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This volume explores four key themes emanating from Okakura Tenshin’s philosophy and legacy: Okakura Tenshin and the Ideal of Pan-Asianism; Other Forms of Pan-Asianism (especially Islam and China); Art and Asia, and Ways of Defining Asia (up to the present day). Okakura Tenshin (1862-1913), art historian and ideologue driven by a notion of Asia bound by culture, is a significant figure in Japan’s modern intellectual history. His writings in both Japanese and English became part of a growing discourse that positioned Japan as the guardian and protector of Asia against the depredations, cultural as much as economic and political, of the West. At the outbreak of the Pacific War, the first line of Okakura’s 1903 book (‘Asia is One’), The Ideals of the East, was celebrated posthumously by the Japanese military as the most powerful expression of Japan’s goal of political ascendancy in Asia.
The book weaves through an intricate tapestry of ideas relating to pan-Asianism, nationalism, cosmopolitanism, and friendship, and positions the early modernist tensions of the period within—and against—the spectre of a unified Asia that concealed considerable political differences. The book draws on pan-Asian works such as The Ideals of the East and The Awakening of the East, in counterpoint to Tagore's radical Nationalism. The book, offering new insights into the ways in which the Orient travelled within and beyond Asia stimulated by emergent modes of vernacular cosmopolitanism, will appeal to students and scholars of cultural studies, South Asian postcolonial literature, literary theory, and performance studies, as well as general readers.
This is the extended and annotated edition including * an extensive annotation of more than 10.000 words about the history and basics of Buddhism, written by Thomas William Rhys Davids The results of Mr. Okakura's visits to China and India, where he made exhaustive studies, are brilliantly set forth in this book, '' The Ideals of the East ", explaining his important and now generally accepted analysis of the movements of thought and art throughout Asia. Contents: Introduction The Range Of Ideals The Primitive Art Of Japan Confucianism—Northern China Laoism And Taoism—Southern China Buddhism And Indian Art The Asuka Period - 550 To 700 A.D. The Nara Period - 700 To 800 A.D. The Heian Period - 800 To 900 A.D. The Fujiwara Period - 900 To 1200 A.D. The Kamakura Period - 1200-1400 A.D. Toyotomi And Early Tokugawa Period - 1600-1700 A.D. Later Tokugawa Period - 1700-1850 A.D. The Meiji Period - 1850 To The Present Day The Vista
"In view of the 100th anniversary of the 1911 Revolution and Sun Yat-sen's relations with the Nanyang communities, the Institute of Southeast Asian Studies and the Chinese Heritage Centre came together to host a two-day bilingual conference on the three-way relations between Sun Yat-sen, Nanyang and the 1911 Revolution in October 2011 in Singapore. This volume is a collection of papers in English presented at the conference"--Backcover.
The book explores the critical importance of Pan-Asianism in Japanese imperialism. Pan-Asianism was a cultural as well as political ideology that promoted Asian unity and recognition. The focus is on Pan-Asianism as a propeller behind Japan's expansionist policies from the Manchurian Incident until the end of the Pacific War.
In the summer of 1942 Japan's leading cultural authorities gathered in Tokyo to discuss the massive cultural, technological, and intellectual changes that had transformed Japan since the Meiji period. They feared that without a sufficient understanding of these developments, the Japanese people would lose their identity to the reckless and rapid process of modernization. The participants of this symposium hoped to settle the question of Japanese cultural identity at a time when their country was already at war with England and the United States. They presented papers and held roundtable discussions analyzing the effects of modernity from the diverse perspectives of literature, history, theology, film, music, philosophy, and science. Taken together, their work represents a complex portrait of intellectual discourse in wartime Japan, marked not only by a turn toward fascism but also by a profound sense of cultural crisis and anxiety. Overcoming Modernity is the first English translation of the symposium proceedings. Originally published in 1942, this material remains one of the most valuable documents of wartime Japanese intellectual history. Richard F. Calichman reproduces the entire proceedings and includes a critical introduction that provides thorough background of the symposium and its reception among postwar Japanese thinkers and critics. The aim of this conference was to go beyond facile and unreflective discussions concerning Japan's new spiritual order and examine more substantially the phenomenon of Japanese modernization and westernization. This does not mean, however, that a consensus was reached among the symposium's participants. Their tense debate reflects the problematic efforts within Japan, if not throughout the rest of the world at the time, to resolve the troubling issues of modernity.
This study of Kita Ikki, one of Japan’s influential pre-war idealogues, focuses on the twin poles of nationalism and socialism that inform his three principal works, located always in the context of the dominance of Western imperialism at that time. The second half of the book contains the first complete English translation of The Fundamental Principles for the Reorganization of Japan.
Papers presented at the Conference on Okakura Tenshin : Pan-Asianism, Nationalism and Art, held at Delhi in December 2002; Kakuzō Okakura, 1862-1913, Japanese art historian.