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"Describes rural Southern life before the war, experience during the war, whose hardship she shared." - Book News, 1902 "Abounds in anecdotes of an interesting personal character." -Bookbuyer, 1902 Caroline Elizabeth Merrick (1825 - 1908), author of the 1901 book of reminiscences "Old Times in Dixie Land" was daughter of Captain David Thomas, of the parish of East Feliciana in the State of Louisiana, and wife of Judge Merrick of Clinton in the same State. A slaveholder by practice and belief, married at fifteen, the mother of three children at the age of twenty, Mrs. Merrick was a typical product of her environment. Affectionate, thrifty, passionately prejudiced, utterly unconscious of any world beyond her own narrow boundary, she naturally developed during the Civil War into one of the bitterest of partisans. "I even gave him my hand," she writes of a Union doctor who had taken a weary and dangerous journey to save the life of one of her negroes, "though always before I had refused to shake hands with one of them." After the war was over (and in part forgotten), Mrs. Merrick learned liberality. She made frequent visits to the North, fraternized with Miss Willard and Mr. Horn and went enthusiastically into the work of the W. C. T. U. She begins her narrative of events with her birth in 1825, on her father's plantation in Louisiana, and continues it down to the present day in a series of chapters containing much of interest and much that properly belongs in a journal or in a book of memoirs privately printed for one's family.
An instruction guide to old-timey solo fingerpicking guitar. With transcriptions of the playing of Sam McGee, Dick Justice, Dan Everett and the South Georgia Hiballers, Lena Hughes and many others, made from the original recordings of the 20’s and 30’s. Complete instruction and notation in guitar tablature.
Excerpt from Old Times in Dixie Land: A Southern Matron's Memories I have not written these memoirs entirely for the amusement or instruction of my contemporaries; but I shall feel rewarded if I elicit thereby the interest and sympathy which follows an honest effort to tell the truth in the recollections of one's life - for after all, truth is the chief virtue of history . My ancestry may be of as little importance in itself as this book is likely to be after the lapse of a few years; yet it is satisfactory to know that your family is respectable, - even if you cannot prove it to be so ancient that it has no beginning, and so worthy that it ought to have no end. I am willing, however, that my genealogy should be investigated; there are books giving the whole history; and it is surely an innocent and praiseworthy pride - that of good pedigree. I was born November 24th, 1825, at our plantation home, called Cottage Hall, in the parish of East Feliciana, in the State of Louisiana. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book features over 100 traditional American folk songs newly arranged for the ukulele, with chord diagrams and melody lines in tablature and standard notation. This extensive collection makes "Favorite Old-Time American Songs for Ukulele" a treasury of the best songs from the American tradition. Nothing in this book is out of range for novice ukulele players. The songs are in keys that are both easy to sing and that fit the melodic range of the ukulele. Of course, not every voice sings comfortably in every key, so information on transposition and a short discussion for players of the baritone ukulele are included. Although you do not need to read music or tablature to use this book, short introductions to each are included. In putting together this collection, the author was inspired by the old American practice of making a sampler: an endearing needlework design showing off various stitches and techniques. The book presents a sampling of the best American songs for folks working in schools, churches, hospitals, coffeehouses and other public performance spaces, or for anyone wishing to expand their repertoire and brush up on a few old chestnuts. There's a little of everything here: sentimental old hearth songs, laments and lullabies, ballads and play-parties, the sacred and profane. The overwhelming majority of songs come from pre-industrial rural traditions, because this is the kind of music that seems to go well with homemade music-making in any age. Downloadable audio of 18 of the songs is available online.
In 1970 the Ontario government prepared a book of All Time and Old Time Favourites to be available to all Senior Citezen Homes, Clubs and Centers, and adult Charitable Institutions for use by the members, residents, auxiliaries and staff. But these contained only the words! In 1973 the Markhaven Committe produced a music book to go along with the word. The songs are pitched a little lower, in a key that is easier for seniors to sing, and tha arrangements are simple enough for most pianists to be able to sit down and play.
Since the 1960's here has been an extraordinary revival of old-time string band music in California, and indeed throughout the American West. Despite being born blind, Kenny Hall has been a mainstay of many fiddle festivals and of the Western fiddle and string band revival in general. Kenny's musical style is passionate and energetic. This book is a helpful guide to his vast repertoire learned through years of careful listening. It is also a wonderful addition to the fiddler's bookshelf and a fitting tribute to a man who, for many an aspiring fiddler, has been a friend, guide, exemplar, and patron. Many of the tunes includes nonsense lyrics that Kenny used to help him remember the melody, and each tune is accompanied by Kenny's comments. the book is divided into five chapters: fiddle- based tunes (Fiddle Faddle), mandolin-based tunes (Rags, Tags, and Wags), Waltzes, tunes from an origin other than the United States or the British Isles (Kenny's Rambles); and vocal-based pieces including lyrics (Songs, Ballads, Ditties). Some of the transcriptions are written primarily for fiddle or mandolin, but most tunes can be performed on either instrument. This deluxe guide to Kenny Hall's vast repertoire offers fans of old-time music a great way to get to know Kenny and his music.