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Forty years ago, while paging through a book sent as an unexpected gift from a friend, Roger Welsch came across a curious reference to stones that were round, “like the sun and moon.” According to Tatonka-ohitka, Brave Buffalo (Sioux), these stones were sacred. “I make my request of the stones and they are my intercessors,” Brave Buffalo explained. Moments later, another friend appeared at Welsch’s door bearing yet another unusual gift: a perfectly round white stone found on top of a mesa in Colorado. So began Welsch’s lesson from stones, gifts that always presented themselves unexpectedly: during a walk, set aside in an antique store, and in the mail from complete strangers. The Reluctant Pilgrim shares a skeptic’s spiritual journey from his Lutheran upbringing to the Native sensibilities of his adoptive families in both the Omaha and Pawnee tribes. Beginning with those round stones, increasing encounters during his life prompted Welsch to confront a new way of learning and teaching as he was drawn inexorably into another world. Confronting mainstream contemporary culture’s tendency to dismiss the magical, mystical, and unexplained, Welsch shares his personal experiences and celebrates the fact that even in our scientific world, “Something Is Going On,” just beyond our ken.
One of the most comprehensive and widely praised introductions to folklore ever written. Toelken's discussion of the history and meaning of folklore is delivered in straightforward language, easily understood definitions, and a wealth of insightful and entertaining examples. Toelken emphasizes dynamism and variety in the vast array of folk expressions he examines, from "the biology of folklore," to occupational and ethnic lore, food ways, holidays, personal experience narratives, ballads, myths, proverbs, jokes, crafts, and others. Chapters are followed by bibliographical essays, and over 100 photographs illustrate the text. This new edition is accessible to all levels of folklore study and an essential text for classroom instruction.
Welsch tells the story of his lifelong relationship with Native American culture.
Issues for Nov. 1957- include section: Accessions. Aanwinste, Sept. 1957-
Museums may have a reputation for being boring, dusty and outdated but Michelle Lovric's new books crushes that stereotype and shows the fascinating, fun and sometimes frightening collections that are housed in the museums of today. There are museums devoted to Jell-O, liars, peanuts and the Dakota Dinosaur. From the Salem Witch Museum to Marvin's Marvellous Mechanical Museum, via the House of Terror, take a tour of the worlds most unusual collections.
When we think of literature and film about farm workers, The Grapes of Wrath may come to mind, but Farm Worker Futurism reveals that the historical role of technology, especially new media, has in fact had much more to do with depicting the lives of farm laborers—Mexican migrants in particular—in the United States. From the late 1940s, when Ernesto Galarza led a strike in the San Joaquin Valley, to the early 1990s, when the United Farm Workers (UFW) helped organize a fast in solidarity with janitors at Apple Computers in the Santa Clara Valley, this book explores the friction between agribusiness and farm workers through the lens of visual culture. Marez looks at how the appropriation of photography, film, video, and other media technologies expressed a “farm worker futurism,” a set of farm worker social formations that faced off against corporate capitalism and government policies. In addition to drawing fascinating links between the worlds envisioned in UFW videos on the one hand and visions of Cold War geopolitics on the other, he demonstrates how union cameras and computer screens put the farm worker movement in dialogue with futurist thinking and speculative fictions of all sorts, including the films of George Lucas and the art of Ester Hernandez. Finally Marez examines the legacy of farm worker futurism in recent cinema and literature, contemporary struggles for immigrant rights, management–labor conflicts in computer hardware production, and the antiprison movement. In contrast with cultural histories of technology that take a top-down perspective, Farm Worker Futurism tells the story from below, showing how working-class people of color have often been early adopters and imaginative users of new media. In doing so, it presents a completely novel analysis of speculative fiction’s engagements with the farm worker movement in ways that illuminate both.