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This book introduces a new linguistic reconstruction of the phonology, morphology, and lexicon of Old Chinese, the language of the earliest Chinese classical texts (1st millennium BCE).
The I Ching is an ancient Chinese work of divination that examines the patterns, or hexagrams, traditionally formed by dropping bundles of dried grass stalks. This edition features interpretations of the 64 hexagrams, including the Judgment, written by King Wen in the 12th Century BCE; The Commentary and The Image (both attributed to Confucius); and The Lines, written by King Wen's son, and here enhanced by modern commentary.
TRENDS IN LINGUISTICS is a series of books that open new perspectives in our understanding of language. The series publishes state-of-the-art work on core areas of linguistics across theoretical frameworks as well as studies that provide new insights by building bridges to neighbouring fields such as neuroscience and cognitive science. TRENDS IN LINGUISTICS considers itself a forum for cutting-edge research based on solid empirical data on language in its various manifestations, including sign languages. It regards linguistic variation in its synchronic and diachronic dimensions as well as in its social contexts as important sources of insight for a better understanding of the design of linguistic systems and the ecology and evolution of language. TRENDS IN LINGUISTICS publishes monographs and outstanding dissertations as well as edited volumes, which provide the opportunity to address controversial topics from different empirical and theoretical viewpoints. High quality standards are ensured through anonymous reviewing.
The phonology, morphology and lexicon of late Zhou Chinese are examined in this volume. It is argued that a proper understanding of Old Chinese morphology is essential in correctly reconstructing the phonology. Based on evidence from word-families, modern dialects and related words in neighboring languages, Old Chinese words are claimed to consist of a monosyllabic root, to which a variety of derivational affixes attached. This made Old Chinese typologically more like modern languages such as Khmer, Gyarong or Atayal, than like Middle and modern Chinese, where only faint traces of the old morphology remain. In the first part of the book, the author proposes improvements to Baxter's system of reconstruction, regarding complex initials and rhymes, and then reviews in great detail the Old Chinese affixal morphology. New proposals on phonology and morphology are integrated into a coherent reconstruction system. The second part of the book consists of etymological studies of important lexical items in Old Chinese. The author demonstrates in particular the role of proportional analogy in the formation of the system of personal pronouns. Special attention is paid to contact phenomena between Chinese and neighboring languages, and — unlike most literature on Sino-Tibetan — the author identifies numerous Chinese loanwords into Tibeto-Burman. The book, which contains a lengthy list of reconstructions, an index of characters and a general index, is intended for linguists and cultural historians, as well as advanced students.
This book presents a unique approach for studying mechanisms and machines with drawings that were depicted unclearly in ancient Chinese books. The historical, cultural and technical backgrounds of the mechanisms are explained, and various mechanisms described and illustrated in ancient books are introduced. By utilizing the idea for the conceptual design of modern mechanisms, all feasible designs of ancient mechanisms with uncertain members and joints that meet the technical standards of the subjects’ time periods are synthesized systematically. Ancient Chinese crossbows (the original crossbow and repeating crossbows), textile mechanisms (silk-reeling mechanism, spinning mechanisms, and looms), and many other artisan's tool mechanisms are used as illustrated examples. Such an approach provides a logical method for the reconstruction designs of ancient mechanisms with uncertain structures. It also provides an innovative direction for researchers to further identify the original structures of mechanisms and machines with drawings in ancient literature. This book can be used as a textbook and/or supplemental reading material for courses related to history of ancient (Chinese) machinery and creative mechanism design for senior and graduate students.
From China's most influential foreign policy thinker, a vision for a "Beijing Consensus" for international relations The rise of China could be the most important political development of the twenty-first century. What will China look like in the future? What should it look like? And what will China's rise mean for the rest of world? This book, written by China's most influential foreign policy thinker, sets out a vision for the coming decades from China's point of view. In the West, Yan Xuetong is often regarded as a hawkish policy advisor and enemy of liberal internationalists. But a very different picture emerges from this book, as Yan examines the lessons of ancient Chinese political thought for the future of China and the development of a "Beijing consensus" in international relations. Yan, it becomes clear, is neither a communist who believes that economic might is the key to national power, nor a neoconservative who believes that China should rely on military might to get its way. Rather, Yan argues, political leadership is the key to national power, and morality is an essential part of political leadership. Economic and military might are important components of national power, but they are secondary to political leaders who act in accordance with moral norms, and the same holds true in determining the hierarchy of the global order. Providing new insights into the thinking of one of China's leading foreign policy figures, this book will be essential reading for anyone interested in China's rise or in international relations.
A one-stop, comprehensive account of the key developments in the phonological history of Chinese.
Although long out of date, Bernard Karlgren’s (1957) remains the most convenient work for looking up Middle Chinese (ca. A.D. 600) and Old Chinese (before 200 B.C.) reconstructions of all graphs that occur in literature from the beginning of writing (ca. 1250 B.C.) down to the third century B.C. In the present volume, Axel Schuessler provides a more current reconstruction of Old Chinese, limiting it, as far as possible, to those post-Karlgrenian phonological features of Old Chinese that enjoy some consensus among today’s investigators. At the same time, the updating of the material disregards more speculative theories and proposals. Schuessler refers to these minimal forms as "Minimal Old Chinese" (OCM). He bases OCM on Baxter’s 1992 reconstructions but with some changes, mostly notational. In keeping with its minimal aspect, the OCM forms are kept as simple as possible and transcribed in an equally simple notation. Some issues in Old Chinese phonology still await clarification; hence interpolations and proposals of limited currency appear in this update. Karlgren’s Middle Chinese reconstructions, as emended by Li Fang-kuei, are widely cited as points of reference for historical forms of Chinese as well as dialects. This emended Middle Chinese is also supplied by Schuessler. Another important addition to Karlgren’s work is an intermediate layer midway between the Old and Middle Chinese periods known as "Later Han Chinese" (ca. second century A.D.) The additional layer makes this volume a useful resource for those working on Han sources, especially poetry. This book is intended as a "companion" to the original Grammata Serica Recensa and therefore does not repeat other information provided there. Matters such as English glosses and references to the earliest occurrence of a graph can be looked up in Grammata Serica Recensa itself or in other relevant dictionaries. The great accomplishment of this companion volume is to update an essential reference and thereby fulfill the need for an accessible and user-friendly source for citing the various historically reconstructed stages of Chinese.
Ancient Chinese Inventions provides an illustrated introduction to the numerous scientific and technological inventions to which China can lay claim.
Explains the origins, materials, and meaning of traditional art in China, and describes the development of painting, sculpture, calligraphy, architecture, and other media.