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How women novelists tried to counter Harriet Beecher Stowe's classic indictment of slavery - by preaching a "theology of whiteness" from the pages of their books.
“Elizabeth Ammons has produced a first-rate Norton Critical Edition with Uncle Tom’s Cabin.” —Mason I. Lowance, Jr., University of Massachusetts Amherst “I will definitely use this edition again. The critical materials at the end of the book helped my students to have informed, productive class discussions.” —Heidi Oberholtzer Lee, University of Notre Dame This Norton Critical Edition includes: The 1852 first book edition, accompanied by Elizabeth Ammons’s preface, note on the text, and explanatory annotations. Twenty-two illustrations. A rich selection of historical documents on slavery and abolitionism. Seventeen critical reviews spanning more than 160 years. A Chronology, A Brief Time Line of Slavery in America, and an updated Selected Bibliography. About the Series Read by more than 12 million students over fifty-five years, Norton Critical Editions set the standard for apparatus that is right for undergraduate readers. The three-part format—annotated text, contexts, and criticism—helps students to better understand, analyze, and appreciate the literature, while opening a wide range of teaching possibilities for instructors. Whether in print or in digital format, Norton Critical Editions provide all the resources students need.
In the nineteenth century, Uncle Tom's Cabin sold more copies than any book in the world except the Bible. Upon publication, it was quickly translated into thirty-seven languages and has never gone out of print. It remains a controversial and complex text that, along with David Walker's Appeal, Henry David Thoreau's Walden, W. E. B. DuBois's The Souls of Black Folk, and Helena María Viramontes' Under the Feet of Jesus, among others, stands out as an important text in the progressive struggle for social justice in the United States. This Second Edition is based on the original 1852 book edition, published in two volumes by John P. Jewett and Company, Boston, and includes all original illustrations. The text is accompanied by a preface and detailed explanatory annotations to assist the reader with obscure historical terms and biblical allusions. "Backgrounds and Contexts" includes a wealth of historical documents addressing the issues of slavery and abolitionism. New visuals in the Second Edition include a selection of abolition posters and records of torture. Also newly included is J. Hector St. John de Crevecoeur's eyewitness account of slavery as a visitor to the United States, a selection from David Walker's Appeal, and Henrietta King's autobiographical account of the horror of slavery. "Criticism" presents a balanced view of the ongoing controversy over Uncle Tom's Cabin in fifteen reviews and scholarly interpretations spanning more than 150 years of writing about the novel. Paul Laurence Dunbar, Jane P. Tompkins, and Susan M. Ryan, among others, admire Uncle Tom's Cabin for its social vision and artistry, while James Baldwin and Sophia Cantave, among others, argue that the book's racism continues to promote misperceptions and that its prominence does ongoing damage. A Chronology of Stowe's life and work, a Brief Timeline of Slavery in America, and an updated Selected Bibliography are also included.
In the decades leading to the Civil War, popular conceptions of African American men shifted dramatically. The savage slave featured in 1830s' novels and stories gave way by the 1850s to the less-threatening humble black martyr. This radical reshaping of black masculinity in American culture occurred at the same time that the reading and writing of popular narratives were emerging as largely feminine enterprises. In a society where women wielded little official power, white female authors exalted white femininity, using narrative forms such as autobiographies, novels, short stories, visual images, and plays, by stressing differences that made white women appear superior to male slaves. This book argues that white women, as creators and consumers of popular culture media, played a pivotal role in the demasculinization of black men during the antebellum period, and consequently had a vital impact on the political landscape of antebellum and Civil War-era America through their powerful influence on popular culture.
This edited collection takes a critical perspective on Norbert Elias’s theory of the "civilizing process," through historical essays and contemporary analysis from sociologists and cultural theorists. It focuses on changes in emotional regimes or styles and considers the intersection of emotions and social change, historically and contemporaneously. The book is set in the context of increasing interest among humanities and social science scholars in reconsidering the significance of emotion and affect in society, and the development of empirical research and theorizing around these subjects. Some have labeled this interest as an "affective turn" or a "turn to affect," which suggests a profound and wide-ranging reshaping of disciplines. Building upon complex theoretical models of emotions and social change, the chapters exemplify this shift in analysis of emotions and affect, and suggest different approaches to investigation which may help to shape the direction of sociological and historical thinking and research.
Thirteen treatises recall the history of slavery's defenders beginning in the colonial South In Proslavery and Sectional Thought in the Early South, 1740–1829, Jeffrey Robert Young has assembled thirteen texts that reveal the development of proslavery perspectives across the colonial and early national South, from Maryland to Georgia. The tracts, lectures, sermons, and petitions in this volume demonstrate that defenses of human bondage had a history in southern thought that long predated the later antebellum era traditionally associated with the genesis of such positive defenses of slavery. Previous anthologies, notably Drew Gilpin Faust's The Ideology of Slavery, have made the perspectives of antebellum slavery's defenders widely available to scholars and students, but earlier proslavery thinkers have remained largely inaccessible to modern readers. Young's anthology offers a corrective. In his introduction to the volume, Young explores the relationship between proslavery thought, Christianity, racism, and sectionalism. He emphasizes the ways in which justifications for slavery were introduced into the American South by reformers who hoped to integrate the region into a transatlantic religious community. These early proponents of slavery tended to minimize racial distinctions between master and slave, and they hoped to minimize the cultural distance between southern plantations and English society. Only in the early nineteenth century—with the rise of an increasingly influential abolition movement—did proslavery thinkers begin to justify their beliefs with approaches that underscored differences between North and South. Even then the theorists included in this anthology emphasized the extent to which southern slaveholders' claims to mastery were rooted in a Western moral tradition that reached back to antiquity.
This study of Uncle Tom's Cabin presents the complex social forces that have influenced the reading of the novel. Gossett examines Stowe's early life and the circumstances that transformed her into a major figure in the antislavery struggle. He describes the process of the composition of the novel; compares its reception in the North, the South and in England; examines the idyllic pictures of slavery in the "anti-Tom" novels of the l850s; and compares the novel with several of the popular stage adaptations. The author reveals how the novel has been reconstituted by every reading of it and how the readings have proceeded from different social agendas for resolving the race problems. He also covers the main ideas and characters of the novel, displays its dual character (it was instrumental in ending slavery but fostered new stereotypes of blacks), and illuminates the importance of racial themes in American cultural and political history. ISBN 0-87074-189-6: $29.95.