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Mothering under normal circumstances takes all you have to give. But what happens when your child is disabled, and sacrificing all you've got and more is the only hope for a decent future? Full of rage and resilience, duty and love, Ashley Bristowe delivers a mother's voice like no other we've heard. When their second child, Alexander, is diagnosed with a rare genetic disorder, doctors tell Ashley Bristowe and her husband that the boy won't walk, or even talk--that he is profoundly disabled. Stunned and reeling, Ashley researches a disorder so new it's just been named--Kleefstra Syndrome--and she finds little hope and a maze of obstacles. Then she comes across the US-based "Institutes," which have been working to improve the lives of brain-injured children for decades. Recruiting volunteers, organizing therapy, juggling a million tests and appointments, even fundraising as the family falls deep into debt, Ashley devotes years of 24/7 effort to running an impossibly rigorous diet and therapy programme for their son with the hope of saving his life, and her own. The ending is happy: he will never be a "normal" boy, but Alexander talks, he walks, he swims, he plays the piano (badly) and he goes to school. This victory isn't clean and it's far from pretty; the personal toll on Ashley is devastating. "It takes a village," people say, but too much of their village is uncomfortable with her son's difference, the therapy regimen's demands and the family's bottomless need. The health and provincial services bureaucracy set them a maddening set of hoops to jump through, showing how disabled children and their families languish because of criminally low expectations about what can be done to help. My Own Blood is an uplifting story, but it never shies away from the devastating impact of a baby that science couldn't predict and medicine couldn't help. It's the story of a woman who lost everything she'd once been--a professional, an optimist, a joker, a capable adult--in sacrifice to her son. An honest account of a woman's life turned upside down.
#1 NEW YORK TIMES BESTSELLER • NOW A STARZ ORIGINAL SERIES Unrivaled storytelling. Unforgettable characters. Rich historical detail. These are the hallmarks of Diana Gabaldon’s work. Her New York Times bestselling Outlander novels have earned the praise of critics and captured the hearts of millions of fans. Here is the story that started it all, introducing two remarkable characters, Claire Beauchamp Randall and Jamie Fraser, in a spellbinding novel of passion and history that combines exhilarating adventure with a love story for the ages. One of the top ten best-loved novels in America, as seen on PBS’s The Great American Read! Scottish Highlands, 1945. Claire Randall, a former British combat nurse, is just back from the war and reunited with her husband on a second honeymoon when she walks through a standing stone in one of the ancient circles that dot the British Isles. Suddenly she is a Sassenach—an “outlander”—in a Scotland torn by war and raiding clans in the year of Our Lord . . . 1743. Claire is catapulted into the intrigues of a world that threatens her life, and may shatter her heart. Marooned amid danger, passion, and violence, Claire learns her only chance of safety lies in Jamie Fraser, a gallant young Scots warrior. What begins in compulsion becomes urgent need, and Claire finds herself torn between two very different men, in two irreconcilable lives. This eBook includes the full text of the novel plus the following additional content: • An excerpt from Diana Gabaldon’s Dragonfly in Amber, the second novel in the Outlander series • An interview with Diana Gabaldon • An Outlander reader’s guide Praise for Outlander “Marvelous and fantastic adventures, romance, sex . . . perfect escape reading.”—San Francisco Chronicle “History comes deliciously alive on the page.”—New York Daily News
His wife dead, Elisa Green Pennington gathered up his brood of twelve young children in 1857 and left Texas for California, the promised land. The Penningtons could not have imagined what the untamed frontier had in store for them. After a difficult trek across West Texas and New Mexico, they were forced by sicknesses and circumstances to settle in the newly claimed Gadsden Purchase - present-day southern Arizona - where members of the clan and their descendants would remain into Arizona's statehood years. At the heart of this saga is Larcena Pennington Page Scott, who is witness as her loved ones are killed and her family's livelihood and property stolen. Larcena lived well into the twentieth century to tell the story of her captivity by Apaches and her miraculous escape from the captors, of outlawry and murder along the Mexican border, of disease, hunger, and isolation, and of the unceasing depredations by hostile Apaches during the 1860s and '70s. Using family letters, papers, and primary documents from all over the Southwest, Virginia Culin Roberts traces the lives of Larcena and her family. Roberts presents a real-life story of the rigors of surviving in a hostile and unforgiving land, transcending family history to provide a framework for telling the tale of the western frontier in the bloody Civil War and antebellum years.
In her now classic novel Outlander, Diana Gabaldon told the story of Claire Randall, an English ex-combat nurse who walks through a stone circle in the Scottish Highlands in 1946, and disappears . . . into 1743. The story unfolded from there in seven bestselling novels, and CNN has called it “a grand adventure written on a canvas that probes the heart, weighs the soul and measures the human spirit across [centuries].” Now the story continues in Written in My Own Heart’s Blood. 1778: France declares war on Great Britain, the British army leaves Philadelphia, and George Washington’s troops leave Valley Forge in pursuit. At this moment, Jamie Fraser returns from a presumed watery grave to discover that his best friend has married his wife, his illegitimate son has discovered (to his horror) who his father really is, and his beloved nephew, Ian, wants to marry a Quaker. Meanwhile, Jamie’s wife, Claire, and his sister, Jenny, are busy picking up the pieces. The Frasers can only be thankful that their daughter Brianna and her family are safe in twentieth-century Scotland. Or not. In fact, Brianna is searching for her own son, who was kidnapped by a man determined to learn her family’s secrets. Her husband, Roger, has ventured into the past in search of the missing boy . . . never suspecting that the object of his quest has not left the present. Now, with Roger out of the way, the kidnapper can focus on his true target: Brianna herself. Written in My Own Heart’s Blood is the brilliant next chapter in a masterpiece of the imagination unlike any other.
The final book in this thrilling, terrifying series by New York Times bestselling author Barry Lyga is perfect for fans of Dexter. Jazz Dent has been shot and left to die in New York City. His girlfriend Connie is in the clutches of Jazz's serial killer father, Billy. And his best friend Howie is bleeding to death on the floor of Jazz's own home in tiny Lobo's Nod. Somehow, these three must rise above the horrors their lives have become and find a way to come together in pursuit of Billy. But then Jazz crosses a line he's never crossed before, and soon the entire country is wondering: "Like father, like son?" Who is the true monster? The chase is on, and beyond Billy there lurks something much, much worse. Prepare to meet...the Crow King.
Mothering under normal circumstances takes all you have to give. But what happens when your child is disabled, and sacrificing all you've got and more is the only hope for a decent future? Full of rage and resilience, duty and love, Ashley Bristowe delivers a mother's voice like no other we've heard. When their second child, Alexander, is diagnosed with a rare genetic disorder, doctors tell Ashley Bristowe and her husband that the boy won't walk, or even talk--that he is profoundly disabled. Stunned and reeling, Ashley researches a disorder so new it's just been named--Kleefstra Syndrome--and she finds little hope and a maze of obstacles. Then she comes across the US-based "Institutes," which have been working to improve the lives of brain-injured children for decades. Recruiting volunteers, organizing therapy, juggling a million tests and appointments, even fundraising as the family falls deep into debt, Ashley devotes years of 24/7 effort to running an impossibly rigorous diet and therapy programme for their son with the hope of saving his life, and her own. The ending is happy: he will never be a "normal" boy, but Alexander talks, he walks, he swims, he plays the piano (badly) and he goes to school. This victory isn't clean and it's far from pretty; the personal toll on Ashley is devastating. "It takes a village," people say, but too much of their village is uncomfortable with her son's difference, the therapy regimen's demands and the family's bottomless need. The health and provincial services bureaucracy set them a maddening set of hoops to jump through, showing how disabled children and their families languish because of criminally low expectations about what can be done to help. My Own Blood is an uplifting story, but it never shies away from the devastating impact of a baby that science couldn't predict and medicine couldn't help. It's the story of a woman who lost everything she'd once been--a professional, an optimist, a joker, a capable adult--in sacrifice to her son. An honest account of a woman's life turned upside down.
'Look first. Reach second. Vanish third.' London, 1825: Eglantine has always had an eye for the shine. Born the same day as the young princess destined to be queen, Eglantine has an altogether different path ahead of her, strewn with the glittering waste of her father's ambitions. Her mysteriously prosperous father, Mr Amberline Stark, is a man of great expectations. He coaxes her to follow in his footsteps, making picking pockets a delightful parlour game which they play in their fine house by the Thames. Eglantine's life before her arrival at the house remains a mystery, her memories wrapped up in a small doll she keeps close to her, and with it the fragmentary recollections of her mother. It is only when Amberline is caught and transported as a thief to the penal colony of Australia, that Eglantine has to grow up and fend for herself using her only skill. Reluctantly, the thief's daughter becomes a thief, until a chance meeting gives her a window on a new way of being, and the opportunity to strike out into a new and untarnished world. But will the weight of her father's choices make her a prisoner in the house at the side of the Thames? Birth and death, love and sadness, love knots and cut ties, quicksilver and shine, old worlds and new beginnings, Sandra Leigh Price weaves another gritty and beguiling story that will enchant and delight readers. Praise for The River Sings: 'The River Sings packs an emotional punch ... each page will grip you by the heart and drag you in. A lyrical work of great mastery, from a beautiful storyteller who knows just what words to use and when, The River Sings will call to you long after you turn the final page, just as the river does to Eglantine.' Better Reading 'Rich and lyrical ... Sandra Leigh Price is a beautiful wordsmith ... engrossing' Australian Women's Weekly 'Richly imaginative' Sydney Morning Herald 'Price weaves a magical tale that is rich in history and atmosphere that will sing to your traveller's soul' Good Reading 'It's impossible not to be charmed by The River Sings ... it flirts with the works of Charles Dickens in a way that's startlingly clever. It's Oliver Twist with a feminist twist; Great Expectations remixed ... it's unique; a richly imaginative work of literary fiction that sparkles with sheer joy.' Newtown Review of Books Praise for The Bird's Child: 'A wonderful, strange, glittering book, full of astounding imagination, glorious really.' Edward Carey, author of Heap House 'A shimmering dream of haunted pasts. A silver girl. Abandoned boys. All the magic of the stage. The Bird's Child is a delight.' Essie Fox, author of The Somnambulist 'The Bird's Child is entirely original, its familiar Sydney settings set asparkle and rendered dreamlike by Sandra Leigh Price's lyrical and lovely writing. This is a magical fable that penetrates to deep emotional truths.' Geraldine Brooks 'This debut novel brings 1920s Sydney to life through a fairytale lens, highlighting the city's romance, its magic and its mystery ... It is the Australian setting that sets this quirky historical romance apart from others of its genre. Price's dream-like portrayal of a bygone Sydney - with its vaudeville shows and opium dens, lyrebirds and swagmen - establishes a unique mood that transforms the local into the exotic, making The Bird's Child a memorable tale.' Australian Book Review 'Gritty yet enchanting ... often deliciously sumptuous and erotically charged ... unusual, imaginative' Newtown Review of Books 'Skilfully written and richly imagined' Sydney Morning Herald
Jacob has finally after years in the Army and working for the DEA has returned home to finally live a normal life. He and his brother get to reunite after all this time. An old love resurfaces and life finally looks good, that is until small things catches Jacob's eye and a shock unravels right in front of him leading to a confrontation no man should have to ever have.