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Initially published in 1982 in the Smithsonian Folklife Series, Thomas Vennum's The Ojibwa Dance Drum is widely recognized as a significant ethnography of woodland Indians.-From the afterword by Rick St. Germaine
Little Half Sky longs to be old enough to accompany the war party, but his keen ears save the Ojibway warriors from an Iroquois war trick. Life on the Canadian island is fun, but frightening experiences lay ahead of him too. Falling through the ice, being rescued from a bear, hearing a sad message from the medicine man help him on his path to find his guiding spirit as he prepares for manhood.
Explores in detail the technology of harvesting and processing the grain, the important place of wild rice in Ojibway ceremony and legend, including the rich social life of the traditional rice camps, and the volatile issues of treaty rights. Wild rice has always been essential to life in the Upper Midwest and neighboring Canada. In this far-reaching book, Thomas Vennum Jr. uses travelers' narratives, historical and ethnological accounts, scientific data, historical and contemporary photographs and sketches, his own field work, and the words of Native people to examine the importance of this wild food to the Ojibway people. He details the technology of harvesting and processing, from seventeenth-century reports though modern mechanization. He explains the important place of wild rice in Ojibway ceremony and legend and depicts the rich social life of the traditional rice camps. And he reviews the volatile issues of treaty rights and litigations involving Indian problems in maintaining this traditional resource. A staple of the Ojibway diet and economy for centuries, wild rice has now become a gourmet food. With twentieth-century agricultural technology and paddy cultivation, white growers have virtually removed this important source of income from Indigenous hands. Nevertheless, the Ojibway continue to harvest and process rice each year. It remains a vital part of their social, cultural, and religious life.
Tribal peoples believe that the shaman experiences, absorbs, and communicates a special mode of power, sustaining and healing. This book discusses American Indian shamanic traditions, particularly those of the Woodland Ojibway, in terms drawn from the classical shamanism of Siberian peoples. Using a cultural-historical method, John A. Grim describes the spiritual formation of shamans, male and female, and elucidates the special religious experience that they transmit to their tribes. Writing as a historian of religion well acquainted with ethnological materials, Grim identifies four patterns in the shamanic experience: cosmology, tribal sanction, ritual reenactment, and trance experience. Relating those concepts to the Siberian and Ojibway experiences, he draws on mythology, sociology, anthropology, and psychology to paint a picture of shamanism that is both particularized and interpretative. As religious personalities, shamans are important today because of their singular ability to express symbolically the forces that animate the tribal cosmology. Often identifying themselves with primordial earth processes, shamans develop symbol systems drawn from the archetypal earth images that are vital to their psychic healing technique. This particular ability to resonate with the natural world is felt as an important need in our time. Those readers who identify with American Indians as they confront modern technological society will value this introduction to our native shamanic traditions and to the religious experience itself. The author's discussion of Ojibway practices is the most comprehensive short treatment available, written with a fine poetic feeling that reflects the literary expressiveness inherent in American Indian religion and thought.
Naamiwan’s Drum follows the story of a famous Ojibwe medicine man, his gifted grandson, and remarkable water drum. This drum, and forty other artefacts, were given away by a Canadian museum to an American Anishinaabe group that had no family or community connections to the collection. Many years passed before the drum was returned to the family and only about half of the artefacts were ever returned to the museum. Maureen Matthews takes us through this astonishing set of events from multiple perspectives, exploring community and museum viewpoints, visiting the ceremonial group leader in Wisconsin, and finally looking back from the point of view of the drum. The book contains a powerful Anishinaabe interpretive perspective on repatriation and on anthropology itself. Containing fourteen beautiful colour illustrations, Naamiwan’s Drum is a compelling account of repatriation as well as a cautionary tale for museum professionals.
Making your own primitive instruments from simple materials such as coffee cans and flower pots. Includes 121 figures.
For the first time since its initial publication in 1885, this classic history of the Ojibwe is available with new annotations and a new introduction by Theresa Schenck. William W. Warren's History of the Ojibway People has long been recognized as a classic source on Ojibwe history and culture. Warren, the son of an Ojibwe woman, wrote his history in the hope of saving traditional stories for posterity even as he presented to the American public a sympathetic view of a people he believed were fast disappearing under the onslaught of a corrupt frontier population. He collected firsthand descriptions and stories from relatives, tribal leaders, and acquaintances and transcribed this oral history in terms that nineteenth-century whites could understand, focusing on warfare, tribal organizations, and political leaders. First published in 1885, the book has also been criticized by Native and non-Native scholars, many of whom do not take into account Warren's perspective, goals, and limitations. Now, for the first time since its initial publication, it is made available with new annotations researched and written by professor Theresa Schenck. A new introduction by Schenck also gives a clear and concise history of the text and of the author, firmly establishing a place for William Warren in the tradition of American Indian intellectual thought.