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Sue Studebaker documents samplers made by young girls in Ohio prior to 1850, the girls who made them, their families, and the teachers who taught them to stitch. Illustrations of these highly prized works are presented, along with the stories behind their creation.
New York Times bestselling author of Girl With a Pearl Earring and At the Edge of the Orchard Tracy Chevalier makes her first fictional foray into the American past in The Last Runaway, bringing to life the Underground Railroad and illuminating the principles, passions and realities that fueled this extraordinary freedom movement. Honor Bright, a modest English Quaker, moves to Ohio in 1850--only to find herself alienated and alone in a strange land. Sick from the moment she leaves England, and fleeing personal disappointment, she is forced by family tragedy to rely on strangers in a harsh, unfamiliar landscape. Nineteenth-century America is practical, precarious, and unsentimental, and scarred by the continuing injustice of slavery. In her new home Honor discovers that principles count for little, even within a religious community meant to be committed to human equality. However, Honor is drawn into the clandestine activities of the Underground Railroad, a network helping runaway slaves escape to freedom, where she befriends two surprising women who embody the remarkable power of defiance. Eventually she must decide if she too can act on what she believes in, whatever the personal costs.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
Ohio wills and estates to 1850: an index is the culmination of a ten-year project to provide a comprehensive index to the probate records in Ohio. Probate Court was formed in 1852, taking over those functions of the Common Pleas Court which had previously been handled by that office. In most Ohio counties, the records were transferred to the new court, but in a few counties the original probate matters have remained in the Common Pleas Court records.
In cooperation with Western Reserve Historical Society Euclid Avenue, which runs through the heart of downtown Cleveland, was for 60 years one of the finest residential streets of any city in 19th century America. Showplace of America is the fascinating account of the rise and fall of this elegant promenade, including portrayals of the eminent architects who created its opulent residences and colorful details about the lives of the wealthy people who occupied them. The families who resided within this linear, four-mile neighborhood epitomized Midwestern grandeur in the second half of the 19th century. The 1893 Baedeker's travel guide to the United States labeled it "one of the most beautiful residence-streets in America," as others hailed it "Millionaires' Row," the finest avenue in the west, and the most beautiful street in the world." Modeled after the grand boulevards of Europe, this magnificent neighborhood was distinguished for the prominence of its architects as well as the families who lived there. Local architects Jonathan Goldsmith, Charles W. Heard, Levi T. Scofield, Charles F. Schweinfurth, and Coburn & Barnum and national firms Peabody & Stearns and McKim, Mead & White created houses that were stunning monuments to Cleveland and America's growing prosperity. Ironically, the tremendous success of Cleveland's industry and commerce, which had nurtured the rise of this grand avenue, fostered its fall. Downtown commerce expanded along the avenue at the sacrifice of its leading entrepreneurs' residential have. The houses were demolished as the avenue became what is today--a neglected urban thoroughfare. Photographs and illustrations from the archives of the Western Reserve Historical Society and other repositories are published here for the first time, documenting both the glory and decline of the "showplace of America."