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The story of Oliver Twist - orphaned, and set upon by evil and adversity from his first breath - shocked readers when it was published. After running away from the workhouse and pompous beadle Mr Bumble, Oliver finds himself lured into a den of thieves peopled by vivid and memorable characters - the Artful Dodger, vicious burglar Bill Sikes, his dog Bull's Eye, and prostitute Nancy, all watched over by cunning master-thief Fagin. Combining elements of Gothic Romance, the Newgate Novel and popular melodrama, Dickens created an entirely new kind of fiction, scathing in its indictment of a cruel society, and pervaded by an unforgettable sense of threat and mystery.
Oliver Twist; or, the Parish Boy's Progress is Charles Dickens's second novel, and was published as a serial from 1837 to 1839 and released as a three-volume book in 1838, before the serialization ended. The story centres on orphan Oliver Twist, born in a workhouse and sold into apprenticeship with an undertaker. After escaping, Oliver travels to London, where he meets the "Artful Dodger", a member of a gang of juvenile pickpockets led by the elderly criminal Fagin. Oliver Twist is notable for its unromantic portrayal of criminals and their sordid lives, as well as for exposing the cruel treatment of the many orphans in London in the mid-19th century. The alternative title, The Parish Boy's Progress, alludes to Bunyan's The Pilgrim's Progress, as well as the 18th-century caricature series by William Hogarth, A Rake's Progress and A Harlot's Progress. In this early example of the social novel, Dickens satirises the hypocrisies of his time, including child labour, the recruitment of children as criminals, and the presence of street children. The novel may have been inspired by the story of Robert Blincoe, an orphan whose account of working as a child labourer in a cotton mill was widely read in the 1830s. It is likely that Dickens's own experiences as a youth contributed as well. Oliver Twist has been the subject of numerous adaptations for various media, including a highly successful musical play, Oliver!, and the multiple Academy Award-winning 1968 motion picture. Disney also put its spin on the novel with the animated film called Oliver & Company in 1988.
Award-winning screenwriter GARY WHITTA (Rogue One: A Star Wars Story, The Book Of Eli) teams with celebrated artist DARICK ROBERTSON (Transmetropolitan, HAPPY!, The Boys) for a new take on a literary classicÑwith a futuristic twist. OLIVER re-imagines Charles DickensÕ most famous orphan as a post-apocalyptic superhero fighting to liberate a war-ravaged England while searching for the truth about his own mysterious origins. ÒGARY WHITTA slips effortlessly from movies into comics with a terrific story and career-best art from DARICK ROBERTSON.Ó ÑMARK MILLAR
This beautiful edition of Tomie dePaola’s progressive 1979 classic stars a special little boy who won’t give up on the dreams that make him unique. Oliver Button is a sissy. At least that’s what the other boys call him. But here’s what Oliver Button really is: a reader, and an artist, and a singer, and a dancer, and more. What will his classmates say when he steps into the spotlight?
From a parish workhouse to the heart of the industrial revolution, from debtors' jail to Cambridge University and a prestigious London church, Robert Blincoe's political, personal and turbulent story illuminates the Dickensian age like never before. In 1792 as revolution, riot and sedition spread across Europe, Robert Blincoe was born in the calm of rural St Pancras parish. At four he was abandoned to a workhouse, never to see his family again. At seven, he was sent 200 miles north to work in one of the cotton mills of the dawning industrial age. He suffered years of unrelenting abuse, a life dictated by the inhuman rhythm of machines. Like Dickens' most famous character, Blincoe rebelled after years of servitude. He fought back against the mill owners, earning beatings but gaining self-respect. He joined the campaign to protect children, gave evidence to a Royal Commission into factory conditions and worked with extraordinary tenacity to keep his own children from the factories. His life was immortalised in one of the most remarkable biographies ever written, A Memoir of Robert Blincoe. Renowned popular historian John Waller tells the true story of a parish boy's progress with passion and in enthralling detail.
You have heard, no doubt, the tale of Master Oliver Twist - that rags-to-riches boy; the parish orphan who became heir to the Brownlow fortune. But what few know is that was a second Twist - a girl, brought into this world moments ahead of her brother. This is the story of Twill Twist - and her journey through the gambling dens and workhouses of London, as she attempts to make a life for herself, rescue her friends, and uncover the mystery of her past - while meeting some familiar faces along the way... Re-discover the Artful Dodger, Fagin, and Oliver Twist himself, along with a host of fantastic new heroes and villains, in this brilliantly-imagined, rip-roaring sequel to Dickens' much-loved classic.
Dinah Mulock Craik’s The Half-Caste concerns the coming-of-age of its title character, the mixed-race Zillah Le Poer, daughter of an English merchant and an Indian princess. Sent back to England as a young girl, Zillah has no knowledge that she is an heiress. She lives with her uncle Le Poer, his wife, and two daughters, and is treated as little more than a servant in the household. Zillah’s situation is gradually improved when Cassandra Pryor is employed as a governess to the Le Poer daughters and takes an interest in the mysterious “cousin.” Craik explores issues of gender, race, and empire in the Victorian period in this compact and gripping novella. Along with a newly-annotated text, this Broadview edition includes a critical introduction that discusses Craik’s involvement with contemporary racial and imperialist attitudes, her place within the broader genre of Anglo-Indian fiction, and the importance of Zillah Le Poer as a positive symbol of empire. The edition is also enriched with relevant contemporary contextual material, including Dinah Mulock Craik’s writing on gender and female employment, British views on the biracial Eurasian community in India, and writings on the Victorian governess.
The orphaned Oliver Twist falls in with thieves and pickpockets in Charles Dickens' novel of adventure, escapades, and some of the most beloved characters in literature. Full color illustrations.
The Musical, Second Edition, introduces students and general readers to the entire scope of the history of musical theater, from eighteenth-century ballad operas to nineteenth-century operettas, to the Golden Age of Broadway to today. In this comprehensive history, master theater historian Kurt Gänzl draws on his vast knowledge of the productions, the actors, the music and dance, and the reception of the central repertory of the musical theater. Focus boxes on key shows are included in every chapter, along with a chronology of the major musical productions described in the text. Production photographs from around the world enhance the descriptions of the costumes and staging. This book is an ideal introduction for college-level courses on the History of Musical Theater and will also appeal to the general theatergoer who wants to learn more about how today’s musical developed from its earliest roots.