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The fascinating story of the American inventor and manufacturer who perfected the revolver Samuel Colt (1814-1862) first patented his "Colt" revolver in 1835 and thereby redefined the architecture of handguns. This stunning book is the first to present in detail the evolution of his most famous invention and to document the unsurpassed Colt firearms collections held by the Wadsworth Atheneum. Colt designed his revolvers with an artistic sensibility--paying particular attention to form and beauty and juxtaposing colors and finishes to heighten the visual effects. He was also one of the first American manufacturers to secure celebrity endorsements and to commission paintings by renowned artists like George Catlin to promote his arms. Colt's standards for excellence, industrial foresight, and quest for market domination are explored in light of primary documents that reveal his constant battles to protect his patents. Essays discuss Colt's personal collection of historic firearms as well as the memorial collection of Colt-manufactured firearms, the relationship between art and commerce as they pertain to the inventor's career, and his international celebrity. Richly illustrated and beautifully produced, this volume presents the artistry of the firearms that Colt worked so diligently to perfect--as well as his promotional abilities that made a tremendous impact on American culture.
This catalogue deals primarily with the collection of American powder horns and primers formed by J. H. Grenville Gilbert, of Ware, Massachusetts, and generously presented to The Metropolitan Museum of Art in 1937. An essay on American engraved powder horns and a résumé of the Gilbert collection precede the catalogue, which consists of detailed descriptions of the individual pieces and notes of genealogical or historical interest. Each horn in the collection is illustrated by a collotype reproduction and, with one exception (an undecorated horn), by a line drawing of the engraved area. An indexed checklist of the collections records the pertinent details of each powder horn.
Full-color paperback features specific branch of service and type of soldier.
In the world of historical painting, Don Troiani stands alone, universally acclaimed for the accuracy, drama, and sensitivity of his depictions of America's past. His Civil War paintings and limited edition prints hang in the finest collections in the country and are noted by collectors from around the world. Now, in "Don Troiani's Regiments and Uniforms of the Civil War", the artist turns his brush to one of the most colourful and captivating aspects of Civil War history: the individual units that earned their reputations on the battlefield and the distinctive uniforms they wore. In addition to 130 paintings of battle scenes and individual figures, the book also includes more than 250 full-colour photographs of the uniforms the soldiers wore and the accoutrements they carried. Supporting the illustrations is text by two of the leading military artefact experts. Taken together, it makes for one of the most comprehensive books on Civil War uniforms ever undertaken.
From workers housing to the grand homes of industrialists, prosperous Hartford experienced an explosion of Victorian building that turned this capital city into a rich mixture of culture, beauty, and business. The capital of the insurance industry, Hartford was also home to the first public art museum, the Wadsworth Atheneum; the first municipal rose garden, Elizabeth Park; and colossal factories that produced Colt firearms, typewriters, sewing machines, and even the first automobiles. Victorian Hartford showcases the citys great architecture through historic images, some of which are the only evidence of the citys former grandeur, and provides glimpses into a world long gone.
A record of literary properties sold at auction in the United States.