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A 2022 Great Group Reads selection In late fall of 1892 outlaw Eddie Mole gallops down the main street of Jericho Springs, Kansas, where he robs and shoots dead the freighter Barney Kreider. Some urge Barney's son Ulysses ("Euly") to take revenge, but Euly is a Mennonite and Mennonites don't seek revenge. Instead, Euly plots how to make his fortune with the aid of his half-Osage sister, Kate, and his friend Johnny, an Osage farmhand. The three make a plan to sell goods and livestock to the settlers converging on Caldwell, Kansas, for the land run going on in the Cherokee Outlet. When Johnny tracks Eddie into the Cherokee Outlet, he witnesses Buffalo Soldiers evicting Eddie from a ranch, leaving it public domain, and Johnny and Kate make the run for that beautiful land. Euly follows close behind, even as Eddie, riding from Arkansas City, tries to reclaim his old ranch. John Mort's narrative is an anti-revenge novel--always opting for nonviolence. But there's violence nevertheless, as Eddie's and Barney's survivors converge in a rousing finish. Though this novel uses some of the architecture and motifs of traditional westerns, it is carefully researched and set in the unfolding of a pivotal, neglected historical event.
A murder impels the victim’s son, a naive Mennonite farm boy, his sister, and an Osage farmhand to stake their fortunes on the last land run into Oklahoma Territory. While their aims are nonviolent, the murderer has other ideas.
A steadfast champion of his people during the wars with encroaching Anglo-Americans, the Apache chief Victorio deserves as much attention as his better-known contemporaries Cochise and Geronimo. In presenting the story of this nineteenth-century Warm Springs Apache warrior, Kathleen P. Chamberlain expands our understanding of Victorio’s role in the Apache wars and brings him into the center of events. Although there is little documentation of Victorio’s life outside military records, Chamberlain draws on ethnographic sources to surmise his childhood and adolescence and to depict traditional Warm Springs Apache social, religious, and economic life. Reconstructing Victorio’s life beyond the military conflicts that have since come to define him, she interprets his character and actions not only as whites viewed them but also as the logical outcome of his upbringing and worldview. Chamberlain’s Victorio is a pragmatic leader and a profoundly spiritual man. Caught in the absurdities of post–Civil War Indian policy, Victorio struggled with the glaring disconnect between the U.S. government’s vision for Indians and their own physical, psychological, and spiritual needs. Graced with historic photos of Victorio, other Apaches, and U.S. military leaders, this biography portrays Victorio as a leader who sought a peaceful homeland for his people in the face of wrongheaded decisions from Washington. It is the most nearly complete and balanced picture yet to emerge of a Native leader caught in the conflicts and compromises of the nineteenth-century Southwest.
A sudden war alert sends the Trident submarine U.S.S. Phoenix down to the ocean's floor. All communications from the outside world mysteriously vanish--including messages from the President of the United States canceling the alert. In six hours, the submarine commander will unleash an arsenal of devastating nuclear missiles--unless someone can stop him.
In 1933, famed anthropologist Morris Opler met a Mescalero Apache he called Chris and worked with him to record the man's life story, from the bloody Apache Wars into the reservation years of the mid-twentieth century. Chris's vivid recollections are enriched at strategic moments with crucial background information on Apache history and culture, supplied by Opler. Chris was born around 1880, the son of a Chiricahua man and a Mescalero woman. At the age of six, he and his family and other Chiricahua Apaches became prisoners of war and were relocated by the U.S. government to Florida and Alabama. Eventually settling on the Mescalero Apache reservation in New Mexico, Chris grew up expecting to become a shaman like his parents. Although Chris apprenticed as a shaman, his confidence in his healing ability waned after he was forced at the age of seventeen to attend federal government schools. Nonetheless, his interest in Mescalero religion, healing, and other traditional customs and beliefs remained, and that intimate knowledge of his people's world underscores and deepens the story of his own life.
A brilliant, kaleidoscopic narrative of Oklahoma City—a great American story of civics, basketball, and destiny, from award-winning journalist Sam Anderson NAMED ONE OF THE BEST BOOKS OF THE YEAR BY The New York Times Book Review • NPR • Chicago Tribune • San Francisco Chronicle • The Economist • Deadspin Oklahoma City was born from chaos. It was founded in a bizarre but momentous “Land Run” in 1889, when thousands of people lined up along the borders of Oklahoma Territory and rushed in at noon to stake their claims. Since then, it has been a city torn between the wild energy that drives its outsized ambitions, and the forces of order that seek sustainable progress. Nowhere was this dynamic better realized than in the drama of the Oklahoma City Thunder basketball team’s 2012-13 season, when the Thunder’s brilliant general manager, Sam Presti, ignited a firestorm by trading future superstar James Harden just days before the first game. Presti’s all-in gamble on “the Process”—the patient, methodical management style that dictated the trade as the team’s best hope for long-term greatness—kicked off a pivotal year in the city’s history, one that would include pitched battles over urban planning, a series of cataclysmic tornadoes, and the frenzied hope that an NBA championship might finally deliver the glory of which the city had always dreamed. Boom Town announces the arrival of an exciting literary voice. Sam Anderson, former book critic for New York magazine and now a staff writer at the New York Times magazine, unfolds an idiosyncratic mix of American history, sports reporting, urban studies, gonzo memoir, and much more to tell the strange but compelling story of an American city whose unique mix of geography and history make it a fascinating microcosm of the democratic experiment. Filled with characters ranging from NBA superstars Kevin Durant and Russell Westbrook; to Flaming Lips oddball frontman Wayne Coyne; to legendary Great Plains meteorologist Gary England; to Stanley Draper, Oklahoma City's would-be Robert Moses; to civil rights activist Clara Luper; to the citizens and public servants who survived the notorious 1995 bombing of the Alfred P. Murrah federal building, Boom Town offers a remarkable look at the urban tapestry woven from control and chaos, sports and civics.
THE INSPIRATION FOR JUSTIFIED: CITY PRIMEVAL ON FX “As gritty and hard-driving a thriller as you’ll find….The action never stops, the language sings and stings.” —Washington Post The City Primeval in Elmore Leonard’s relentlessly gripping classic noir is Detroit, the author’s much-maligned hometown and the setting for many of the Grand Master’s acclaimed crime novels. The “Alexander the Great of crime fiction” (Pittsburgh Post-Gazette) shines in these urban mean streets, setting up a downtown showdown between the psychopathic, thrill-killing “Oklahoma Wildman” and the dedicated city copy who’s determined to take him down. The creator of U.S. Marshal Raylan Givens of TV’s Justified fame, Elmore Leonard is the equal of any writer who has ever captivated readers with dark tales of heists, hijacks, double-crosses, and murder—John D. MacDonald, Dashiell Hammett, James M. Cain, and Robert Parker included—and nobody then or now is better.
In 1968, Roxanne Dunbar-Ortiz helped found the Women’s Liberation Movement, part of what has been called the second wave of feminism in the United States. Along with a small group of dedicated women in Boston, she produced the first women’s liberation journal, No More Fun and Games. Dunbar-Ortiz was also an antiwar and anti-racist activist and organizer throughout the 1960s and early 1970s and a fiery, tireless public speaker on issues of patriarchy, capitalism, imperialism, and racism. She worked in Cuba with the Venceremos Brigade and formed associations with other revolutionaries across the spectrum of radical politics, including the Civil Rights Movement, Students for a Democratic Society, the Revolutionary Union, the African National Congress, and the American Indian Movement. Unlike most of those involved in the New Left, Dunbar-Ortiz grew up poor, female, and part–Native American in rural Oklahoma, and she often found herself at odds not only with the ruling class but also with the Left and with the women’s movement. Dunbar-Ortiz’s odyssey from Oklahoma poverty to the urban New Left gives a working-class, feminist perspective on a time and a movement that forever changed American society. In a new afterword, the author reflects on her fast-paced life fifty years ago, in particular as a movement activist and in relationships with men.
Since well before ratification of the Nineteenth Amendment in 1920 secured their right to vote, women in Oklahoma have sought to change and uplift their communities through political activism. This Land Is Herland brings together the stories of thirteen women activists and explores their varied experiences from the territorial period to the present. Organized chronologically, the essays discuss Progressive reformer Kate Barnard, educator and civil rights leader Clara Luper, and Comanche leader and activist LaDonna Harris, as well as lesser-known individuals such as Cherokee historian and educator Rachel Caroline Eaton, entrepreneur and NAACP organizer California M. Taylor, and Equal Rights Amendment (ERA) champion Wanda Jo Peltier Stapleton. Edited by Sarah Eppler Janda and Patricia Loughlin, the collection connects Oklahoma women’s individual and collective endeavors to the larger themes of intersectionality, suffrage, politics, motherhood, and civil rights in the American West and the United States. The historians explore how race, ethnicity, social class, gender, and political power shaped—and were shaped by—these women’s efforts to improve their local, state, and national communities. Underscoring the diversity of women’s experiences, the editors and contributors provide fresh and engaging perspectives on the western roots of gendered activism in Oklahoma. This volume expands and enhances our understanding of the complexities of western women’s history.