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Based on antique prints, more than 40 handsome illustrations depict samurai warriors, the imperial villa at Kyoto, a Shinto shrine, tea ceremony, Noh play, and more. Detailed captions offer fascinating facts.
Scholars have long remarked on the frequency with which Japanese myths portrayed gods (kami) as old men or okina. Many of these “sacred elders” came to be featured in premodern theater, most prominently in Noh. In the closing decades of the twentieth-century, as the number of Japan’s senior citizens climbed steadily, the sacred elder of premodern myth became a subject of renewed interest and was seen by some as evidence that the elderly in Japan had once been accorded a level of respect unknown in recent times. In Buddhism and the Transformation of Old Age in Medieval Japan, Edward Drott charts the shifting sets of meanings ascribed to old age in medieval Japan, tracing the processes by which the aged body was transformed into a symbol of otherworldly power and the cultural, political, and religious circumstances that inspired its reimagination. Drott examines how the aged body was used to conceptualize forms of difference and to convey religious meanings in a variety of texts: official chronicles, literary works, Buddhist legends and didactic tales. In early Japan, old age was most commonly seen as a mark of negative distinction, one that represented the ugliness, barrenness, and pollution against which the imperial court sought to define itself. From the late-Heian period, however, certain Buddhist authors seized upon the aged body as a symbolic medium though which to challenge traditional dichotomies between center and margin, high and low, and purity and defilement, crafting narratives that associated aged saints and avatars with the cults, lineages, sacred sites, or religious practices these authors sought to promote. Contributing to a burgeoning literature on religion and the body, Buddhism and the Transformation of Old Age in Medieval Japan applies approaches developed in gender studies to “denaturalize” old age as a matter of representation, identity, and performance. By tracking the ideological uses of old age in premodern Japan, this work breaks new ground, revealing the role of religion in the construction of generational categories and the ways in which religious ideas and practices can serve not only to naturalize, but also challenge “common sense” about the body.
With unique and playful illustrations this multicultural children's book is a classic Japanese fairy tale that young children and parents alike will love. The Last Kappa of Old Japan is a warmly written and beautifully illustrated children's book that introduces many aspects of traditional Japanese culture and folklore, while teaching an important lesson about environmentalism. The story is of a young Japanese farm boy who develops a friendship with a mythical creature-- the kappa--a messenger of the god of water. The tale begins in post-Modern Japan when the boy is young and the kappa is healthy and ends when the kappa, now the last one left on Earth, keeps an important promise to his human friend. A story of love, friendship, and adventure, readers of all ages will enjoy this picture book by award-winning author/illustrator, Sunny Seki.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
Highly readable yet deeply researched, this book serves as an essential guide to the many ways in which Japan has risen to become one of the world's most creative and innovative societies. During its so-called Lost Decades, Japan has quietly reinvented itself from a nation with an economy playing catch-up into a global leader in innovation and creativity, one whose "soft power" extends from postmodern architecture to pluripotent stem cells. Written by a dozen experts in their fields, including architect Kengo Kuma, designer of Tokyo's 2020 Olympic stadium, this book describes Japan's contributions to the world in fields ranging from fashion and pop culture to development aid and historical reconciliation. In addition, it demonstrates how Japan has led efforts to contend with several social and economic challenges facing the entire developed world, including demographic aging, rising health-care costs, and wasteful consumption. Using these accomplishments as evidence, it argues that, in an era of questions surrounding the capability of American leadership, the time has come for Japan to step into a new role as a purveyor of models and values better suited to today's multipolar and diverse world.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
"Remnants of Days Past, by Kyoji Watanabe, is an epic journey into Japan's past. It is a comprehensive look at the Tokugawa rule and the Edo period, an age in which the civilization of "Old Japan" was still on display and which, for better or worse, ceased to exist with the advent of modernization. Watanabe covers in great detail several topics pertaining to this civilization, including the status and position of the various social classes, views of women and children, attitudes towards sex, labor, and the body and religious beliefs, as well as the unique cosmology behind this civilization. Watanabe makes use of a number of works written by foreign observers who visited Japan from the end of the Edo period to the beginning of the Meiji to support his views. As the author writes in the book, "What is important in my mind is the reality that the civilization of 'Old Japan' developed through a universal desire, as well as the ideas behind this desire, to make it as comfortable as possible for human existence." This is a massive work that takes an in-depth look at what modern Japan has lost"--
In this book the author has intended to portray Japan as he finds it rather than as it was in the past. However, the past is not ignored as it would be both foolish and futile. It is noted whilst there are no parts of Japan, and very few of her people, entirely unaffected by the new civilization, yet there are still some segments which are comparatively unchanged by the new ideas and ideals. It is observed that although those who have been least affected by the changes are more in number than those who have been most influenced by the change, yet the latter are much more active and powerful than the former.