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“Rejoice, readers, as you receive the generosity of Luci Shaw's 76 new grace-infused parable poems. Autobiography once more merges with theology as these poems illuminate in splendored natural detail how the seasons of creation parallel and explain the seasons of her life as a poet. Again and again, these poems shower us with glorious epiphanies from the natural world as it reflects God's generosity at work such as “spring's impossible news of green.” These poems confirm that in poetry as in faith “ripeness is all.” Like Wordsworth, Luci is celebrated for being a highly gifted landscape poet whose works are rich in imagery from the physical world—meadows filled with seeds, flowers, and also poems which are like "shoots" in Luci's writing life. Animals, too, great and small (beetles, cricket, and voles to bears and whales) play a major role in Luci's poetics of creation; God is likened to a great bear who leaves paw tracks for us to follow. In their deep faith and vibrant colors and designs, the poems in Generosity might be considered Luci's Book of Kells. We need to be like Luci's father who carried her poems in his briefcase to show his friends.” —Philip C. Kolin, Author, Reaching Forever: Poems; Distinguished Professor of English (Emeritus), University of Southern Mississippi
A book of poetic essays written in English, Kahlil Gibran's The Prophet is full of religious inspirations. With the twelve illustrations drawn by the author himself, the book took more than eleven years to be formulated and perfected and is Gibran's best-known work. It represents the height of his literary career as he came to be noted as ‘the Bard of Washington Street.’ Captivating and vivified with feeling, The Prophet has been translated into forty languages throughout the world, and is considered the most widely read book of the twentieth century. Its first edition of 1300 copies sold out within a month.
A fresh, provocative look at the link between poetry and Christianity, both as it relates to the Bible itself as well as to Christian and religious life, by an accomplished scholar. The Bible is full of poems. In the Old Testament, there are the Psalms and the Song of Songs, the great exhortations and lamentations of the Prophets, and passages of poetry woven in throughout. In the New Testament, Jesus describes the kingdom of heaven with poetic epithets such as “a treasure hid in a field,” calling the Son of God “the true vine,” “the light of the world,” “the good shepherd,” and “the way, the truth, and the life.” The Gospels reverberate with allusions to the poetry of the Old Testament; the last book of all is Revelation, a visionary poem. The Bible, in other words, asks to be read poetically from start to end, and yet readers have rarely considered what that might mean, much less heeded that call. In The Bible and Poetry, the poet and scholar Michael Edwards reshapes our understanding of the Bible and religious belief, arguing that poetry is not an ornamental or accidental feature but is central to both. He speaks personally of his early, unanticipated, transformative encounters with scripture. He offers close, insightful, and resonant readings of biblical passages. Poetry, as he sees it, is the vital and necessary medium of the Creator’s word, and the truth of the Bible is not a question of precepts and propositions but of a direct experience of its poetry, its power.
“The vividness and beauty of the language emerge in a fresh way . . . with evocative simplicity.” —Robert Alter, professor emeritus of Hebrew and comparative literature, University of California, Berkeley The world’s greatest poetry resides in the Bible, yet these major poets are traditionally rendered into prose. In this pioneering volume of biblical poets translated in English, Willis Barnstone restores the lyricism and power of the poets’ voices in both the New and Old Testaments. In the Hebrew Bible we hear Solomon rhapsodize in Song of Songs, David chant in Psalms, God and Job debate in grand rhetoric, and prophet poet Isaiah plead for peace. Jesus speaks in wisdom verse in the Gospel, Paul is a philosopher of love, and John of Patmos roars majestically in Revelation, the Bible’s epic poem. This groundbreaking volume includes every major biblical poem from Genesis and Adam and Eve in the Garden to the last pages of Alpha and Omega in Paradise.
In this challenging and enlightening treatment, Brueggemann traces the lines from the radical vision of Moses to the solidification of royal power in Solomon to the prophetic critique of that power with a new vision of freedom in the prophets. Here he traces the broad sweep from Exodus to Kings to Jeremiah to Jesus. He highlights that the prophetic vision and not only embraces the pain of the people but creates an energy and amazement based on the new thing that God is doing. In this new edition, Brueggemann has completely revised the text, updated the notes, and added a new preface.
One of the great paradoxes of modern times is that the more scientists understand the natural world, the more we discover that our everyday beliefs about it are wrong. Neil F. Comins has identified and classified, by origin and topic, over 1,700 commonly held misconceptions about the universe. He presents the reader with the tools needed to probe erroneous notions so that we can begin to question for ourselves... and to think more like scientists.
Long before history began, when Ireland was ruled by poets and tribal chieftains, the prophet Sinnach was the most powerful druid in the ancient province of Mumu. But before he was a prophet, before he was a poet, he was a just boy--a boy whom everyone believed was a girl. Unable to suppress his true nature, Sinnach fled persecution and sought refuge in the wilderness. By his nature, his talents, and his oath to the goddess Ériu, Sinnach came to find his place in a world shaped by poetry, magic, and combat. Yet the attainment of great power is not without consequence. Sinnach is inadvertently entangled in the dangerous affairs of both men and Síd, the Faerie Folk. His perilous travels into the Otherworld, the conflicting passions of love, and the return of an old enemy threaten to endanger his identity, peace between the tribes, and peace between the worlds. Inspired by the great mythological epics of ancient Ireland, this is a new myth that tells very old truths about who we were, who we are, and who we might become.
This 1952 book is an inquiry into the relations in origin between literature and inspiration, based on a study of the practices of seers in modern communities where oral literature sill survives, and of the records of primitive poetry in the West and North. Mrs Chadwick discusses the universal reverence accorded to poets, musicians, seers, or prophets, the training they underwent, the methods of ecstasy, and the remarkable similarities of their messages in remote and different parts of the world.