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Ever since a cosmic phone call led five literal young goddesses Belldandy, Urd, Skuld — and, like occasional vowels, Peorth and Lind — to live in college student Keiichi's residence, his personal life has been turned upside-down, sideways, and sometimes even into strange dimensions! Clumsy, naive, spacey — just the qualities you want in a goddess tasked with delivering an important magical program to Belldandy. And Chrono, the newest goddess to appear in the OMG! saga, possesses these qualities admirably! Plus, your fan art and letters, and more commentary by Kosuke Fujishima on the early days of the Oh My Goddess! series.
Ever since a cosmic phone call led to five literal young goddesses Belldandy, Urd, Skuld — and, like occasional vowels, Peorth and Lind — to live in college student Keiichi's residence, his personal life has been turned upside down, sideways, and sometimes even into strange dimensions! After the drama of the familiar, we return to the comedy of the even more familiar, as Oh My Goddess! goes back to school — Nekomi Tech, that is, only to find the campus festival tradition has lost none of its lunacy. Tamiya and Otaki are bringing all their idol graces to the stage in a karaoke contest, with a special surprise entrant from way back... versus the indescribable voice of Belldandy! Plus your fan art and letters!
Peorth is back! ... but in a pint-sized version of her true self. The demon, Velsper, who put her in this situation is now a kitten and isn't much help. How will she ever get back to her normal size?
In a dump in the lawless settlement of Scrapyard, far beneath the mysterious space city of Zalem, disgraced cyber-doctor Daisuke Ido makes a strange find: the detached head of a cyborg woman who has lost all her memories. He names her Alita and equips her with a powerful new body, the Berserker. While Alita remembers no details of her former life, a moment of desperation reawakens in her nerves the legendary school of martial arts known as Panzer Kunst. In a place where there is no justice but what people make for themselves, Alita decides to become a hunter-killer, tracking down and taking out those who prey on the weak. But can she hold onto her humanity as she begins to revel in her own bloodlust?
When Karen leaves New Jersey to spend time with her enigmatic father on Mount Olympus, she is shocked to learn that her junior high classmates are gods and goddesses, and that one of them is turning people to stone.
Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.
In this third book of the acclaimed series, Percy and his friends are escorting two new half-bloods safely to camp when they are intercepted by a manticore and learn that the goddess Artemis has been kidnapped.
THE GREAT EQUALIZER Toppu faces off against his rival Takadai in his first race on a wet track, but a mishap on the track puts them both in last place. Each boy is trying to claw his way back into contention for the victory, but when it comes down to the last corner, who will have bested both his opponent and the road racer’s greatest enemy: the rain?
Grand in its scope, Asian Comics dispels the myth that, outside of Japan, the continent is nearly devoid of comic strips and comic books. Relying on his fifty years of Asian mass communication and comic art research, during which he traveled to Asia at least seventy-eight times and visited many studios and workplaces, John A. Lent shows that nearly every country had a golden age of cartooning and has experienced a recent rejuvenation of the art form. As only Japanese comics output has received close and by now voluminous scrutiny, Asian Comics tells the story of the major comics creators outside of Japan. Lent covers the nations and regions of Bangladesh, Cambodia, China, Hong Kong, India, Indonesia, Korea, Malaysia, Myanmar, Nepal, the Philippines, Singapore, Sri Lanka, Taiwan, Thailand, and Vietnam. Organized by regions of East, Southeast, and South Asia, Asian Comics provides 178 black-and-white illustrations and detailed information on comics of sixteen countries and regions—their histories, key creators, characters, contemporary status, problems, trends, and issues. One chapter harkens back to predecessors of comics in Asia, describing scrolls, paintings, books, and puppetry with humorous tinges, primarily in China, India, Indonesia, and Japan. The first overview of Asian comic books and magazines (both mainstream and alternative), graphic novels, newspaper comic strips and gag panels, plus cartoon/humor magazines, Asian Comics brims with facts, fascinating anecdotes, and interview quotes from many pioneering masters, as well as younger artists.
This is the story of LSD told by a concerned yet hopeful father, organic chemist Albert Hofmann, Ph.D. He traces LSD's path from a promising psychiatric research medicine to a recreational drug sparking hysteria and prohibition. In LSD: My Problem Child, we follow Dr. Hofmann's trek across Mexico to discover sacred plants related to LSD, and listen in as he corresponds with other notable figures about his remarkable discovery. Underlying it all is Dr. Hofmann's powerful conclusion that mystical experiences may be our planet's best hope for survival. Whether induced by LSD, meditation, or arising spontaneously, such experiences help us to comprehend "the wonder, the mystery of the divine, in the microcosm of the atom, in the macrocosm of the spiral nebula, in the seeds of plants, in the body and soul of people." More than sixty years after the birth of Albert Hofmann's problem child, his vision of its true potential is more relevant, and more needed, than ever.