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Anyone who knows New Mexico, with its fierce light, pungent aroma of sage, and big, open skies, will understand its fascination for O'Keeffe. The landscape is direct and elemental, like her paintings; it is tough and unyielding, like her character.
Voices of laughter and comic relief are a timeless, vital aspect of Hispanic culture. In this book practical jokes, pranks, slips-of-the-tongue, hyperbole, and slapstick are given in English and regional Spanish.
In 1983, Christine Taylor Patten was hired as one of the people who took care of Georgia O’Keeffe, then ninety-six. Also an artist, Patten served as nurse, cook, companion, and friend to the older woman. This intimate account of the year of Patten’s employment offers a rare glimpse of O’Keeffe’s daily life when she could no longer see well enough to paint.
Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.
Offers a portrait of the twentieth-century woman artist through discussions of her marriage to art photography pioneer Alfred Stieglitz, the impact of his infidelity on her psyche, and her relocation to New Mexico, where she created her signature works.
This volume presents a portrait of the friendship between Maria Chabot (1913-2001) and American artist Georgia O'Keeffe (1887-1986) seen through the lens of their personal correspondence to each other. For four summers beginning in 1941, when O'Keeffe was in New Mexico, Chabot lived with the artist at Ghost Ranch, managing her house and guests, and organizing the famed camping-painting trips from which came some of O'Keeffe's most distinguished works of the period. In 1946, Chabot agreed to conceive and oversee the reconstruction of a ruined adobe house in New Mexico that would become O'Keeffe's permanent home in 1949. During the periods when O'Keeffe was in New York where she lived with her husband, famed photographer Alfred Stieglitz, the two women wrote each other with remarkable frequency. Their letters describe their love for northern New Mexico, the hardships of life there during World War II, and their interactions with the diverse cultural groups of the region. The letters also offer insights into the women's very different ways of dealing with the world and their differing perceptions of a complex and sometimes tempestuous friendship.
"When I got to New Mexico that was mine. As soon as I saw it that was my country.” Beginning with her teaching career in Texas, through her time in New York City and Lake George, and ending at her two desert ranches in New Mexico, this sumptuous life history explores the influence of the various landscapes and cities inhabited by Georgia O'Keeffe on her life and artwork. Fully illustrated throughout, the book features Georgia's own drawings and paintings together with archival imagery of her houses, friends and family – many of the photographs taken my notable contemporaries, including her husband Alfred Stieglitz – from the Georgia O'Keeffe Museum in Santa Fe, New Mexico. Georgia O'Keeffe at Home is a fascinating glimpse into the world of one of the most significant and intriguing artists of the twentieth century.
Winner of the 2012 Zia Award from New Mexico Press Women In 1973 Georgia O'Keeffe employed C. S. Merrill to catalog her library for her estate. Merrill, a poet who was a graduate student at the University of New Mexico, was twenty-six years old and O'Keeffe was eighty-five, almost blind, but still painting. Over seven years, Merrill was called upon for secretarial assistance, cooking, and personal care for the artist. Merrill's journals reveal details of the daily life of a genius. The author describes how O'Keeffe stretched the canvas for her twenty-six-foot cloud painting and reports on O'Keeffe's favorite classical music and preferred performers. Merrill provided descriptions of nature when she and the artist went for walks; she read to O'Keeffe from her favorite books and helped keep her space in meticulous order. Throughout the book there are sketches of O'Keeffe's studio and an account of once assisting O'Keeffe at the easel. Jockeying for position among the helpers O'Keeffe relied upon was part of daily life at Abiquiu, where territorial chows guarded the property. Visitors came from far and wide, among them Eliot Porter and even Allen Ginsberg accompanied by Peter Orlovsky. All this is revealed in Merrill's straightforward and deeply respectful notes. Reading her book is like spending a weekend with O'Keeffe in the incomparable light and clear air of Northern New Mexico mountains and desert.
Winner of the 2018 Dedalus Foundation Exhibition Catalogue Award This book explores how Georgia O’Keeffe lived her life steeped in modernism, bringing the same style she developed in her art to her dress, her homes, and her lifestyle. Richly illustrated with images of her art and views of the two homes she designed and furnished in New Mexico, the book also includes never before published photographs of O’Keeffe’s clothes. The author has attributed some of the most exquisite of these garments to O’Keeffe, a skilled seamstress who understood fabric and design, and who has become an icon in today’s fashion world as much for her personal style as for her art. As one of her friends stated, O’Keeffe "never allowed her life to be one thing and her painting another." This fresh and carefully researched study brings O’Keeffe’s style to life, illuminating how this beloved American artist purposefully proclaimed her modernity in the way she dressed and posed for photographers, from Alfred Stieglitz to Bruce Weber. This beautiful book accompanies the first museum exhibition to bring together photographs, clothes, and art to explore O’Keeffe’s unified modernist aesthetic. This book accompanies the show at the Peabody-Essex Museum, Georgia O’Keeffe: Art, Image, Style.
Georgia O'Keeffe is one of the most enduringly popular American artists - and one of the most compelling. Her monumental flowers and desert landscapes are instantly recognizable as hers by a vast general audience worldwide. This book presents an ample selection of the artist's best works, supremely reproduced from the premier collection of her art - The Georgia O'Keeffe Museum in Santa Fe, NM - and printed on heavy stock. A brief history of the museum itself and commentary by a leading O'Keeffe scholar round out this affordable, yet beautiful, introduction to the works of one the of the preeminent artists of the 20th century.