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Old Santa Fe Today is an engaging read about Santa Fe's architecture, history, and important figures through its culturally significant properties, among them churches, government buildings, and homes. The book also serves as a walking tour guide for locals and visitors wanting to sightsee. Originally published in 1966, Old Santa Fe Today has been used by writers and scholars exploring the history and architectural significance of Santa Fe. With new essays updating the 1991 fourth edition, this fifth edition of the classic reference book also has a complete inventory of properties--now approximately one hundred--including those recently added to the Historic Santa Fe Foundation's "Register of Properties Worthy of Preservation" since 1961. Each property entry includes revised and expanded narratives on its architecture, history, and ownership, providing social and cultural context as well. Among the Register are the former homes of past influential artists and writers such as Olive Rush and Witter Bynner. The William Penhallow Henderson House, 555 Camino del Monte Sol, was the home of the famed painter and craftsperson and his poet wife Alice Corbin Henderson. Constructed over a decade from 1917 to 1928 and designed in the Spanish Pueblo Revival Style, it would serve as a model for other artist home studios in the heart of the Santa Fe art colony. The de la Peña house located at 831 El Caminito is a nineteenth-century Spanish Pueblo adobe farmhouse owned by the de la Peña family for eighty years. Artist, writer, and historic preservationist Frank Applegate purchased the home in 1925. In the late 1930s, the National Park Service added the house to its Historic American Buildings Survey, an honor reserved for the most important historic structures in the United States.
A classic on all the trials and tribulations of the Santa Fé Trail, the Indian deprevations, the Mexican problems,the Fontier Military, the Fur Trappers, Fur Trade, and Mountain Men, Kit Carson, Uncle Dick Wooten, Buffalo Bill Cody, the Bents, Jim Beckwourth.
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.
The underground world of con men, winos, prostitutes, laborers, and artists has been an abundant source of material for great writers from Dickens to Bukowski. The underground world of Taos, New Mexico, is no different. In the late 1950s this mountain town was higher, brighter, poorer, and farther removed than London, Paris, or Los Angeles, but it was every bit as rich for the explorations of a young writer. Max Evans, the beloved New Mexican writer of such enduring classics of Western fiction as The Rounders and The Hi-Lo Country, returns to form with The King of Taos. Set in the late 1950s, the novel tells the stories of sharp-witted Zacharias Chacon, aspiring artist Shaw Spencer, and a circle of characters who drink, fight, love, argue, and—mostly—talk. Readers will enjoy this witty and moving evocation of unforgettable characters as they look for work, love, comfort, dignity, and bottomless oblivion.