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Places and Spaces of Crime in Popular Imagination ventures into the realms of genre literature to explore its rendering of locations and spaces. It brings a varied theoretical framework to the exploration of genres such as crime fiction, the spy novel, the academic mystery, crime comics, and crime film.
A Russian princess, a refugee from the Bolsheviks, abandoned by a faithless husband, flees with her child to France, where she is subsequently found half-naked on a riverbank next to a body of a man with a terrible wound on his head.
The summer of ’47. In the sleepy town of Villiers-la-Forêt, roughly an hour from Paris, the peaceful radiance of the day is interrupted by the discovery that, along a nearby riverbank, the body of a man has washed up, a gaping wound in his skull. Beside him rests a beautiful, nearly bare-breasted woman, her dress soaked and in tatters. An accident or foul play? A crime of passion? Soon there are almost as many speculations and theories as there are townspeople. The woman, it turns out, is a Russian princess, Olga Arbyelina, a refugee from the Bolshevik revolution who in the 1930s had settled in town along with many of her compatriots. Rumor was that Olga's husband, a dashing prince given to gambling and revels, had deserted her some years after the couple's arrival in France, leaving her alone to care for their young son. About the victim, also a Russian refugee, little is known: many years Olga's elder, he was a taciturn, rather coarse, slightly ridiculous man name Sergei Golets, thought dismissively to be a former horse butcher. What on earth could have brought these two unlikely souls together? Makine meticulously re-creates Olga's past—her enchanted childhood; her pampered youth and fevered, transitory embrace of the revolution; her arduous flight toward freedom; her encounter with the dashing White Army officer who saved her life; her marriage and arrival in France; the birth of her adored son. Love has its limits, its limitations and boundaries. But in a woman of great passion, what do such limits mean when you know that each day may be the last for your son?
WINNER OF THE NOBEL PRIZE IN LITERATURE "A brilliant literary murder mystery." —Chicago Tribune "Extraordinary. Tokarczuk's novel is funny, vivid, dangerous, and disturbing, and it raises some fierce questions about human behavior. My sincere admiration for her brilliant work." —Annie Proulx In a remote Polish village, Janina devotes the dark winter days to studying astrology, translating the poetry of William Blake, and taking care of the summer homes of wealthy Warsaw residents. Her reputation as a crank and a recluse is amplified by her not-so-secret preference for the company of animals over humans. Then a neighbor, Big Foot, turns up dead. Soon other bodies are discovered, in increasingly strange circumstances. As suspicions mount, Janina inserts herself into the investigation, certain that she knows whodunit. If only anyone would pay her mind . . . A deeply satisfying thriller cum fairy tale, Drive Your Plow over the Bones of the Dead is a provocative exploration of the murky borderland between sanity and madness, justice and tradition, autonomy and fate. Whom do we deem sane? it asks. Who is worthy of a voice?
The Poetics of Crime provides an invitation to reconsider and reimagine how criminological knowledge may be creatively and poetically constructed, obtained, corroborated and applied. Departing from the conventional understanding of criminology as a discipline concerned with refined statistical analyses, survey methods and quantitative measurements, this book shows that criminology can - and indeed should - move beyond such confines to seek sources of insight, information and knowledge in the unexplored corners of poetically and creatively inspired approaches and methodologies. With chapters illustrating the ways in which criminologists and other researchers or practitioners working on crime-related questions can find inspiration in a variety of unconventional materials, writing styles and analytical strategies, The Poetics of Crime offers studies of police photography, classic and contemporary literature, silver screen movies, performative dance enactments and media images. As such, this volume opens up the field of criminological research to alternative and novel sources of knowledge about crime, its perpetrators and victims, authorities, motives and justice. It will therefore appeal not only to sociologists, social theorists and criminologists, but to scholars across disciplines with interests in crime, deviance and innovative approaches to social research.
An award-winning debut novel about a quirky immigrant’s journey through a multicultural, post-nationalist landscape Set in Frankfurt, All Russians Love Birch Trees follows a young immigrant named Masha. Fluent in five languages and able to get by in several others, Masha lives with her boyfriend, Elias. Her best friends are Muslims struggling to obtain residence permits, and her parents rarely leave the house except to compare gas prices. Masha has nearly completed her studies to become an interpreter, when suddenly Elias is hospitalized after a serious soccer injury and dies, forcing her to question a past that has haunted her for years. Olga Grjasnowa has a unique gift for seeing the funny side of even the most tragic situations. With cool irony, her debut novel tells the story of a headstrong young woman for whom the issue of origin and nationality is immaterial—her Jewish background has taught her she can survive anywhere. Yet Masha isn’t equipped to deal with grief, and this all-too-normal shortcoming gives a particularly bittersweet quality to her adventures.
Female Serial Killers Through Time From historical accounts to modern cases, explore the captivating psychology behind these killer women, unraveling their motives and unveiling the dark complexities of human behavior. The fair sex. We’ve often heard this clichéd expression being used to refer to women. Although it has become increasingly outdated, the mindset still exists that women are the gentle and nurturing sex. When it comes to murder, that notion gets turned on its head. And this isn’t a recent phenomenon; we can find plenty of female killers going back in history. In fact, some of the world’s most notorious serial killers have been women. These female killers give their male counterparts a run for their money, and deserve to be counted among the most famous serial killers. Unearth the disturbing histories of notorious women. From the chilling accounts of infamous black widow murders to the spine-tingling narratives of women who shocked the world with their sinister deeds, this anthology delves deep into the minds of these deadly women. Spanning eras and continents, these tales of true crime offer a chilling exploration of the darkest corners of human nature. Inside: Discover lesser-known cases of female killers that challenge conventional narratives and shed light on the often-overlooked stories of women who defied societal norms and perpetrated gruesome crimes. Enjoy a diverse selection of true crime tales that spotlight the narratives of female serial killers from various historical periods. Explore the international spectrum of female murderers and uncover how factors such as culture, upbringing, and personal experiences contribute to the making of these deadly women. If you liked books such as Lady Killers, The Big Book of Serial Killers, or The Best New True Crime Stories, you’ll love Women Who Murder.