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This is the first collection of plays by award-winning playwright Oladipo Agboluaje, a significant force in Black British drama. Described as an ‘exciting, vital new voice’ (Time Out), Agboluaje demonstrates his versatility to write plays that transcend African and British cultures. Early Morning is a satirical comedy about three Nigerian office cleaners who decide to mount a coup to institute Blackocracy in Great Britain. ‘The comedy is witty, astute and sublimely irresponsible‘ The Spectator The Estate centres on the conflicts within the wealthy Adeyemi family as they make funeral arrangements for their late patriarch, Chief Adeyemi. The Estate is also a social study of class conflict in Nigeria. 'Agboluaje writes with a sharp, satiric eye.’ Guardian The Christ of Coldharbour Lane is the story of Omo who, believing he is the son of God, preaches to the people of Brixton to abandon the 'wilful peace' that is holding them down. ‘an often hilarious, and often profound, snapshot of modern London...[a] thought-provoking piece of original theatre.’ The Stage The Hounding of David Oluwale is based on Kester Aspden's award-winning book and reworks the tragic story of David Oluwale, who was hounded by two police officers in 1960s Leeds, and of the man who fought to get justice for him. ‘a shocking and engrossing story...a kind of In Cold Blood set in Leeds’ Financial Times Iyale (The First Wife) is the prequel to The Estate and tells the story of Helen Adeyemi's rise from being the servant to becoming the wife of the patriarch, Chief Adeyemi. ‘satirical yet sympathetic, brutal yet beautifully observed.‘ The Times
An ordinary school day. But today, there is no going home. When the rest of the world has forgotten your existence, where do you run when the Apocalypse looms? The dock? The navy base? Or do you just sit tight and ride the whole thing out? In a city overcome with death, we are finally forced to start living. A provocative and darkly comic new play, by award-winning playwright Oladipo Agboluaje, exploring our technological dependency, social resilience and the need to belong
Newsroom, political platform, local hot spot, confession box, preacher-pulpit and football stadium. For generations, African men have gathered in barber shops to discuss the world. These are places where the banter can be barbed and the truth is always telling. Barber Shop Chronicles, which was partly inspired by verbatim recordings, is a heart-warming, hilarious and insightful play that leaps from a barber shop in Peckham to Johannesburg, Harare, Kampala, Lagos and Accra over the course of a single day. It was first produced by the National Theatre, Fuel and Leeds Playhouse in 2017 and is here publishedas a Methuen Drama Student Edition with commentary and notes by Oladipo Agboluaje.
The Wish Collector by Oladipo Agbolauje A magical epic whirling from a playground in Britain to a village in Sierra Leone The Acme Thunderer by Lin Coghlan A funny, moving family drama of pigeons and siblings, set amid the Blitz. Of the Terrifying Events on the Hamelin Estate by Philip Osment A high-spirited contemporary satire bringing the Pied Piper legend up-to-date. Three 30 minute plays by leading playwrights for children to act, commissioned by the Unicorn, one of the world’s foremost companies creating theatre with young people. Premiered as end of year performances by primary classes, the scripts are ideal school productions or for younger youth theatre groups. They are designed to be directed by teachers or youth leaders with no previous drama training. The book includes advice and ideas to support preparation, rehearsal and production.
This collection of essays investigates the way Africa has been portrayed on the London stage from the 1950s to the present. It focuses on whether — and, if so, to what extent — the Africa that emerges from the London scene is subject to stereotype, and/or in which ways the reception of audiences and critics have contributed to an understanding of the continent and its arts. The collection, divided into two parts, brings together well-established academics and emerging scholars, as well as playwrights, directors and performers currently active in London. With a focus on Wole Soyinka, Athol Fugard, Bola Agbaje, Biyi Bandele, and Dipo Agboluaje, amongst others, the volume examines the work of key companies such as Tiata Fahodzi and Talawa, as well as newer companies Two Gents, Iroko Theatre and Spora Stories. Interviews with Rotimi Babatunde, Ade Solanke and Dipo Agboluaje on the contemporary London scene are also included.
First Published in 2012. This book is a guide to introducing the craft of playwriting into the secondary English curriculum at key stage 3, using the TEEP (Teacher Effectiveness Enhancement Programme) framework. The authors also provide a particular focus on applying this versatile scheme of work to other areas of the curriculum, including Citizenship and PSHE. Playwriting Across the Curriculum also contains schemes of work for: pupils with special educational needs (SEN); pupils with English as an additional language (EAL); adaptation to Adult Literacy Core Curriculum. Its coverage of specific plays as part of the scheme ensures that students will engage with contemporary writing in their learning. This is an essential resource for anyone wanting to teach playwriting at secondary school level.
This indispensable overview of modern black British drama spans seven decades of distinctive playwriting from the 1950s to the present. Interweaving social and cultural context with close critical analysis of key dramatists' plays, leading scholars explore how these dramatists have created an enduring, transformative and diverse cultural presence.
This book explores the various manifestations of affects in British theatre of the 21st century. The introduction gives a concise survey of existing and emerging theoretical and research trends and argues in favour of a capacious understanding of affects that mediates between more autonomous and more social approaches. The twelve chapters in the collection investigate major works in Britain by playwrights and theatre makers including Mojisola Adebayo, Mike Bartlett, Alice Birch, Caryl Churchill, Tim Crouch and Andy Smith, Rachel De-lahay, Reginald Edmund, James Fritz, David Greig, Idris Goodwin, Zinnie Harris, Kieran Hurley, Lucy Kirkwood, Anders Lustgarten, Yolanda Mercy, Anthony Neilson, Lucy Prebble, Sh!t Theatre, Penelope Skinner, Stef Smith, Kae Tempest and debbie tucker green. The interpretations identify significant areas of tension as they relate affects to the fields of cognition, politics and hope. In this, the chapters uncover interrelations of thought, intention and empathy; they reveal the nexus between identities, institutions and ideology; and, finally, they explore how theatre can accomplish the transition from a sense of crisis to utopian visions.
This book examines the socio-political and theatrical conditions that heralded the shift from the margins to the mainstream for black British Writers, through analysis of the social issues portrayed in plays by Kwame Kwei-Armah, debbie tucker green, Roy Williams, and Bola Agbaje.
In May 1969, David Oluwale's body was pulled from the River Aire in Leeds. Eighteen months later, the investigation into his death was to rip apart the Yorkshire police force as two officers were prosecuted for killing the Nigerian immigrant whist in police custody.The police acts of prejudice and violence brought to light through the investigation of 1971 shook the population of Leeds, and thirty nine years on, the details of Oluwale's death still haunt the area. Through The Hounding of David Oluwale, an adaptation of Kester Aspden’s critically acclaimed text, Agboluaje uses carefully selected accounts of Oluwale's life to reveal how an optimistic and much loved showman who loved to dance, became the tragic victim of police persecution and brutality. Adapted as part of the Eclipse Theatre Initiative, a scheme dedicated to raising awareness for the work of aspiring Black dramatists, this play is a gripping drama that unravels the deep rooted prejudice that resides within contemporary society. The Hounding of David Oluwale opened at the West Yorkshire Playhouse at the end of January 2009.