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This revised and expanded edition of Roadside New Mexico provides additional information about these sites and includes approximately one hundred new markers, sixty-five of which document the contribution of women to the history of New Mexico.
The flying saucer has been the most vivid and persistent image in American life of the last half century. It has also generated more controversy and rancor than anything else that might be characterized as a fantasy. It is malleable, suiting a wide variety of beliefs and outlooks, touching nearly every public concern. It arrived as a mysterious threat from above, a metaphor for The Bomb. It transformed swiftly into a hope from above, promising to save us from ourselves. Renamed UFO, it became a symbol for those who distrusted the government. Along its way through the postwar skies, it acquired a cargo that included every species of hoax, craziness, lunacy, and even sexual fantasy, along with a fair amount of scientific and political baggage. The flying saucer myth says much about how Americans react to the unexpected. Before and After Roswell: The Flying Saucer in America, 1947-1999 places the flying saucer idea in the context of history, politics, entertainment, and science to arrive at an explanation of what it is all about and how it got that way. Because the Roswell incident--the story that a flying saucer crashed near Roswell, New Mexico, in 1947 and that the government has hidden the truth about it ever since--has dominated the subject recently, the book is anchored around that particular story while demonstrating that the flying saucer did exist before and after Roswell. It corrects some misconceptions, including one that holds that because a majority of people say they believe in UFOs, they therefore believe in a conspiracy to cover up the truth about them. After detailing what actually happened in Roswell in 1947, the book takes up the birth of the flying saucer earlier that year, underscoring the fact that the name originally denoted its movement, not its shape. The text then examines the Air Forces and CIAs responses to the phenomenon, and the rise of competing bands of ufologists, true believers and skeptics, to dominate debate over it. The book also addresses Cold War contributions to the UFO issue, and the role of Hollywood in providing the images that defined it. Along the way it describes the crashed-saucer tradition, the contactees, abductions, men in black, the Bermuda Triangle, ancient astronauts, cattle mutilations, the little gray alien, SETIs Drake Equation, sex and the flying saucer, and the rise of a new ufology emanating from the conspiracy culture growing out of the Kennedy assassination mythology and the Watergate scandal. Part Two of Before and After Roswell begins with the invention of the incident in 1980, then traces the history of the flying saucer idea to the end of the century. Important here are the submersion of the saucer into the larger anti-government conspiracy tradition of that period, and the increasing domination of the subject by television, including Area 51, a myth invented on a TV show, and the combined influence of reality-based cable documentaries and the amazingly popular series The X-Files. Also addressed are such things as crop circles, the MAJIC hoax, the face on Mars, UFO conspiracy fiction, and the explosion of the abduction belief. A chapter on The Battle of Roswell traces the evolution of that controversy through a succession of books by ufologists; in the end it broke down into disputed orthodoxies and feuds over who had the real crash site to charge admission to. When boosters tried to turn Roswell into a tourist attraction, their quarrels and mercenary outlook alienated the town and made the annual UFO Encounter a flop. The book concludes that the flying saucer is not a thing, but an idea, and one that will overcome the burden of
On January 10, 1901, near Beaumont, Texas, an unremarkable knoll of earth the world would soon call Spindletop shot a geyser of oil a hundred feet into the air, confirming the belief of Pattillo Higgins that black gold lay buried there. The Texas oil industry had begun in earnest, and neither Texas nor the world would ever be the same. In the years to come, Texas oil would fuel the nation’s automobiles and help to bring victory to the Allies in both world wars, shaping America’s destiny throughout the twentieth century. Join author and historian Mike Cox in this photographic visit to the heyday of Texas crude as he recounts the stories of key oil-patch discoveries around the state. Nearly 200 images in vivid black-and-white, with captions and introductions, offer a roughneck-close look at this uniquely American tale of dry holes and gushers, ragtowns and riches, boomtowns, blowouts, and wildcatters gone broke.
More famous in his day than Einstein or Edison, the troubled, solitary genius Robert H. Goddard (1882-1945) was the American father of rocketry and space flight, launching the world's first liquid-fuel rockets and the first powered vehicles to break the sound barrier. Supported by Charles Lindbergh and Harry Guggenheim, through fiery, often explosive, experiments at Roswell, New Mexico, he invented the methods that carried men to the moon. Today, no rocket or jet plane can fly without using his inventions. Yet he is the "forgotten man" of the space age. His own government ignored his rocketry until the Germans demonstrated its principles in the V-2 missiles of World War II. The American government usurped his 214 patents, while suppressing his contributions in the name of national security, until it was forced to pay one million dollars for patent infringement. Goddard became famous again, monuments and medals raining upon his memory. But his renewed fame soon faded, and Goddard's pivotal role in launching the Space Age has been largely forgotten.
Now in its 11th edition, Texas: The Lone Star State offers a balanced, scholarly overview of the second largest state in the United States, spanning from prehistory to the twenty-first century. Organized chronologically, this comprehensive survey introduces undergraduates to the varied history of Texas with an accessible narrative and over 100 illustrations and maps. This new edition broadens the discussion of postwar social and political dynamics within the state, including the development of key industries and changing demographics. Other new features include: New maps reflecting county by county results for the most recent presidential elections Expanded discussions on immigration and border security The effects of the COVID-19 pandemic in Texas and a look to the future Updated bibliographies to reflect the most recent scholarship This textbook is essential reading for students of American history.
On January 10, 1901, near Beaumont, Texas, an unremarkable knoll of earth the world would soon call Spindletop shot a geyser of oil a hundred feet into the air, confirming the belief of Pattillo Higgins that black gold lay buried there. The Texas oil industry had begun in earnest, and neither Texas nor the world would ever be the same. In the years to come, Texas oil would fuel the nation's automobiles and help to bring victory to the Allies in both world wars, shaping America's destiny throughout the twentieth century. Join author and historian Mike Cox in this photographic visit to the heyday of Texas crude as he recounts the stories of key oil-patch discoveries around the state. Nearly 200 images in vivid black-and-white, with captions and introductions, offer a roughneck-close look at this uniquely American tale of dry holes and gushers, ragtowns and riches, boomtowns, blowouts, and wildcatters gone broke.
In Paula Goodlett and Gorg Huff's "Poor Little Rich Girls," we follow the continuing adventures of the teenage tycoons begun by Huff in "The Sewing Circle" (Gazette #1) and "Other People's Money" (Gazette #3). The focus in this story, however, is on the younger siblings¾the so-called Barbie Consortium¾and their down-timer associates and enemies. Jose Clavell's "Magdeburg Marines" and Ernest Lutz and John Zeek's "Elizabeth" depict the early days of two military units after the Ring of Fire: a reborn U.S. Marine Corps trying to adapt to new circumstances, and the First Railway Company, formed to provide logistics using a combination of up-time and down-time methods and technology. David Carrico's "Heavy Metal Music" continues the story of the interaction between up-time and down-time musicians that he began in last issue's "The Sound of Music." In other stories: ¾A German craftsman blackballed by guild masters gets a new start in Karen Bergstralh's "One Man's Junk." ¾Grantville has to deal with the tragic accidental deaths of several high school graduates in Kerryn Offord's "The Class of '34." ¾In Virginia DeMarce's "'Til We Meet Again," a widowed up-timer responds to her husband's death by joining the faculty in the newly-established women's college in Quedlinburg. ¾Julie Sims' ex-boyfriend finds a new romance in Russ Rittgers' "Chip's Christmas Gift." ¾in Dan Robinson's "Dice's Drawings," an American retiree finds a new life and maybe a new love in seventeenth century Germany. The fourth volume of the Gazette also contains factual articles dealing with the development of an oil industry, advances in textile and garment manufacture, possible uses of biodiesel technology, and differing views on the prospects of creating a machine gun using the resources and technology available after the Ring of Fire. At the publisher's request, this title is sold without DRM (Digital Rights Management).