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Many of the exhibited works are among Europe's major paintings from the Renaissance to the end of the 18th century. The beginnings of the Gemäldegalerie can be traced back to the Saxon electors' Kunstkammer, founded in 1560. Through extensive purchases, August III was able to make it into a unique collection. The inventory of Italian Renaissance paintings is exceptional, including Raphal's "Sistine Madonna," Giorgione's "Sleeping Venus" and Titian's "The Tribute Money." Dutch and Flemish painting of the 17th century, by artists such as Rembrandt, Vermeer, Ruben and van Dyck, are another focus of the collection. Spanish, French and German paintings are also among the museum's art treasures.
The Girl Reading a Letter at an Open Window by Johannes Vermeer is one of the most famous works of seventeenth-century Dutch art. Preserved at the Gemaldegalerie Alte Meister in Dresden, the painting has been restored, in an elaborate process lasting from 2017 to 2021. The removal of a large section of overpainting dating from a later period has profoundly altered the work's appearance and revealed the original composition. To showcase the discovery, the Dresden Gemaldegalerie is now presenting the Girl Reading a Letter along with other masterpieces by Vermeer and a selection of exceptional Dutch genre paintings that reveal parallels and reciprocities between the art of Vermeer and that of his peers. This catalog brings together texts by renowned scholars as they explore not only the restoration of this pivotal work but also fundamental questions on the visual vernacular and essence of Vermeer's painting, his optical realism, his iconography of love, and the lived realities of women in the Dutch Golden Age.
Designed by Gottfried Semper, the gallery building at the Dresden Zwinger houses not only the Gemaldegalerie Alte Meister (Old Masters Picture Gallery), but also the Skulpturensammlung bis 1800 (Sculpture Collection from Antiquity to 1800), which is renowned for the high quality and impeccable provenance of its holdings. In addition to outstanding ancient works, around 100 Renaissance and Baroque sculptures are now on permanent display at the Semperbau. The concept for the gallery was revised following a thorough investigation of the collection, which also brought to light some hidden treasures. This catalogue presents the first results of the scholarly research; featuring selected masterpieces by Filarete, Giambologna, Adriaen de Vries, Giovanni Francesco Susini, Corneille Van Cleve, Guillaume Coustou, Paul Heermann and Balthasar Permoser, among others, it illustrates the impressive breadth and variety of the Dresden Skulpturensammlung.
A compact guide to help travelers discover an alternative and attractive European city, home of fabulous architecture and wonderful art treasures.
Have you stood in front of a painting and thought, What does this mean? The Art of Faith answers this question again and again, with insight, wit, and verve, providing a thorough reference to Christian art through the centuries. Practical and easy to read, this book unfolds the ancient world of Christian images for believers who want to enrich their faith, college students studying art history, and travelers to religious sites. With this book in hand, you can visit museums, churches, or other sacred places and identify a work of art’s style and meaning. Or even explore the signs and symbols of your local church. Whatever your relationship to art or Christianity, open this book when you’re curious about a painting, sculpture, symbol, or other sacred work. It will answer your questions about The Art of Faith.
This innovative study explores how interpretations of religious art change when it is moved into a secular context.
The redecoration of the exhibition spaces at the Borghese palace and villa, undertaken together with the reinstallation of the family's vast art collections, was one of the most important events in the cultural life of eighteenth-century Rome. In this comprehensive study, Carole Paul reconstructs the planning and execution of the project and explains its multifaceted significance: its place in the history of Italian art, architecture, and interior design at a complex moment of transition from baroque to neoclassical style, as well as its unrecognized but profound influence on the development of the modern art museum. The study shows how the installations and decorations worked together to evoke traditional themes in innovative ways. Addressed primarily to a new audience of tourists from abroad, the thematic content of the spaces celebrated the greatness of the Borghese family and of Roman tradition, while their stylistic diversity and sophistication made a case for the continued vitality - even modernity - of Roman art and culture. Designed for the exercise of a highly refined social performance, these sites helped to model the experience of art as a form of enlightened modern civility.