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First published in 1911, this acclaimed and influential feminist classic is one of the most important of the twentieth century.
Articles, most revised and republished from various periodicals ; most concern Boer-English relations.
Olive Schreiner and the Progress of Feminism explores two key areas: first, the debates taking place in England during the last two decades of the nineteenth century about the position of women; and, second, the volatile events of the 1890s in South Africa, which culminated in war between the British Empire and the Boer republics in 1899. Through a detailed reading of the fictional and non-fictional writing of one extraordinary woman, Olive Schreiner, it traces the complex relations between gender and empire in a modernizing world.
"From Man to Man" is a feminist novel by the first South African-born novelist Olive Schreiner. The story tells of two white women, Rebekah and Bertie. They are sisters born into the racist and sexist society of mid-nineteenth-century South Africa. One of them remains in the Cape, marries, and has children. The other becomes a kept woman and a prostitute in London's East End. The novel's main question is, how far are marriage and prostitution apart in a world where women are valued mainly for their bodies?
Containing 550 letters--some newly discovered, many unknown to general readers--this first of two volumes spans the years 1871 to 1899, from Schreiner's career as a governess to her life in Europe and her marriage. These letters, certain to satisfy the reawakened interest in Schreiner, give a full and rounded picture of the novelist's life and work. Containing 550 letters--some newly discovered, many unknown to general readers--this first of two volumes spans the years 1871 to 1899, from Schreiner's career as a governess to her life in Europe and her marriage.
This book works across established categories of modernism and postcolonialism in order to radically revise the periods, places, and topics traditionally associated with anti-colonialism and aesthetic experimentation in African literature. The book is the first account of Olive Schreiner as a theorist and practitioner of modernist form advancing towards an emergent postcolonialism. The book draws on and broadens discussions in and around the blossoming field of global modernist studies by interrogating the conventionally accepted genealogy of development that positions Europe and America as the sites of innovation. It provides an original examination of the relationships between metaphor, postcolonialism, and modernist experimentation by showing how politically and aesthetically innovative African forms rely on allegorical structures, in contrast to the symbolism dominant in Euro-American modernism. An original theoretical concept of the role of primitivism and allegory within the context of modernism and associated critical theory is proposed through the integration of postcolonial, Marxist, and ecocritical approaches to literature. The book provides original readings of Schreiner’s three novels, Undine, The Story of An African Farm, and From Man to Man, in light of the new theory of primitivism in African literature by directly addressing the issue of narrative form. This argument is contextualised in relation to the work of other Southern African authors, in whose writings the impact of Schreiner’s politics and aesthetics can be traced. These authors include J.M. Coetzee, Nadine Gordimer, Doris Lessing, Solomon T. Plaatje, and Zoe Wicomb, amongst others. This book brings the most current debates in modernist studies, ecocriticism, and primitivism into the field of postcolonial studies and contributes to a widening of the debates surrounding gender, race, empire, and modernism.
Originally published in 1929, "Undine" is a semi-autobiographical novel about life in colonial South Africa. Olive Schreiner (1855–1920) was a South African anti-war campaigner, intellectual, and author most famous for her highly-acclaimed novel “The Story of an African Farm” (1883), which deals with such issues as existential independence, agnosticism, individualism, and the empowerment of women. Other notable works by this author include: “Closer Union: a Letter on South African Union and the Principles of Government” (1909), and “Woman and Labour” (1911). Read & Co. Classics is proudly republishing this classic novel now in a new edition complete with a specially-commissioned new biography of the author and an Introduction by S. C. Cronwright-Schreiner.