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This reader-friendly exploration along what was once New Mexico State Highway 44, now redesignated the southern part of federal highway US-550, melds both the human and geologic history along the major transportation corridor connecting the Rio Grande Valley in central New Mexico with the San Juan River Valley in the far northwestern part of the state. Numerous illustrations portray the region's geology in a form intelligible and interesting to the non-geologist. The basic understanding of the landscape thus provides the scaffolding to support the stories of the interesting people who figure in the history along "Old 44." The book aims to provide a view of the highway and its environs in an entirely new way and to make history and geology seem a natural and necessary pairing. DIRK VAN HART earned his Bachelor's and Master's degrees in geology, and in 1965 began a professional career as a petroleum geologist. During the next two decades the gypsy life of the geologist took him to Oklahoma, Texas, California, Guatemala, and Ecuador. In 1986 a career change led him to move his family to Albuquerque, New Mexico where he engaged in contract geological projects in Italy and Belize, and for a short while taught high-school science. In 1994 he joined a team effort to characterize the geology of Kirtland Air Force Base in Albuquerque as a contractor for Sandia National Laboratories. He is now retired.
"Seventeen-year-old Abby Craig died last year. But after breaking through the ice on a frozen mountain lake and having no vital signs for nearly an hour, she somehow came back to life. But she work into a world she barely recognizes. And just when she thinks it can't get any worse, the visions begin. In them, she seems a faceless serial killer roaming the streets. It's up to her to stop him. But to do so, she'll have to confront more than just the killer. She'll have to face something else that was lost in those dark waters. The truth."--Page 4 of cover.
“Family secrets and a transportive Italian setting keep the reader thoroughly immersed, making for a satisfying story of one woman’s coming-of-age.” —Publishers Weekly Nestled into the cliffs in southern Italy’s Amalfi coast, Positano is an artist’s vision, with rows of brightly hued houses perched above the sea and picturesque staircases meandering up and down the hillside. Santina, still a striking woman despite old age and the illness that saps her last strength, is spending her final days at her home, Villa San Vito. The magnificent eighteenth-century palazzo is very different from the tiny house in which she grew up. And as she decides its fate, she must confront the choices that led her here so long ago . . . In 1949, Positano is as yet undiscovered by tourists, a beautiful, secluded village shaking off the dust of war. Hoping to escape poverty, young Santina takes domestic work in London, ultimately becoming a housekeeper to a distinguished British major and his creative, impulsive wife, Adeline. When they move to Positano, Santina returns with them, raising their daughter as Adeline’s mental health declines. With each passing year, Santina becomes more deeply enmeshed within the family, trying to navigate her complicated feelings for a man who is much more than an employer—while hiding secrets that could shatter the only home she knows . . . “Pick up this book to be swept away like a frothy Mediterranean wave, with its melodic writing style that’s richly filled with beautiful imagery in a setting so sunny and beautiful you will be transported!” —Beachcombing Magazine
Tamsin Oglesby is one of today's most respected and established young playwrights. She is currently under commission to the National Theatre, The Royal Shakespeare Company and Hampstead Theatre, and has enjoyed well-received, sell-out runs at the Hampstead, Bush and National Theatres. Her latest play is a furious comedy about our embarrassment and fear of old age. It exposes a society in which compassion vies with pragmatism and, by asking unequivocal questions, it comes up with some extraordinary answers.
NATIONAL BESTSELLER • Discover the game-changing theory of the cycles of history and what past generations can teach us about living through times of upheaval—with deep insights into the roles that Boomers, Generation X, and Millennials have to play—now with a new preface by Neil Howe. First comes a High, a period of confident expansion. Next comes an Awakening, a time of spiritual exploration and rebellion. Then comes an Unraveling, in which individualism triumphs over crumbling institutions. Last comes a Crisis—the Fourth Turning—when society passes through a great and perilous gate in history. William Strauss and Neil Howe will change the way you see the world—and your place in it. With blazing originality, The Fourth Turning illuminates the past, explains the present, and reimagines the future. Most remarkably, it offers an utterly persuasive prophecy about how America’s past will predict what comes next. Strauss and Howe base this vision on a provocative theory of American history. The authors look back five hundred years and uncover a distinct pattern: Modern history moves in cycles, each one lasting about the length of a long human life, each composed of four twenty-year eras—or “turnings”—that comprise history’s seasonal rhythm of growth, maturation, entropy, and rebirth. Illustrating this cycle through a brilliant analysis of the post–World War II period, The Fourth Turning offers bold predictions about how all of us can prepare, individually and collectively, for this rendezvous with destiny.
"Index to the Sociological papers and reports of the American Sociological Society, 1906-1930;" v. 25, p. 226-258.
Meshach Browning spent decades as a professional hunter and trapper of bears, boars and deer in rural Maryland during the early 1800s - this is his story, in his own words. Born in modest circumstances, Browning grew up at a time when the United States as a nation was in its infancy, with much of the population living in rural areas. From his youth, the author vowed to be self-sufficient, leaving his home and first love to hone his abilities as a hunter. Returning with money gained from selling pelts and meat, it is then that Meshach contemplates hunting as a career. The equipment used by the author is much inferior to that of the modern day. Meshach's use of a musket - a gun whose reliability is demonstrated as poor in several instances - leads him to rely on his skills in close quarters combat. On multiple hunts, described with stunning vividness in these pages, Browning's ability to battle animals in melee saves his life. The dangers of his trade are balanced by its lucrativeness: bear meat and pelt for instance fetched high prices on the open market. Though his life's work is the primary subject, Meshach Browning shows a tender side when describing his first marriage; his loving wife Mary bore him several children. In later chapters, he proudly teaches his sons the craft which sustained their family for so many years.