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Routledge Introductions to Applied Linguistics is a series of introductory level textbooks covering the core topics in Applied Linguistics, primarily designed for those beginning postgraduate studies, or taking an introductory MA course as well as advanced undergraduates. Titles in the series are also ideal for language professionals returning to academic study. The books take an innovative 'practice to theory' approach, with a 'back-to-front' structure. This leads the reader from real-world problems and issues, through a discussion of intervention and how to engage with these concerns, before finally relating these practical issues to theoretical foundations. Additional features include tasks with commentaries, a glossary of key terms, and an annotated further reading section. Exploring Language Assessment and Testing is a straightforward introduction to the field that provides an inclusive and impartial survey of both classroom based assessment by teachers and larger scale testing, using concrete examples to guide students to the relevant literature. Ranging from theory to classroom based scenarios, the author provides practical guidance on designing, developing and using assessments, with flexible, step by step processes for improving the quality of tests and assessment systems to make them fairer and more accurate. This book is an indispensable introduction to the areas of language assessment and testing, and will be of interest to language teachers as well as postgraduate and advanced undergraduate students studying Language Education, Applied Linguistics and Language Assessment.
Exploring the fate of the ideal of the English gentleman once the empire he was meant to embody declined, Praseeda Gopinath argues that the stylization of English masculinity became the central theme, focus, and conceit for many literary texts that represented the "condition of Britain" in the 1930s and the immediate postwar era. From the early writings of George Orwell and Evelyn Waugh to works by poets and novelists such as Philip Larkin, Ian Fleming, Barbara Pym, and A. S. Byatt, the author shows how Englishmen trafficking in the images of self-restraint, governance, decency, and detachment in the absence of a structuring imperial ethos became what the poet Larkin called "scarecrows of chivalry." Gopinath's study of this masculine ideal under duress reveals the ways in which issues of race, class, and sexuality constructed a gendered narrative of the nation.
After running ashore on a strange land and meeting the Easter Bunny, Abigail learns she's on Holiday Isle. It's a magical island ruled by four saints: Saint Nick in the North, Saint Valentine in the West, Saint David in the East, and Saint Patrick in the South. But St. David, the red dragon, is missing, and the island is in an uproar. As much as Easter would like to help Abigail get home, he's found himself on the Naughty List. And take it from him, Abigail does not want to be on the Naughty List. Because if you get caught by the Toy Soldiers who manage the list, you'll serve hard time in the North Coal, a hard labor coal mining camp enforced by Krampus, an imp who's the polar opposite of Santa. Easter advises her not to let anyone know about the daffodil she's wearing in her hair and tells her to visit St. Patrick, but the leprechaun has his own agenda. Abigail doesn't know what to do. Who can she trust to get home?
"Poetic and magical ... Astur's language is meticulous and vivid."—Asymptote A literary crime novel about family conflict in the Spanish countryside: breathtaking, tragic, sensuous and magical. Marcelino lives alone on his parents’ farm, set deep in the beautiful but impoverished countryside of northern Spain. It’s the place where he grew up, the place where he doted on his baby brother, the place where he protected his mother from their father’s drunken rages. But when Marcelino’s brother tricks him out of his house and land, a moment of anger sparks a chain of events that can’t be reversed. Marcelino flees to the wild peaks of rural Asturias, becoming a cult hero as he evades the authorities. Into this, author Manuel Astur interweaves family tales and fables about the sun and the moon, about death and love, and offers glimpses into the lives of other villagers and the history of their community. Astur’s poetic language and seamless blend of lyricism with the grotesque renders this book a treasure for the reader. Of Saints and Miracles is a sensuous portrayal of an outcast’s struggle to survive in a chaotic world of both tragedy and magical splendor.
The war rages onward and the Union’s premier fighter pilots, the Homo Eridanus, start encountering deadly resistance from strange pilots on the Congregate side. Among wreckage, they find that new Congregate pilots are, in fact, Homo quantus, with strange wiring and AI connections. At the same time, the Puppets come to the Union with offers of an alliance for a dangerous price: the rescue of the geneticist Antonio Del Casal who is a captive on Venus, with over a hundred Homo quantus. Only one person might be able to break through the Congregate defenses at Venus, and he’s a con man.
For centuries, Vatican sorcerers kept demons and monsters out of our world with the magic found in a grimoire called The Gospel of Shadows. Years ago, to save his people from madmen, Peter Octavian defeated those sorcerers and the Gospel of Shadows itself was banished from the Earth. Ever since, the evils and monstrosities lurking in parallel worlds have been waking to the realization that our magical defenses are down – the barriers keeping them out of our world are crumbling. With massive demonic incursions in locations around the world, Octavian should be focused on using his own sorcery to drive the evil out and rebuild our defenses. But a renegade vampire named Cortez has murdered the person Octavian loves the most and, even with his friends and allies around him, he is so lost in grief that he can think of nothing but revenge. There are others who can fight the darkness – mages and Shadows, witches and Reapers and vampire samurai – but only the warrior-mage, Peter Octavian, can defeat it. If he will answer the call.
The history of cinema charts multiple histories of exile. From the German émigrés in 1930s Hollywood to today's Iranian filmmakers in Europe and the United States, these histories continue to exert a profound influence on the evolution of cinematic narratives and aesthetics. But while the effect of exile and diaspora on film practice has been fruitfully explored from both historical and contemporary perspectives, the issues raised by return, whether literal or metaphorical, have yet to be fully considered. Cinematic Homecomings expands upon existing studies of transnational cinema by addressing the questions raised by reverse migration and the return home in a variety of historical and national contexts, from postcolonialism to post-Communism. By looking beyond exile, the contributors offer a multidirectional perspective on the relationship between migration, mobility, and transnational cinema. 'Narratives of return' are among the most popular themes of the contemporary cinema of countries ranging from Morocco to Cuba to the Soviet Union. This speaks to both the sociocultural reality of reverse migration and to its significance on the imagination of the nation.