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More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.
Volume II covers the poems of Dryden from 1682 to 1685. Together with volume one, the work forms the first part of the most informative and accessible edition of Dryden's poetry, providing an invaluable resource for students of Restoration culture.
The Encyclopedia of Romantic Literature is an authoritative three-volume reference work that covers British artistic, literary, and intellectual movements between 1780 and 1830, within the context of European, transatlantic and colonial historical and cultural interaction. Comprises over 275 entries ranging from 1,000 to 6,500 words arranged in A-Z format across three fully cross-referenced volumes Written by an international cast of leading and emerging scholars Entries explore genre development in prose, poetry, and drama of the Romantic period, key authors and their works, and key themes Also available online as part of the Wiley-Blackwell Encyclopedia of Literature, providing 24/7 access and powerful searching, browsing and cross-referencing capabilities
This detailed, corpus-based study shows how the placement and usage of the English preposition has changed since the sixteenth century.
CRITICAL THEORY SINCE PLATO is a chronologically-arranged anthology that presents a broad survey of the history and development of literary criticism and theory in Western culture. Written by two well-known scholars in the field of literary study, this well-respected text puts an emphasis on the individual contributors to the development of literary criticism, from Plato and Aristotle to the present.
Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. This major project offers an unprecedented scholarly analysis of the contribution made by the most important Shakespearean critics, editors, actors and directors as well as novelists, poets, composers, and thinkers from the seventeenth to the twentieth century. Great Shakespeareans will be an essential resource for students and scholars in Shakespeare studies.
This is a pathbreaking comparative and trans-national study of the neglected influences of nation, empire and race upon the development and electoral fortunes of the Labour Party in Britain and the Australian Labor Party from their formative years of the 1900s to the elections of 2010. Based upon extensive primary and secondary source-based research in Britain and Australia over several years, it makes a new and original contribution to the fields of labour, imperial and 'British world' history. The book offers the challenging conclusion that the forces of nation, empire and race exerted much greater influence upon Labour politics in both countries than suggested by 'traditionalists' and 'revisionists' alike. The book will appeal to undergraduates, postgraduates, scholars in history and politics and all those interested in and concerned with the past, present and future of Labour politics in Britain, Australia and more generally.
In the first book-length study explicitly to connect the postcolonial trope of hybridity to Renaissance literature, Gary Schmidt examines how sixteenth- and seventeenth-century English authors, artists, explorers and statesmen exercised a concerted effort to frame questions of cultural and artistic heterogeneity. This book is unique in its exploration of how 'hybrid' literary genres emerge at particular historical moments as vehicles for negotiating other kinds of hybridity, including but not limited to cultural and political hybridity. In particular, Schmidt addresses three distinct manifestations of 'hybridity' in English literature and iconography during this period. The first category comprises literal hybrid creatures such as satyrs, centaurs, giants, and changelings; the second is cultural hybrids reflecting the mixed status of the nation; and the third is generic hybrids such as the Shakespearean 'problem play,' the volatile verse satires of Nashe, Hall and Marston, and the tragicomedies of Beaumont and Fletcher. In Renaissance Hybrids, Schmidt demonstrates 'postmodern' considerations not to be unique to our own critical milieu. Rather, they can fruitfully elucidate cultural and literary developments in the English Renaissance, forging a valuable link in the history of ideas and practices, and revealing a new dimension in the relation of early modern studies to the concerns of the present.
First published 1999, Howard Irving details Croch’s lecturing career and examines the influences of figures such a Charles Burney and Sir Joshua Reynolds on his approach to the ancient-modern debate. Irving also makes available for the first time in a modern edition Crotch’s 1818 lecture series. These texts help to fill a gap in our knowledge of the development of musical classics, as they span a period of years that were crucial to the history of canon formation.