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The practical, intriguing American devices contained in this handbook come from an era long before milking machines, pesticide sprayers, and industrial hay balers. Designed to speed and simply everything from making your own butter to protecting drain outlets to organizing and storing tools, the easy-to-make mechanisms you’ll find here can be just as useful for today’s farmer as they were for frontier homesteaders. Discover how to transform odds and ends—scraps of lumber from old building projects, leftover sections of barbed wire, the box spring sitting in the attic—into handy household implements. With the illustrated instructions here, you can make a movable nest for hens, a ribless boat, a contraption to extricate a mired animal, a farm cart with movable racks for larger roads, a wire fence tightener, a fruit picker, a grindstone set and frame, and much more. This book is perfect for the rancher, farmer, craftsman—anyone with a love of the rural life.
The practical, intriguing American devices contained in this handbook come from an era long before milking machines, pesticide sprayers, and industrial hay balers. Designed to speed and simply everything from making your own butter to protecting drain outlets to organizing and storing tools, the easy-to-make mechanisms you’ll find here can be just as useful for today’s farmer as they were for frontier homesteaders. Discover how to transform odds and ends—scraps of lumber from old building projects, leftover sections of barbed wire, the box spring sitting in the attic—into handy household implements. With the illustrated instructions here, you can make a movable nest for hens, a ribless boat, a contraption to extricate a mired animal, a farm cart with movable racks for larger roads, a wire fence tightener, a fruit picker, a grindstone set and frame, and much more. This book is perfect for the rancher, farmer, craftsman—anyone with a love of the rural life.
In the years after World War II, the airline stewardess became one of the most celebrated symbols of American womanhood. Stewardesses appeared on magazine covers, on lecture circuits, and in ad campaigns for everything from milk to cigarettes. Airlines enlisted them to pose for publicity shots, mingle with international dignitaries, and even serve (in sequined minidresses) as the official hostesses at Richard Nixon's inaugural ball. Embodying mainstream America's perfect woman, the stewardess was an ambassador of femininity and the American way both at home and abroad. Young, beautiful, unmarried, intelligent, charming, and nurturing, she inspired young girls everywhere to set their sights on the sky. In The Jet Sex, Victoria Vantoch explores in rich detail how multiple forces—business strategy, advertising, race, sexuality, and Cold War politics—cultivated an image of the stewardess that reflected America's vision of itself, from the wholesome girl-next-door of the 1940s to the cosmopolitan glamour girl of the Jet Age to the sexy playmate of the 1960s. Though airlines marketed her as the consummate hostess—an expert at pampering her mostly male passengers, while mixing martinis and allaying their fears of flying—she bridged the gap between the idealized 1950s housewife and the emerging "working woman." On the international stage, this select cadre of women served as ambassadors of their nation in the propaganda clashes of the Cold War. The stylish Pucci-clad American stewardess represented the United States as middle class and consumer oriented—hallmarks of capitalism's success and a stark contrast to her counterpart at Aeroflot, the Soviet national airline. As the apotheosis of feminine charm and American careerism, the stewardess subtly bucked traditional gender roles and paved the way for the women's movement. Drawing on industry archives and hundreds of interviews, this vibrant cultural history offers a fresh perspective on the sweeping changes in twentieth-century American life.
Despite their peaceful, bucolic appearance, the tree-lined streets of South African suburbia were no refuge from the racial tensions and indignities of apartheid’s most repressive years. In At Home with Apartheid, Rebecca Ginsburg provides an intimate examination of the cultural landscapes of Johannesburg’s middle- and upper-middle-class neighborhoods during the height of apartheid (c. 1960–1975) and incorporates recent scholarship on gender, the home, and family. More subtly but no less significantly than factory floors, squatter camps, prisons, and courtrooms, the homes of white South Africans were sites of important contests between white privilege and black aspiration. Subtle negotiations within the domestic sphere between white, mostly female, householders and their black domestic workers, also primarily women, played out over and around this space. These seemingly mundane, private conflicts were part of larger contemporary struggles between whites and blacks over territory and power. Ginsburg gives special attention to the distinct social and racial geographies produced by the workers’ detached living quarters, designed by builders and architects as landscape complements to the main houses. Ranch houses, Italianate villas, modernist cubes, and Victorian bungalows filled Johannesburg’s suburbs. What distinguished these neighborhoods from their precedents in the United States or the United Kingdom was the presence of the ubiquitous back rooms and of the African women who inhabited them in these otherwise exclusively white areas. The author conducted more than seventy-five personal interviews for this book, an approach that sets it apart from other architectural histories. In addition to these oral accounts, Ginsburg draws from plans, drawings, and onsite analysis of the physical properties themselves. While the issues addressed span the disciplines of South African and architectural history, feminist studies, material culture studies, and psychology, the book’s strong narrative, powerful oral histories, and compelling subject matter bring the neighborhoods and residents it examines vividly to life.
Includes annually, 1961- Home goods data book.
With reports of County farmers' institutes for the year ...