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The years 1966 to 1975, a decade many people call "The Sixties;" years that shook America, a memorable, tumultuous time in our nation's history. The pace of change was startling: the height and end of the Vietnam War, Watergate and Richard Nixon's resigna
Ghosts of Good Times: South Louisiana Dance Halls Past and Present examines a world of Cajun dance halls, Zydeco clubs, Chitlin' Circuit R&B night clubs, Swamp-Pop Honkytonks and other venues that at one time were prevalent throughout the region. Photographs by Philip Gould blend architectural imagery of buildings still standing with historic photographs of the clubs that he took in their heyday. Herman Fuselier and other writers provide a rich selection of historic accounts and essays about their personal experiences in the clubs. The book also examines the dance hall scene today and how the venues have changed. The music following remains strong and people still come to dance. The surviving old dance halls and newer venues are still in full swing. Old or new, they are icons, a proud south Louisiana legacy of Good Times.
Lee Bennet Hopkins, noted anthologist and educator, has collected a group of witty and whimsical poems that celebrate the joy of reading. Karla Kuskin, Jack Prelutsky, and Arnold Lobel are just a few of the acclaimed children's book authors whose poems are joined into this delightful ode to the world of words. Wonderfully wacky illustrations by Harvey Stevenson help make this a rollicking good book--and a rollicking good time.
LONGLISTED FOR THE GORDON BURN PRIZE 2019 SHORTLISTED FOR THE ENCORE PRIZE 2020 Sammy and his three friends are country boys from Armagh, the disputed borderlands of a country cannbalising itself. They love sharp clothes, a drink, and a night on the town singing Perry Como's classics. Their dream is a Free State, and their methods for achieving this are uncompromising. Heading for Belfast - ground zero of the Troubles - they find themselves in the incongruous position of running a comic book shop by day. Their clandestine activities belong in the x-rated pages of graphic fiction: burglary, blackmail, extortion, torture, and murder. No criminal act is too taboo for these boys. But when punk rock arrives and the hard edge of the decade starts to reveal its true paranoid colours, Sammy finds himself increasingly isolated. Camaraderie and loyalty is the fuel of a terrorist cell. When those virtues prove faulty, the game is up - and Sammy's world starts to radically shrink. For the Good Times shouts and sings with visionary intensity and gallows humour. It is not just a book about the IRA, but an exploration of what it means to 'go rogue', and the heartbreak and devastation that commitment to 'the cause' can engender. It unpacks any dewy-eyed romance associated with the Troubles, and establishes David Keenan as one of our generation's most fearless and entertaining literary stylists.
This autobiographical comic drama by a noted cartoonist about growing up in an interracial neighborhood in the 1960s enjoyed a long Off Broadway run. Twelve year old best friends, one black and one white, stand by each other through upheaval and tragedy, in spite of each families disapproval. However, racial peer pressure eventually drives a wedge between the girls. Interspersed are songs of the period, some heard on the Victrola and others perform by the spirited cast.
What are musicians really like?
Two-thirds of UK government spending now goes on the welfare state and where the money is spent – healthcare, education, pensions, benefits – is the centre of political and public debate. Much of that debate is dominated by the myth that the population divides into those who benefit from the welfare state and those who pay into it – 'skivers' and 'strivers', 'them' and 'us'. This ground-breaking book, written by one of the UK’s leading social policy experts, uses extensive research and survey evidence to challenge that view. It shows that our complex and ever-changing lives mean that all of us rely on the welfare state throughout our lifetimes, not just a small ‘welfare-dependent’ minority. Using everyday life stories and engaging graphics, Hills clearly demonstrates how the facts are far removed from the myths. This revised edition contains fully updated data, discusses key policy changes and a new preface reflecting on the changed context after the 2015 election and Brexit vote.
Old Times was first presented by the Royal Shakespeare Company at the Aldwych Theatre, London, on 1 June 1971. It was revived at the Donmar Warehouse, London, in July 2004. ' Old Times is a joyous, wonderful play that people will talk about as long as we have a theatre.' New York Times 'What am I writing about? Not the weasel under the cocktail cabinet . . . I can sum up none of my plays. I can describe none of them, except to say: that is what happened. This is what they said. That is what they did.' Harold Pinter
Read by Richard Peck.
A “superb [and] often hilarious” memoir of a life in journalism, from the Pulitzer Prize–winning author of Growing Up (The New York Times Book Review). “Baker here recalls his years at the Baltimore Sun, where, on ‘starvation wages,’ he worked on the police beat, as a rewrite man, feature writer and White House correspondent. Sent to London in 1953 to report on the coronation, he spent the happiest year of his life there as an innocent abroad. Moving to the New York Times and becoming a ‘two-fisted drinker,’ he covered the Senate and the national political campaigns of 1956 and 1960, and, just as he was becoming bored with routine reporting and the obligation to keep judgments out of his stories, was offered the opportunity to write his own op-ed page column, ‘The Observer.’ With its lively stories about journalists, Washington politicians and topical scandals, the book will delight Baker’s devotees—and significantly expand their already vast number.” —Publishers Weekly “Aspiring writers will chuckle over Baker’s first, horrible day on police beat, his panicked interview with Evelyn Waugh, and his arrival at Queen Elizabeth’s coronation in top hat, tails, and brown-bag lunch.” —Library Journal “A wonderful book.” —Kirkus Reviews