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Trickster and transformer, powerful and vulnerable, Coyote is a complex figure in Indian legend. He was often the ultimate example of how not to be: foolish, proud, self-important. The tales in Old Man Coyote were told by the Crow Indians of present-day southeastern Montana. During long winter evenings by the lodge fire, they enjoyed hearing about the only warrior ever to visit the Bird Country, the Little-people who adopted a lost boy, the two-faced tribe that gambled for keeps, the marriage of Worm-face, and the origin of the buffalo. Wandering through these well-spun tales is the irrepressible Old Man Coyote, sometimes scoring a coup, sometimes getting his comeuppance. Ohio-born Frank B. Linderman (1869-1938) spent his adult life in Montana, first as a trapper, then as a publisher, politician, and businessman. Fred W. Voget is an adjunct professor of anthropology at Portland State University and the author of The Shoshoni-Crow Sun Dance.
Coyote & Crow the Role Playing Game is a tabletop role playing game set in an alternate future where colonization of the Americas never occurred. Players take on the roles of characters imbued with the powers of the Adahnehdi and can explore an incredible world of science fiction and fantasy. Written and developed by a team of Native Americans, this book contains everything you need - except some twelve sided dice - to create incredible new stories in this vivid and original world.
For nearly ten years between 1907 and 1931, anthropologist Robert H. Lowie lived among the Crow Indians, listening to the old men and women tell of times gone forever. Lowie learned much about what had been, and still was, a society remarkable for its variability and cohesion, and for its resistance to the encroachments of white civilization. Written with clarity and vigor, Lowie's study makes instantly accessible what had taken him years to discover. He sacrificed neither personal sensitivity nor narrative skill to scientific scruples, but brought his scientific work to life. Crow religion, ceremonies, taboos, kinship bonds, tribal organization, division of labor, codes of honor, and rites of courtship and wedlock receive their due. The Crow Indians is a masterpiece of ethnography, foremost for Lowie's portrayal of the different personalities he encountered: Gray-bull and his marital troubles; the great visionary Medicine-crow; Yellow-brow, the gifted storyteller; and many more.
Beginning in 1907, the anthropologist Robert H. Lowie visited the Crow Indians at their reservation in Montana. He listened to tales that for many generations had been told around campfires in winter. Vivid tales of Old-Man-Coyote in his various guises; heroic accounts of Lodge-Boy and the Thunderbirds; supernatural stories about Raven-Face and the Spurned Lover; and other tales involving the Bear-Woman, the Offended Turtle, the Skeptical Husband--all these were recorded by Lowie.
From the master of subversive humor Christopher Moore comes a quirky, irreverent novel of love, myth, metaphysics, outlaw biking, angst, and outrageous redemption. As a boy, he was Samson Hunts Alone—until a deadly misunderstanding with the law forced him to flee the Crow reservation at age fifteen. Today he is Samuel Hunter, a successful Santa Barbara insurance salesman with a Mercedes, a condo, and a hollow, invented life. Then one day, destiny offers him the dangerous gift of love—in the exquisite form of Calliope Kincaid—and a curse in the unheralded appearance of an ancient god by the name of Coyote. Coyote, the trickster, has arrived to reawaken the mystical storyteller within Sam...and to seriously screw up his existence in the process.
Profiles the Crow Indians and discusses how their society has been able to survive for more than a century because of their philosophies.
Of all the characters in myths and legends told around the world, it's the wily trickster who provides the real spark in the action, causing trouble wherever he goes. This figure shows up time and again in Native American folklore, where he takes many forms, from the irascible Coyote of the Southwest, to Iktomi, the amorphous spider man of the Lakota tribe. This dazzling collection of American Indian trickster tales, compiled by an eminent anthropologist and a master storyteller, serves as the perfect companion to their previous masterwork, American Indian Myths and Legends. American Indian Trickster Tales includes more than one hundred stories from sixty tribes--many recorded from living storytellers—which are illustrated with lively and evocative drawings. These entertaining tales can be read aloud and enjoyed by readers of any age, and will entrance folklorists, anthropologists, lovers of Native American literature, and fans of both Joseph Campbell and the Brothers Grimm.
The oral historian of the Crow tribe collects stories which introduce the world of the Crow Indians, including its legends, humorous tales, history, and everday life.
Two tales, set in a time “when animals and human beings still talked to each other,” display Thomas King’s cheeky humor and master storytelling skills. Freshly illustrated and reissued as an early chapter book, these stories are perfect for newly independent readers. In Coyote Sings to the Moon, Old Woman and the animals sing to the moon each night. Coyote attempts to join them, but his voice is so terrible they beg him to stop. He is crushed and lashes out — who needs Moon anyway? Furious, Moon dives into a pond, plunging the world into darkness. But clever Old Woman comes up with a plan to send Moon back up into the sky and, thanks to Coyote, there she stays. In Coyote’s New Suit, mischievous Raven wreaks havoc when she suggests that Coyote’s toasty brown suit is not the finest in the forest, thus prompting him to steal suits belonging to all the other animals. Meanwhile, Raven tells the other animals to borrow clothes from the humans’ camp. When Coyote finds that his closet is too full, Raven slyly suggests he hold a yard sale, then sends the human beings (in their underwear) and the animals (in their ill-fitting human clothes) along for the fun. A hilarious illustration of the consequences of wanting more than we need. Key Text Features table of contents illustrations Correlates to the Common Core State Standards in English Language Arts: CCSS.ELA-LITERACY.RL.2.5 Describe the overall structure of a story, including describing how the beginning introduces the story and the ending concludes the action.
The bestselling memoir of a Native American woman’s struggles and the life she found in activism: “courageous, impassioned, poetic and inspirational” (Publishers Weekly). Mary Brave Bird grew up on the Rosebud Indian Reservation in South Dakota in a one-room cabin without running water or electricity. With her white father gone, she was left to endure “half-breed” status amid the violence, machismo, and aimless drinking of life on the reservation. Rebelling against all this—as well as a punishing Catholic missionary school—she became a teenage runaway. Mary was eighteen and pregnant when the rebellion at Wounded Knee happened in 1973. Inspired to take action, she joined the American Indian Movement to fight for the rights of her people. Later, she married Leonard Crow Dog, the AIM’s chief medicine man, who revived the sacred but outlawed Ghost Dance. Originally published in 1990, Lakota Woman was a national bestseller and winner of the American Book Award. It is a story of determination against all odds, of the cruelties perpetuated against American Indians, and of the Native American struggle for rights. Working with Richard Erdoes, one of the twentieth century’s leading writers on Native American affairs, Brave Bird recounts her difficult upbringing and the path of her fascinating life.