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Written by leading scholars in the subject, this three-part collection features essays on medieval and Renaissance Scotland's principal writers, including Robert Henryson, William Dunbar, and Alexander Montgomerie. It also provides discussions of a wide range of types of writing, in poetry and prose, from the ballad and the personal letter to Scotland's extraordinary tradition of 'eldritch' (supernatural or 'spooky') verse. Women's writing and gender issues are examined in several essays dealing with the sixteenth century. These contributions are supported by important contextualising essays on manuscript and print culture, and by linguistic, stylistic and metrical analyses of key texts from these periods, such as Hary's Wallace and the Gude and Godlie Ballatis. This volume constitutes a rich combination of original research and scholarly reassessment into the literature of the Scottish nation's most creative era. Contributors include Priscilla Bawcutt, Sarah M. Dunnigan, William Gillies, R.J. Lyall, and A.A. MacDonald. Each part is introduced by a substantial essay by the editor.
Between 1400 and 1650 Scotland underwent a series of drastic changes, in court, culture, and religion. This International Companion traces the impact of these historical transformations on Scotland's literatures, in English, Gaelic, Latin and Scots, and provides a comprehensive overview to the major cultural developments of this turbulent age.
Scots: The Mither Tongue is a classic of contemporary Scottish culture and essential reading for those who care about their country's identity in the twenty-first century. It is a passionately written history of how the Scots have come to speak the way they do and has acted as a catalyst for radical changes in attitude towards the language. In this completely revised edition, Kay vigorously renews the social, cultural and political debate on Scotland's linguistic future, and argues convincingly for the necessity to retain and extend Scots if the nation is to hold on to its intrinsic values. Kay places Scots in an international context, comparing and contrasting it with other lesser-used European languages, while at home questioning the Scottish Executive's desire to pay anything more than lip service to this crucial part of our national identity. Language is central to people's existence, and this vivid account celebrates the survival of Scots in its various dialects, its literature and song. The mither tongue is a national treasure that thrives in many parts of the country and underpins the speech of everyone who calls themselves a Scot.
Offers fresh and ground-breaking research into themes of good self- and public governance in medieval Scottish and English literature.
This is a comprehensive introduction to the study of older and present-day Scots language.
The History begins with the first full-scale critical consideration of Scotland's earliest literature, drawn from the diverse cultures and languages of its early peoples. The first volume covers the literature produced during the medieval and early modern period in Scotland, surveying the riches of Scottish work in Gaelic, Welsh, Old Norse, Old English and Old French, as well as in Latin and Scots. New scholarship is brought to bear, not only on imaginative literature, but also law, politics, theology and philosophy, all placed in the context of the evolution of Scotland's geography, history, languages and material cultures from our earliest times up to 1707.
Scotland is a nation of dramatic weather and breathtaking landscapes – of nature resplendent. And, over the centuries, the people who have lived, explored and thrived in this country have developed a rich language to describe their surroundings: a uniquely Scottish lexicon shaped by the very environment itself. A Scots Dictionary of Nature brings together – for the first time – the deeply expressive vocabulary customarily used to describe land, wood, weather, birds, water and walking in Scotland. Artist Amanda Thomson collates and celebrates these traditional Scots words, which reveal ways of seeing and being in the world that are in danger of disappearing forever. What emerges is a vivid evocation of the nature and people of Scotland, past and present; of lives lived between the mountains and the sky.
Writing on a small island in the Firth of Forth in the 1440s, Walter Bower set out to tell the whole story of the Scottish nation in a single huge book, the Scotichronicon—'a history book for Scots'. It begins with the mythical voyage of Scota, the Pharaoh's daughter, from Egypt with the Stone of Destiny. The land that her sons discovered in the Western Ocean was named after her: Scotland. It goes on to describe the turbulent events that followed, among them the wars of the Scots and the Picts (begun by a quarrel over a dog); the poisoning of King Fergus by his wife; Macbeth's usurpation and uneasy reign; the good deeds of Margaret, queen and saint; Bruce's murder of the Red Comyn; the founding of Scotland's first university at St Andrews; the 'Burnt Candlemas'; and the endless troubles between Scotland and England. Weaving in and out of the events of Bower's factual history, like a wonderful pageant, are other subjects that fascinated him: harrowing visions of hell and purgatory, extraordinary miracles; the exploits of knights and beggars, merchants and monks; the ravages of flood and fire; the terrors of the plague; and the answers to such puzzling questions as what makes a good king, and why Englishmen have tails. In 1998 Donald Watt and his team of scholars completed the first modern edition and translation of Scotichronicon in nine volumes. It has been described as 'a massive achievement for Scottish cultural history' (Sally Mapstone) and 'an open invitation to join a voyage of discovery' (Books in Scotland). This selection from the whole of Scotichronicon puts Bower's epic of Scotland into the hands of the general reader. It is a marvellous and unforgettable story. Perhaps its importance is best summed up by Bower himself, who wrote at the end of it: Non Scotus est Christe cui liber non placet iste—Christ! He is not a Scot who is not pleased with this book! A History Book for Scots is selected from the complete edition of Scotichronicon by Walther Bower, edited by D.E.R. Watt and a team of scholars, in nine volumes.