared at first to indicate that the inhabitants of these miserable cottages pursued some avocation on the river; but a glance at the shattered and useless condition of the articles thus displayed would have led a passerby without much difficulty to the conjecture that they were disposed there, rather for the preservation of appearances than with any view to their being actually employed. In the heart of this cluster of huts, and skirting the river, which its upper stories overhung, stood a large building formerly used as a manufactory of some kind, and which had in its day probably furnished employment to the inhabitants of the surrounding tenements. But it had long since gone to ruin. The rat, the worm, and the action of the damp, had weakened and rotted the piles on which it stood, and a considerable portion of the building had already sunk down into the water beneath, while the remainder, tottering and bending over the dark stream, seemed to wait a favourable opportunity of following its old companion, and involving itself in the same fate. It was before this ruinous building that the worthy couple paused as the first peal of distant thunder reverberated in the air, and the rain commenced pouring violently down. “The place should be somewhere here,” said Bumble, consulting a scrap of paper he held in his hand. “Halloa there!” cried a voice from above. Following the sound, Bumble raised his head, and descried a man looking out of a door, breast-high, on the second story. “Stand still a minute,” cried the voice; “I’ll be with you directly.” With which the head disappeared, and the door closed. To be continue in this ebook
Olivia Twist is an innovative reimagining of Charles Dickens' classic tale Oliver Twist, in which Olivia was forced to live as a boy for her own safety until she was rescued from the streets. Now eighteen, Olivia finds herself at a crossroads: revealed secrets threaten to destroy the "proper" life she has built for herself, while newfound feelings for an arrogant young man she shouldn't like could derail her carefully laid plans for the future. Olivia Brownlow is no damsel in distress. Born in a workhouse and raised as a boy among thieving London street gangs, she is as tough and cunning as they come. When she is taken in by her uncle after a caper gone wrong, her life goes from fighting and stealing on the streets to lavish dinners and soirees as a debutante in high society. But she can’t seem to escape her past … or forget the teeming slums where children just like her still scrabble to survive. Jack MacCarron rose from his place in London's East End to become the adopted "nephew" of a society matron. Little does society know that MacCarron is a false name for a boy once known among London gangs as the Artful Dodger, and that he and his “aunt” are robbing them blind every chance they get. When Jack encounters Olivia Brownlow in places he least expects, his curiosity is piqued. Why is a society girl helping a bunch of homeless orphan thieves? Even more intriguing, why does she remind him so much of someone he once knew? Jack finds himself wondering if going legit and risking it all might be worth it for love.
In 19th century London, the trusting orphan Oliver escapes factory work, only to fall in with a gang of nefarious thieves.
Oliver Twist; or, the Parish Boy's Progress is Charles Dickens's second novel, and was published as a serial from 1837 to 1839 and released as a three-volume book in 1838, before the serialization ended. The story centres on orphan Oliver Twist, born in a workhouse and sold into apprenticeship with an undertaker. After escaping, Oliver travels to London, where he meets the "Artful Dodger", a member of a gang of juvenile pickpockets led by the elderly criminal Fagin. Oliver Twist is notable for its unromantic portrayal of criminals and their sordid lives, as well as for exposing the cruel treatment of the many orphans in London in the mid-19th century. The alternative title, The Parish Boy's Progress, alludes to Bunyan's The Pilgrim's Progress, as well as the 18th-century caricature series by William Hogarth, A Rake's Progress and A Harlot's Progress. In this early example of the social novel, Dickens satirises the hypocrisies of his time, including child labour, the recruitment of children as criminals, and the presence of street children. The novel may have been inspired by the story of Robert Blincoe, an orphan whose account of working as a child labourer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own experiences as a youth contributed as well. Oliver Twist has been the subject of numerous adaptations for various media, including a highly successful musical play, Oliver!, and the multiple Academy Award-winning 1968 motion picture. Disney also put its spin on the novel with the animated film called Oliver & Company in 1988.
The orphaned Oliver Twist falls in with thieves and pickpockets in Charles Dickens' novel of adventure, escapades, and some of the most beloved characters in literature. Full color illustrations.