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This story is about Captain William Driver as told by his Great-Great-grandson, Jack Benz, in collaboration with other writers and advisers. The text is strikingly enhanced by over 200 professionally crafted images and by an appendix of founding father documents. The resources substantially came from Benz's collection of items up to 200 year's old. Some episodes are in print for the first time. Captain Driver was born in Salem, MA in 1803 to puritan parents within a culture and heritage of seafarers. His homes were ports and vessels that sailed the vast oceans in the early 19th century. It is a true story of adventure, daring, high drama, heroism, patriotism, and incomparable public service on behalf of the helpless. Young William was gifted beyond his year's as evidenced by his scholarliness in the Salem's famed Hacker school, and at 14, his hiring on a trading vessel. This background immersed him in ventures around the world, seeking fame and fortune trading rare spices and other prized commodities. By 21, he captained ships that circled the world on odysseys that exposed him to numerous dangerous encounters at sea, including horrific storms and turbulence with waves over 50 feet high. Ashore, he confronted life-changing events in the lands of cannibals, giants, pirates, savages, and scantily clad island women. In a famous episode, he rescued families of survivors of the original mutineers on HMS ship Bounty and delivered them to their adopted home on Pitcairn Island. This venture was part and parcel in numerous movies, including one receiving an academy award for the best picture of the year and touted best nautical film of all times. Captain Driver retired young and wealthy and moved to Nashville, TN. with his third wife. Two others predeceased him, and the third is shocking. In this city on the rocks, he was an activist Union sympathizer generally shunned by the largely Confederate citizenry at a time Civil War was imminent. As a staunch abolitionist living where the city even owned slaves, he was a misfit. He and his home place often were vilified because of his views, crusty manner, and irritating practice of displaying Old Glory, his ship's legendary flag. The residents viewed him as a cantankerous rabble-rouser, always rocking the boat and supporting unpopular causes on behalf of the downtrodden, exploited, and uneducated-mainly Native Americans, Negroes, women, the sick and infirmed. He was their defender, friend, spokesman, and hero. Driver was active in civic affairs, once running for mayor and later holding several governmental offices. Among his significant civic achievements were helping facilitate the establishment of public education in Nashville, and as provost, regulating prostitution and disease control. The Captain routinely picked fights over issues with the churches, government, and establishments in general; even with some in his family members, their discord led to estrangement. His uniqueness is best described in his patriotism evidenced by his fierce defense, respect, and reverence for Old Glory. He had observed and experienced its influence around the world--feared, honored, and respected like no other country's flag. He proclaimed its majesty to be so profound it even waves to defend the rights of those whose actions and speech are cowardly despicable. As a bonus, the book offers ancillary educational information about world cultures, history, geography, navigation, philosophy, religion, and science. Preliminary reviews termed it as attractively presented, cleverly written, edifying, and intensely entertaining-a must-read!
SOON TO BE A NEW FILM, STREAMING ON MAX FALL OF 2024 • #1 BESTSELLER • Ben Mears has returned to Jerusalem’s Lot in hopes that exploring the history of the Marsten House, an old mansion long the subject of rumor and speculation, will help him cast out his personal devils and provide inspiration for his new book. "A master storyteller." —The Los Angeles Times When two young boys venture into the woods, and only one returns alive, Mears begins to realize that something sinister is at work. In fact, his hometown is under siege from forces of darkness far beyond his imagination. And only he, with a small group of allies, can hope to contain the evil that is growing within the borders of this small New England town. With this, his second novel, Stephen King established himself as an indisputable master of American horror, able to transform the old conceits of the genre into something fresh and all the more frightening for taking place in a familiar, idyllic locale.
Beginning with the argument that the Emancipation Proclamation did not actually free African American slaves, this dissenting view of Lincoln's greatness surveys the president's policies, speeches, and private utterances and concludes that he had little real interest in abolition. Pointing to Lincoln's support for the fugitive slave laws, his friendship with slave-owning senator Henry Clay, and conversations in which he entertained the idea of deporting slaves in order to create an all-white nation, the book, concludes that the president was a racist at heart--and that the tragedies of Reconstruction and the Jim Crow era were the legacy of his shallow moral vision.
An action-packed drama full of urban gangs, witches, and a modern day Inquisition.
Melanie Stryder refuses to fade away. The earth has been invaded by a species that take over the minds of their human hosts while leaving their bodies intact, and most of humanity has succumbed. Wanderer, the invading "soul" who has been given Melanie's body, knew about the challenges of living inside a human: the overwhelming emotions, the too vivid memories. But there was one difficulty Wanderer didn't expect: the former tenant of her body refusing to relinquish possession of her mind. Melanie fills Wanderer's thoughts with visions of the man Melanie loves -- Jared, a human who still lives in hiding. Unable to separate herself from her body's desires, Wanderer yearns for a man she's never met. As outside forces make Wanderer and Melanie unwilling allies, they set off to search for the man they both love. Featuring what may be the first love triangle involving only two bodies, The Host is a riveting and unforgettable novel that will bring a vast new readership to one of the most compelling writers of our time.
The follow-up to Ann B. Ross's beloved debut that kicked off the New York Times bestselling series. Look out for Ann Ross's newest, Miss Julia Raises the Roof, coming April 2018 from Viking. When Miss Julia burst on the scene in her fictional debut, Miss Julia Speaks Her Mind, this proper lady of a certain age found her orderly world turned upside down when Hazel Marie Puckett appeared with her nine-year-old son, Little Lloyd, who looked disturbingly similar to Miss Julia's late husband. Now, in Miss Julia Takes Over, with her sharp tongue and iron backbone intact, Miss Julia must tackle another disruption when Hazel Marie doesn't return from a dinner date with a fund-raiser who, in Miss Julia's opinion, wears his shorts too tight. Frantic and unable to persuade the local police that Hazel Marie is in danger, Miss Julia hires J. D. Pickens to investigate, despite her reservations about his taste for beer and women. She and Little Lloyd help search for Hazel Marie, running into adventures ranging from a most indelicate display of fisticuffs to a high-speed car chase on the track of a NASCAR Speedway, all the while standing strong ...because if Miss Julia doesn't take care of things, who will? Fast paced, funny, and full of colorful characters you'll want to meet again and again, Miss Julia Takes Over is a zany race through the South you'll not soon forget.
An instant classic and eerily prescient cultural phenomenon, from “the patron saint of feminist dystopian fiction” (New York Times). Now an award-winning Hulu series starring Elizabeth Moss. In this multi-award-winning, bestselling novel, Margaret Atwood has created a stunning Orwellian vision of the near future. This is the story of Offred, one of the unfortunate “Handmaids” under the new social order who have only one purpose: to breed. In Gilead, where women are prohibited from holding jobs, reading, and forming friendships, Offred’s persistent memories of life in the “time before” and her will to survive are acts of rebellion. Provocative, startling, prophetic, and with Margaret Atwood’s devastating irony, wit, and acute perceptive powers in full force, The Handmaid’s Tale is at once a mordant satire and a dire warning.
A NEW YORK TIMES NOTABLE BOOK OF THE YEAR • A “furious and addictive new novel” (The New York Times) about mothers and daughters, and one woman's midlife reckoning as she flees her suburban life. “Exhilarating ... reads like a burning fever dream. A virtuosic, singular and very funny portrait of a woman seeking sanity and purpose in a world gone mad.” —The New York Times Book Review Samantha Raymond's life has begun to come apart: her mother is ill, her teenage daughter is increasingly remote, and at fifty-two she finds herself staring into "the Mids"—that hour of supreme wakefulness between three and four in the morning in which women of a certain age suddenly find themselves contemplating motherhood, mortality, and, in this case, the state of our unraveling nation. When she falls in love with a beautiful, decrepit house in a hardscrabble neighborhood in Syracuse, she buys it on a whim and flees her suburban life—and her family—as she grapples with how to be a wife, a mother, and a daughter, in a country that is coming apart at the seams. Dana Spiotta's Wayward is a stunning novel about aging, about the female body, and about female complexity in contemporary America. Probing and provocative, brainy and sensual, it is a testament to our weird times, to reforms and resistance and utopian wishes, and to the beauty of ruins.
The tie-in edition of the nine-part CBS All Access series starring Whoopi Goldberg, Alexander Skarsgard, and James Marsden. When a man escapes from a biological testing facility, he sets in motion a deadly domino effect, spreading a mutated strain of the flu that will wipe out 99 percent of humanity within a few weeks. The survivors who remain are scared, bewildered, and in need of a leader. Two emerge--Mother Abagail, the benevolent 108-year-old woman who urges them to build a peaceful community in Boulder, Colorado; and Randall Flagg, the nefarious "Dark Man," who delights in chaos and violence. As the dark man and the peaceful woman gather power, the survivors will have to choose between them--and ultimately decide the fate of all humanity.
Americans today are frustrated and anxious. Our economy is sluggish, and leaves workers insecure. Income inequality, cultural divisions, and political polarization increasingly pull us apart. Our governing institutions often seem paralyzed. And our politics has failed to rise to these challenges. No wonder, then, that Americans -- and the politicians who represent them -- are overwhelmingly nostalgic for a better time. The Left looks back to the middle of the twentieth century, when unions were strong, large public programs promised to solve pressing social problems, and the movements for racial integration and sexual equality were advancing. The Right looks back to the Reagan Era, when deregulation and lower taxes spurred the economy, cultural traditionalism seemed resurgent, and America was confident and optimistic. Each side thinks returning to its golden age could solve America's problems. In The Fractured Republic, Yuval Levin argues that this politics of nostalgia is failing twenty-first-century Americans. Both parties are blind to how America has changed over the past half century -- as the large, consolidated institutions that once dominated our economy, politics, and culture have fragmented and become smaller, more diverse, and personalized. Individualism, dynamism, and liberalization have come at the cost of dwindling solidarity, cohesion, and social order. This has left us with more choices in every realm of life but less security, stability, and national unity. Both our strengths and our weaknesses are therefore consequences of these changes. And the dysfunctions of our fragmented national life will need to be answered by the strengths of our decentralized, diverse, dynamic nation. Levin argues that this calls for a modernizing politics that avoids both radical individualism and a centralizing statism and instead revives the middle layers of society -- families and communities, schools and churches, charities and associations, local governments and markets. Through them, we can achieve not a single solution to the problems of our age, but multiple and tailored answers fitted to the daunting range of challenges we face and suited to enable an American revival.