Download Free Ogu Umunwanyi Book in PDF and EPUB Free Download. You can read online Ogu Umunwanyi and write the review.

"When African scholars lament over the near destruction of African cultures, they do not reflect the reality of African women's historical traditions of empowerment and inclusion in pre-colonial/pre-Christian African societies, which were also lost in the same process of Western Christian cultural imperialism. Similarly, most male Church theologians writing or speaking about inculturation do not address the deeper cultural issues, which impact heavily on African women. ..... [from back cover]
Ogunyemi uses the novels to trace a Nigerian women's literary tradition that reflects an ideology centered on children and community. Of prime importance is the paradoxical Mammywata figure, the independent, childless mother, who serves as a basis for the postcolonial woman in the novels and in society at large. Ogunyemi tracks this figure through many permutations, from matriarch to writer, her multiple personalities reflecting competing loyalties. This sustained critical study counters prevailing "masculinist" theories of black literature in a powerful narrative of the Nigerian world.
Extrait de amazon.com : "Among Africanists and feminists, the Igbo-speaking women of southeastern Nigeria are well known for their history of anti-colonial activism which was most demonstrated in the 1929 War against British Colonialism. Perplexed by the magnitude of the Women's War, the colonial government commissioned anthropologists/ethnographers to study the Igbo political system and the place of women in Igbo society. The primary motive was to have a better understanding of the Igbo in order to avoid a repeat of the Women's War. This study will analyze the complexity and flexibility of gender relations in Igbo society with emphasis on such major cultural zones as the Anioma, the Ngwa, the Onitsha, the Nsukka, and the Aro."
An unapologetically African-centered monograph that reveals physical and spiritual forms and systems of female power and leadership in African cultures. Nwando Achebe’s unparalleled study documents elite females, female principles, and female spiritual entities across the African continent, from the ancient past to the present. Achebe breaks from Western perspectives, research methods, and their consequently incomplete, skewed accounts, to demonstrate the critical importance of distinctly African source materials and world views to any comprehensible African history. This means accounting for the two realities of African cosmology: the physical world of humans and the invisible realm of spiritual gods and forces. That interconnected universe allows biological men and women to become female-gendered males and male-gendered females. This phenomenon empowers the existence of particular African beings, such as female husbands, male priestesses, female kings, and female pharaohs. Achebe portrays their combined power, influence, and authority in a sweeping, African-centric narrative that leads to an analogous consideration of contemporary African women as heads of state, government officials, religious leaders, and prominent entrepreneurs.
Intended for a broad audience, Colonial Mentality in Africa explores the lingering effects of colonization in present day Africa. Despite the independence of all African nations from their former colonizers mental slavery still persists. This new work explores the social climate of Africa and the thriving "colonial mentality". The book explores issues such as matriarchy, religion, tradition and values, law, the influence of Islam, and government.
Anchored in postcolonial theory, this book highlights the concept of “postcolonial soliloquies” as an original idea in analyzing West African literature. It uses the political theory of “dialogue” to broaden the reader’s understanding of history, culture, identity and indigenous memories. The book shows how the novels of T. Obinkaram Echewa plunge into the known territory of colonial history with new boundaries.
Prior to European colonialism, Igboland, a region in Nigeria, was a nonpatriarchal, nongendered society governed by separate but interdependent political systems for men and women. In the last one hundred fifty years, the Igbo family has undergone vast structural changes in response to a barrage of cultural forces. Critically rereading social practices and oral and written histories of Igbo women and the society, Nkiru Uwechia Nzegwu demonstrates how colonial laws, edicts, and judicial institutions facilitated the creation of gender inequality in Igbo society. Nzegwu exposes the unlikely convergence of Western feminist and African male judges' assumptions about "traditional" African values where women are subordinate and oppressed. Instead she offers a conception of equality based on historical Igbo family structures and practices that challenges the epistemological and ontological bases of Western feminist inquiry.
Written by one of the foremost scholars of African art and featuring 129 color images, Postcolonial Modernism chronicles the emergence of artistic modernism in Nigeria in the heady years surrounding political independence in 1960, before the outbreak of civil war in 1967. Chika Okeke-Agulu traces the artistic, intellectual, and critical networks in several Nigerian cities. Zaria is particularly important, because it was there, at the Nigerian College of Arts, Science and Technology, that a group of students formed the Art Society and inaugurated postcolonial modernism in Nigeria. As Okeke-Agulu explains, their works show both a deep connection with local artistic traditions and the stylistic sophistication that we have come to associate with twentieth-century modernist practices. He explores how these young Nigerian artists were inspired by the rhetoric and ideologies of decolonization and nationalism in the early- and mid-twentieth century and, later, by advocates of negritude and pan-Africanism. They translated the experiences of decolonization into a distinctive "postcolonial modernism" that has continued to inform the work of major Nigerian artists.
A project of women's advancement in society and church life engages a multi-disciplinary and interdisciplinary approach in its quest for social transformation. In recent decades, governments, particularly in Africa, have employed various political, economic, and other social modi operandi in their attempt to advance women's participation more fully in society. The discussions on these pages seek to contribute to the women's discourse with insights from the theology and culture; more specifically, from name designation. The expression, what is in a name, falls flat on its face in most African cultures as well as the cultures that produced the Bible. In these traditions, a name is not merely a convenient collocation of sounds by which a person could be identified. Rather a name represents a story and can express something of the essence of that which is named. The power inherent in the way names are constructed and interpreted, both in terms of the Handmaid in the New Testament and more directly in the Igbo culture, contribute to the strengthening of patriarchy. Such construal potentially exclude women from full participation in social processes, and in so doing deprive society as a whole of the synergy of human potential. The discussion of Mary as Handmaid centers on the role of women in Catholic theology, so she becomes the vehicle for examining the role of the second-class citizen assigned to women in the Church, then and now. Drawing from textual and oral history, the book reinterprets in a liberative manner female names both from Igbo tradition as well as Chinua Achebe's Anthills of the Savannah. Thus the freight that a name designation carries makes imperative the exploration of its redemptive significance.
Featuring contributions from some of the most accomplished scholars on the topic, Holding the World Together explores the rich and varied ways in which women have wielded power across the African continent, from the precolonial period to the present. Suitable for classroom use, this comprehensive volume considers such topics as the representation of African women, their role in national liberation movements, their experiences of religious fundamentalism (both Christian and Muslim), their incorporation into the world economy, changing family and marriage systems, impacts of the world economy on their lives and livelihoods, and the unique challenges they face in the areas of health and disease. Contributors: Nwando Achebe, Ousseina Alidou, Signe Arnfred, Andrea L. Arrington-Sirois, Henryatta Ballah, Teresa Barnes, Josephine Beoku-Betts, Emily Burril, Abena P. A. Busia, Gracia Clark, Alicia Decker, Karen Flint, December Green, Cajetan Iheka, Rachel Jean-Baptiste, Elizabeth M. Perego, Claire Robertson, Kathleen Sheldon, Aili Mari Tripp, Cassandra Veney