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A ninety-six-year-old man, on admission to a nursing home, was interviewed by a social worker. She asked, "Did you have a happy childhood?" With a twinkle in his eye, he replied: "So far, so good!" One of the undeniable facts of life is that we are all aging. Many people dread growing old. It was Bette Davis who said, "Old age ain't no place for sissies!" And yet Dr. Cook believes that what really matters as we age is not the condition of the body, but that of the spirit. We can find meaning and purpose no matter what our age. Growing Old Isn't for Sissies focuses on the physical, emotional, mental, and spiritual challenges we encounter as we age, primarily after age sixty-five, and what our Christian faith has to say to those challenges and changes. Our faith in God can help us in our journey through life, no matter what our age. This book will help those who are growing older to understand some of the changes and problems associated with growing older, whether you are twenty, forty, sixty or eighty. It will help you understand the spiritual resources that are important in coping with growing older.
Of Human Bondage, Jezebel, All About Eve, Whatever Happened to Baby Jane? Just this short list of Bette Davis' films gives an unmistakable sense of the role she played in twentieth-century cinema as one of the finest performers in Hollywood history. Drawing on an extensive series of conversations that took place during the last decade of Bette Davis' life, this biography draws heavily on the actresses own words. Looking back over the decades, from her teenage decision to become an actress to the pain and outrage over her daughter's bitter portrayal of her, Davis speaks with extraordinary candour. She explains how her father's abandonment of her a child reverberated through her four marriages, and discusses the persistent Hollywood legend that she was difficult to work with. Immersing readers in the drama and glamour of movie-making's golden age, The Girl Who Walked Home Alone is a startling portrait of an enduring icon.
Comprised of 43 innovative contributions, this companion is both an overview of, and intervention into the field of cinema and gender. The essays included here address a variety of geographical contexts, from an analysis of cinema. Islam and women and television under Eastern European socialism, to female audience reception in Nigeria, to changing class and race norms in Bollywood dance sequences. A special focus is on women directors in a global context that includes films and filmmakers from Asia, Africa, Australia, Europe, North and South America. The collection also offers a solid overview of feminist contributions to thinking on genre from the "chick flick" to the action or Western film, to film noir and the slasher. Readers will find contributions on a variety of approaches to spectatorship, reception studies and fandom, as well as transnational approaches to star studies and essays addressing the relationship between feminist film theory and new media. Other topics include queer and trans* cinema, eco-cinema and the post-human. Finally, readers interested in the history of film will find essays addressing the methodological dimensions of feminist film history, essays on silent and studio era women in film, and histories of female filmmakers in a variety of non-Western contexts.
In recent decades, the North American public has pursued an inspirational vision of successful aging—striving through medical technique and individual effort to eradicate the declines, vulnerabilities, and dependencies previously commonly associated with old age. On the face of it, this bold new vision of successful, healthy, and active aging is highly appealing. But it also rests on a deep cultural discomfort with aging and being old. The contributors to Successful Aging as a Contemporary Obsession explore how the successful aging movement is playing out across five continents. Their chapters investigate a variety of people, including Catholic nuns in the United States; Hindu ashram dwellers; older American women seeking plastic surgery; aging African-American lesbians and gay men in the District of Columbia; Chicago home health care workers and their aging clients; Mexican men foregoing Viagra; dementia and Alzheimer sufferers in the United States and Brazil; and aging policies in Denmark, Poland, India, China, Japan, and Uganda. This book offers a fresh look at a major cultural and public health movement of our time, questioning what has become for many a taken-for-granted goal—aging in a way that almost denies aging itself.
WINNER OF THE AUDIENCE CHOICE IRISH BOOK AWARD 2021 Once you've got a few decades on the clock, life can seem sort of cross-roadsy. Once you're no longer thinking of yourself as 'young', you may be looking back, thinking 'How did I get here?' And also looking ahead, wondering: 'What do I do now?' This realization that neither time nor choices are limitless is both daunting and exciting. This is the moment to take stock and figure out how to make the best of every precious moment of the rest of your life. And to develop the tools to be able to do so again and again. Your One Wild and Precious Life is an eye-opening account of this surprisingly liberating process. Using the latest ground-breaking research, leading psychologist Maureen Gaffney has written an inspiring and practical guide for getting to grips with time. Taking the key stages of our life - from infancy to old age - she explores what we learn at each stage. And, crucially, she explains how, no matter what has happened in the past, and what age you are, you can find a better route forward. Your One Wild and Precious Life is both profound and reassuring. It will transform your thinking, connect you with who you truly are and help you to reclaim control over your life. Crucially, it will empower you to face the future with optimism. It is a book to fundamentally alter your relationship with time and show you that every age can be your best age. 'A profound, important work; simultaneously wise, instructive and a love letter to humanity' IRISH TIMES 'Fascinating and engaging' SUNDAY TIMES 'A must-read' IRISH DAILY MAIL '[It] will transform your thinking' IRISH FARMERS JOURNAL
This book studies the relationship between women, ageing and celebrity. Focusing on an array of case studies and star/celebrity images, it aims to examine the powerful, contradictory and sometimes celebratory ways in which celebrity culture offers a crucial site for the contemporary and historical construction of discourses on ageing femininities.
Exploring representations of queer aging in North American fiction, this book illuminates a rich yet previously unheeded intersection within American culture. At a time when older LGBTQ persons gradually gain visibility in gerontological studies and in the media, this work provides a critical perspective concerned with the ways in which the narratives and images we have at our disposal shape our realities. Each chapter shines a spotlight on a significant work of queer fiction, beginning with post-WWII novels and ending with filmic representations of the 2010s, exploring narratives as both reflections and agents of broader cultural negotiations concerning queer sexuality and aging. As a result, the book not only redresses queer aging’s history of invisibility, but also reveals narratives of queer aging to be particularly apt in casting new light on the ways in which growing older is perceived and conceptualized in North American culture.
Take a seat and settle in—it’s a gigantic treasury of trivia and humor for our twenty-fifth (is that porcelain?) anniversary! IBPA Benjamin Franklin Award Gold Winner in Humor ForeWord Reviews Book of the Year Awards, Honorable Mention in Humor “Fully Loaded” is putting it mildly. This behemoth of a book is overflowing with incredible stories, surprising facts, weird news, little-known origins, forgotten history, fun wordplay, and everything else that millions of loyal fans have come to expect from the world’s best-selling bathroom reading series. As always, it’s divided by length: quickies for the reader on the go, medium-sized articles for those with a few minutes to spare, and extra-long pieces for those truly leg-numbing experiences. Here are just a few of the hundreds of topics loaded into this edition of America’s favorite source of fascinating information: * Forgotten Firsts * Dumb Crooks: Stoner Edition * Bizarre Japanese Video Games * The Kamikaze Instruction Manual * Our Lady of the Little Green Men * The Worst Fire in American History * The World’s Worst Business Decision * The New Year’s Eve Opossum Drop * Do Blondes Really Have More Fun? * Failed Doomsday Predictions * When Toilets Explode * and much, much more!
Since the release of his breakout film Irréversible in 2002, Gaspar Noé (b. 1963) has been labeled the principal provocateur of twenty-first-century French cinema. While many of the filmmaker’s complex and daring works have been reduced by his critics to their (innumerable) depictions of hallucinogens, violence, and unsimulated sexual intercourse—the latter rendered into vertiginous 3D with his film Love—other viewers have remained in steady awe of Noé’s dizzying camerawork, immersive visuality, and expressive editing. Noé’s cinema greets the short attention spans of digital life with works of extremities and endurance for performers and spectators alike. This first-of-its-kind collection of interviews documents Noé’s engagement with the feverish reception of his work and received ideas about his life and politics. Collecting conversations with critics, scholars, and artists, including fellow directors Matthew Barney, Abel Ferrara, and Harmony Korine, Noé speaks about his process as a writer, director, cinematographer, and editor. Also examined are his engagement with developing film technology and his fascination and indebtedness to past filmmakers such as Pier Paolo Pasolini, Jean Eustache, Stanley Kubrick, and Sam Peckinpah. Noé discusses life in Buenos Aires and emigrating to France, his use of irony and melodrama, and his interest in documentary practices. Throughout, Noé explores his continuing examination of faith and secularism, body and mind, and the politics of spectatorship. Editor Geoffrey Lokke’s introduction provides a close reading of Noé in conversation, assessing what has changed over the years in terms of the filmmaker’s aesthetics and presentation of self, as well as what Noé is reticent to articulate about his life and art.