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"Krell creates a remarkable interplay of meanings, allusions, and connotations—an interplay of multiple resonance which is finely tuned to Derrida's thought and which makes his essay as artful as it is conceptually disciplined. He is surely one of the most astute translators and readers in contemporary Continental thought." —Charles E. Scott
"Krell creates a remarkable interplay of meanings, allusions, and connotations--an interplay of multiple resonance which is finely tuned to Derrida's thought and which makes his essay as artful as it is conceptually disciplined. He is surely one of the most astute translators and readers in contemporary Continental thought." --Charles E. Scott
These essays survey the histories, the theories and the fault lines that compose the field of memory research. Drawing on the advances in the sciences and in the humanities, they address the question of how memory works, highlighting transactions between the interiority of subjective memory and the larger fields of public or collective memory.
An exploration of life at the margins of history from one of Russia’s most exciting contemporary writers Shortlisted for the 2021 International Booker Prize Winner of the MLA Lois Roth Translation Award With the death of her aunt, the narrator is left to sift through an apartment full of faded photographs, old postcards, letters, diaries, and heaps of souvenirs: a withered repository of a century of life in Russia. Carefully reassembled with calm, steady hands, these shards tell the story of how a seemingly ordinary Jewish family somehow managed to survive the myriad persecutions and repressions of the last century. In dialogue with writers like Roland Barthes, W. G. Sebald, Susan Sontag, and Osip Mandelstam, In Memory of Memory is imbued with rare intellectual curiosity and a wonderfully soft-spoken, poetic voice. Dipping into various forms—essay, fiction, memoir, travelogue, and historical documents—Stepanova assembles a vast panorama of ideas and personalities and offers an entirely new and bold exploration of cultural and personal memory.
Memory has long been ignored by rhetoricians because the written word has made memorization virtually obsolete. Recently however, as part of a revival of interest in classical rhetoric, scholars have begun to realize that memory offers vast possibilities for today's writers. Synthesizing research from rhetoric, psychology, philosophy, and literary and composition studies, this volume brings together many historical and contemporary theories of memory. Yet its focus is clear: memory is a generator of knowledge and a creative force which deserves attention at the beginning of and throughout the writing process. This volume emphasizes the importance of recognizing memory's powers in an age in which mass media influence us all and electronic communication changes the way we think and write. It also addresses the importance of the individual memory and voice in an age which promotes conformity. Written in a strong, lively personal manner, the book covers a great deal of scholarly material. It is never overbearing, and the extensive bibliography offers rich vistas for further study.
Zsolt Komáromy’s Figures of Memory: From the Muses to Eighteenth-Century British Aesthetics effects a rapprochement between memory studies and eighteenth-century British aesthetics. It argues that the assessment of memory in the history of aesthetics and criticism has been determined by the ideological import of the creative imagination, based on the dichotomies of imitative versus creative or reproductive versus productive mental and artistic procedures. The legacy of such an opposition can still be felt in the way the literary relevance of memory is based on either viewing it as a representational (reproductive, imitative) power that is a counterterm to the creative sense of the imagination, or as a constructive (productive, creative) power that is assimilated by the creative imagination. The notion of memory, however, harbors problems that unsettle such dichotomies. This book does the timely work of employing insights offered by memory studies in reconsidering memory in the history of aesthetics: it suggests that memory’s literary relevance is explained precisely by the problems that make it resistant to the reproductive-productive opposition. These problems are explored through various “figures” representing senses of memory, such as the Muses, or metaphors for memory in philosophical and critical discourse. Tracing figures of memory from the Muses through Plato and Descartes to works by Pope, Addison, Gerard and Kames, Komáromy reveals an undercurrent of thought in eighteenth-century British aesthetics that questions memory’s nominal opposition to the imagination , and that exploits memory’s simultaneously reproductive and constructive nature in the emerging theory of the imagination. By thus claiming that the tradition of memory’s literary relevance is not marginalized but in fact perpetuated in eighteenth-century British critical thought, Figures of Memory gives a powerful new perspective on the history of memory in aesthetics and criticism. A theoretical work with claims for historical generalization, Figures of Memory will appeal to those interested in the history of aesthetics and criticism, in memory studies, in literary theory, to students of literature and memory, of literature and psychology, and to scholars of the eighteenth century with theoretical interests.
"Daimon Life is life-enchancing. To read it is to become richer in wor(l)d." –John Llewelyn Disclosure of Martin Heidegger's complicity with the National Socialist regime in 1933-34 has provoked virulent debate about the relationship between his politics and his philosophy. Did Heidegger's philosophy exhibit a kind of organicism readily transformed into ideological "blood and soil"? Or, rather, did his support of the Nazis betray a fundamental lack of loyalty to living things? David Farrell Krell traces Heidegger's political authoritarianism to his failure to develop a constructive "life-philosophy"—his phobic reactions to other forms of being. Krell details Heidegger's opposition to Lebensphilosophie as expressed in Being and Time, in an important but little-known lecture course on theoretical biology given in 1929–30 called "The Basic Concepts of Metaphysics," and in a recently published key text, Contributions to Philosophy, written in 1936–38. Although Heidegger's attempt to think through the problems of life, sexual reproduction, behavior, environment, and the ecosystem ultimately failed, Krell contends that his methods of thinking nonetheless pose important tasks for our own thought. Drawing on and away from Heidegger, Krell expands on the topics of life, death, sexuality, and spirit as these are treated by Freud, Nietzsche, Derrida, and Irigaray. Daimon Life addresses issues central to contemporary philosophies of politics, gender, ecology, and theoretical biology.
Examines Johnson's writing in relation to eighteenth-century thought on literature, history, fiction and law.
This book proposes that in a number of French Renaissance texts, we observe a shift in thinking about memory and forgetting. Focusing on a corpus of texts by Marguerite de Navarre, Pierre de Ronsard and Michel de Montaigne, it explores several parallel transformations of and challenges to classical and medieval discourses on memory.
A focus on memory has come to prominence across a wide range of disciplines. History, literature, philosophy, anthropology, and cultural studies have placed memory at the heart of their interrogations of subjectivity, narrative, time and imagination. At the same time, memory has emerged as a central theme and preoccupation in popular literature, film and television, and the emergence of memory as an academic theme cannot be separated from its prominence in the wider culture. This volume represents, explores and interrogates the current developments, engaging directly with the place of memory in culture, and with memory's meaning's and history.