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More than fifty well-loved songs of pioneers, plainsmen, and cowpunchers are gathered in this book, which includes melody lines, guitar chords, and complete lyrics to each song. This collection presents the oldest, most original version of each song. Most were composed between 1180 and 1930. Warm and spirited, these songs vividly depict the rugged strength of western people and the haunting beauty of the western landscape.
(Piano/Vocal/Guitar Songbook). Songs heard 'round the campfire on the lone prairie, including: Abilene * Along the Navaho Trail * Back in the Saddle Again * Buffalo Gals (Won't You Come Out Tonight?) * Bury Me Not on the Lone Prairie * Don't Take Your Guns to Town * Git Along, Little Dogies * Happy Trails * Hold on Little Dogies, Hold On * Home on the Range * I Ride an Old Paint * Jingle Jangle Jingle (I Got Spurs) * The Old Chisholm Trail * Pistol Packin' Mama * (Ghost) Riders in the Sky (A Cowboy Legend) * San Antonio Rose * Sioux City Sue * Strawberry Roan * The Yellow Rose of Texas * and more.
Relive the Golden Days of the West with this comprehensive collection of music, history, and the legendary characters of the West. Includes melody line, lyrics,and guitar chords
Growing up beside the Chisholm Trail, captivated by the songs of passing cowboys and his bosom friend, an African American farmhand, John A. Lomax developed a passion for American folk songs that ultimately made him one of the foremost authorities on this fundamental aspect of Americana. Across many decades and throughout the country, Lomax and his informants created over five thousand recordings of America's musical heritage, including ballads, blues, children's songs, fiddle tunes, field hollers, lullabies, play-party songs, religious dramas, spirituals, and work songs. He acted as honorary curator of the Archive of American Folk Song at the Library of Congress, directed the Slave Narrative Project of the WPA, and cofounded the Texas Folklore Society. Lomax's books include Cowboy Songs and Other Frontier Ballads, American Ballads and Folk Songs, Negro Folk Songs as Sung by Leadbelly, and Our Singing Country, the last three coauthored with his son Alan Lomax. Adventures of a Ballad Hunter is a memoir of Lomax's eventful life. It recalls his early years and the fruitful decades he spent on the road collecting folk songs, on his own and later with son Alan and second wife Ruby Terrill Lomax. Vibrant, amusing, often haunting stories of the people he met and recorded are the gems of this book, which also gives lyrics for dozens of songs. Adventures of a Ballad Hunter illuminates vital traditions in American popular culture and the labor that has gone into their preservation.
(Creative Concepts Publishing). This info-packed, 372-page collection features 200 American cowboy songs with complete lyrics, lead lines and guitar chords, plus an extensive introduction, notes on the songs, illustrations by J.K. Ralston throughout, a lexicon of cowboy terms, a general index and an index of titles and first lines, and more. Songs include: Billy the Kid * Blood on the Saddle * Buffalo Gals * Clementine * Dakota Land * The Girl I Left Behind Me * Going West * Jesse James * Johnny Cake * Old Paint * Punchin' Dough * Red River Valley * Red Wing * Shenandoah * Steamboat Bill * The Streets of Laredo * The Texas Cowboy * and many more.
Many associate early western music with the likes of Roy Rogers and Gene Autry, but America’s first western music craze predates these “singing cowboys” by decades. Written by Tin Pan Alley songsters in the era before radio, the first popular cowboy and Indian songs circulated as piano sheet music and as cylinder and disc recordings played on wind-up talking machines. The colorful fantasies of western life depicted in these songs capitalized on popular fascination with the West stoked by Buffalo Bill’s Wild West shows, Owen Wister’s novel The Virginian, and Edwin S. Porter’s film The Great Train Robbery. The talking machine music industry, centered in New York City, used state-of-the-art recording and printing technology to produce and advertise songs about the American West. Talking Machine West brings together for the first time the variety of cowboy, cowgirl, and Indian music recorded and sold for mass consumption between 1902 and 1918. In the book’s introductory chapters, Michael A. Amundson explains how this music reflected the nostalgic passing of the Indian and the frontier while incorporating modern ragtime music and the racial attitudes of Jim Crow America. Hardly Old West ditties, the songs gave voice to changing ideas about Indians and assimilation, cowboys, the frontier, the rise of the New Woman, and ethnic and racial equality. In the book’s second part, a chronological catalogue of fifty-four western recordings provides the full lyrics and history of each song and reproduces in full color the cover art of extant period sheet music. Each entry also describes the song’s composer(s), lyricist(s), and sheet music illustrator and directs readers to online digitized recordings of each song. Gorgeously illustrated throughout, this book is as entertaining as it is informative, offering the first comprehensive account of popular western recorded music in its earliest form.
Enjoy and relive the romance of the Great American West with this collection of 75 oldtime western and cowboy songs arranged especially for the Anglo concertina. Included are full lyrics, music, and special Anglo concertina tablature. You will find many of your favorite old cowboy songs here, from "Ain't No More Cane on the Brazos" all they way to "The Zebra Dun." Gary Coover has played the Anglo concertina for many years and authored several popular tutors and tune books for the concertina. Pipp Gillette is an award-winning singer, cowboy poet, chuckwagon aficionado and working cowboy who performed with the Gillette Brothers for many years and set many of Waddie Mitchell's cowboy poems to music. INCLUDES VIDEO INSTRUCTION! All 75 songs are linked via smartphone-scannable QR codes to online videos. You can see and hear exactly how to play every song.
As a child, John Avery Lomax loved the songs he heard the cowboys singing along the nearby Chisholm Trail. He began writing them down at an early age. As John grew older, he traveled the country collecting and recording cowboy songs, helping to preserve many favorites.