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Roger Angell, the acclaimed New Yorker writer and editor, steps up with a selection of writings that celebrate a view from the tenth decade of an engaged, vibrant life. Whether it’s a Fourth of July in rural Maine, the opening game of the 2015 World Series, editorial exchanges with John Updike, a letter to a son, or his award-winning essay on aging, “This Old Man,” what links the pieces is Angell’s unique perceptions and humor, his utter absence of self-pity, and his appreciation of friends and colleagues encountered over a fruitful career unlike any other.
A newly translated collection of fiction by the influential Italian modernist, continuing on his landmark work Zeno's Conscience. A Very Old Man collects five linked stories, parts of an unfinished novel that the great Triestine Italo Svevo wrote at the end of his life, after the international success of Zeno’s Conscience in 1923. Here Svevo revisits with new vigor and agility themes that fascinated him from the start—aging, deceit, and self-deception, as well as the fragility, fecklessness, and plain foolishness of the bourgeois paterfamilias—even as memories of the recent, terrible slaughter of World War I and the contemporary rise of Italian fascism also cast a shadow over the book’s pages. It opens with “The Contract,” in which Zeno’s manager, the hardheaded young Olivi, expresses, like the war veterans who were Mussolini’s early followers, a sense of entitlement born of fighting in the trenches. Zeno, by contrast, embodies the confusion and paralysis of the more decorous, although sleepy, way of life associated with the onetime Austro-Hungarian Empire which for so long ruled over Trieste but has now been swept away. As always, Svevo is attracted to the theme of how people fail to fit in. It is they, he suggests, who offer a recognizably human countenance in a world ravaged by the ambitions and fantasies of its true believers.
In his letter to the Ephesians, Paul emphasizes the unity of believers in the inaugurated new creation. He first sets before his audience the salvation freely offered to us through faith in Christ, then applies this truth to their lives, calling them to live lives of love. In this volume, S. M. Baugh approaches this important letter from a first-century perspective, examining ancient sources to determine what Paul's words meant in their ancient context, while also interacting with recent scholarship. The result is a commentary that is academically rigorous and at the same time presents Ephesians as the good news it was meant to be. About the Evangelical Exegetical Commentary Series: The Evangelical Exegetical Commentary series incorporates the latest in critical biblical scholarship and is written from a distinctly evangelical perspective. Each comprehensive volume combines historical and literary explanations with insights for understanding the text within the Bible's larger story and applying it to everyday life.
DigiCat Publishing presents to you this special edition of "The Old Man and the Sea" by Ernest Hemingway. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Coming soon, an original series from FX series from FX starring Jeff Bridges, John Lithgow, and Amy Brennaeman Edgar Award-winning author Thomas Perry writes thrillers that move “almost faster than a speeding bullet” (Wall Street Journal). The Old Man is his latest whip-smart standalone novel. To all appearances, Dan Chase is a harmless retiree in Vermont with two big mutts and a grown daughter he keeps in touch with by phone. But most sixty-year-old widowers don’t have multiple driver’s licenses, savings stockpiled in banks across the country, and a bugout kit with two Beretta Nanos stashed in the spare bedroom closet. Most have not spent decades on the run. Thirty-five years ago, as a young hotshot in army intelligence, Chase was sent to Libya to covertly assist a rebel army. When the plan turned sour, Chase reacted according to his own ideas of right and wrong, triggering consequences he could never have anticipated. And someone still wants him dead because of them. Just as he had begun to think himself finally safe, Chase must reawaken his survival instincts to contend with the history he has spent his adult life trying to escape. Armed mercenaries, spectacularly crashed cars, a precarious love interest, and an unforgettable chase scene through the snow—this is lethal plotting from one of the best in crime fiction.
Dont Let the Old Man In! is the new war cry for those men seeking to live for the better, for longer and in good humor. This war cry doubles neatly as the title for this working manual. A confronting revelation at the age of sixty leads the author to his desired destiny along a pathway illuminated with this manuals memorable commandments. With their evocative reasons, these commandments combine to give a no-fuss code for living well in the last quarter of an average lifetime. Adopting this code delivers the reader and his inner disciple a mechanism to exact swift changes to living and dealing with the challenges that ageing inevitably presents.
A father and son sail 17,000 miles in a 25 foot boat they built together.
A sly, funny novel about an American girl trying to make it in 1960s London–and discovering that she's in over head. In The Dud Avocado, Elaine Dundy revealed the life of the young expatriate in Paris in all its hilarious and heartbreaking drama. With The Old Man and Me, written when Dundy was living in England in the early 1960s, she tackles the American girl in London, a bit older but certainly no wiser. Honey Flood (if that’s her real name) arrives in London with only her quick wits and a scheme. To get what she wants, she’ll have to seduce the city’s brightest literary star, no matter how many would-be bohemians she has to charm, how many smoky jazz clubs she has to brave, or how many Lady Something-Somethings she has to humor. But with success within her reach, Honey finds that in making the Soho scene, she’s made a big mistake.