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"I have made it my concern to hunt out this technique for your study as I learned it by looking and listening." On Divers Arts, c. 1122, is the oldest extant manual on artistic crafts to be written by a practicing artist. Before Theophilus, manuscripts on the arts came from scholars and philosophers standing outside the actual profession. On Divers Arts describes actual 12th-century techniques in painting, glass, and metalwork, which the Benedictine author wished to pass on to those gifted by God with a talent for making beautiful things. Theophilus teaches, with rigorous attention to fact but also with great reverence the making of pigments for fresco painting, the manufacture of glue, the technique of gold leaf on parchment (the first recorded European reference to true paper), how to blow glass and design stained glass windows, how to fashion gold and silver chalices, and how to make a pipe organ and church bells. Precise instruction on enameling, chasing, repoussé, niello, and beaded wire work prove Theophilus's first-hand knowledge of his craft. While 90 percent of Theophilus's writing is sound technical knowledge, medieval folk lore occasionally spices his text: "Tools are also made harder by hardening them in the urine of a small red-headed boy than by doing so in plain water." But the magnificent fact of On Divers Art remains its status as the first technical treatise on painting, glass, and metalwork, for which actual specimens still survive. The editors have taken care to ensure both philological and technological accuracy for this authoritative edition of a medieval classic, a manual of great importance to craftsmen, historians of art and science, and all who delight in the making of the beautiful.
First printed in the 12th century, here is the earliest treatise on the arts written by a practicing artist. Offering an essential understanding of pre-Renaissance art and technology, the Benedictine author details pigments, glass blowing, stained glass, gold and silver work, and more — information of great importance to craftsmen and historians of art and science. Includes 34 illustrations.
Constructivist and sculptor Naum Gabo’s personal account of his development as an artist A leading exponent of the modern art movement known as Constructivism, Russian-born Naum Gabo was one of the most important sculptors of the twentieth century—an artist, designer, and theorist whose work changed the course of modern art. Of Divers Arts is Gabo’s beautifully written personal account of his development and growing into consciousness as an artist and his constant search for new techniques of communication. Throughout, he reflects on the relationship between art and science and reveals the many important influences on his work, especially the natural world, Russian religious and folk art, and the work of the artist Mikhail Vrubel. The result is a remarkable autobiographical account of a major modern artist.
Do survivors-of trauma, loss, abuse-gain a "secret knowledge" about life from their experience? Mark Matousek, a survivor fascinated with the enigma of survival, draws on interviews with an enslaved Sudanese boy, a Tibetan nun tortured for her belief, an Auschwitz prisoner, a Vietnam P.O.W., as well as noted thinkers and spiritual teachers Ram Daas, Stanley Kunitz, Eckhart Tolle, and Mother Meera. In distilling the many experiences, Matousek shows how enduring hardship can transform a person, refine his character, and alchemize catastrophe into living wisdom.
This is probably the most important section in the while catalog. With the times a'changin' as they are, we all need to better prepared for the uncertain changes ahead. The books in this section will give you a head start. A twisted guide to hardcore garbage-picking... sprinkled with bizarre asides, irreverent tone and political tirades appreciated by the hyper-cynical Generation X crowd". -- The Orlando Sentinel This book will show you how to get just about anything you want or need -- food, clothing, furniture, building materials, entertainment, luxury goods, tools, toys -- you name it -- Absolutely Free! Take a guided tour of America's back alleys where amazing wealth is carelessly discarded. Hoffman will show you where to find the good stuff, how to rescue it and how to use it.
The Sunshine State has a rich maritime history spanning more than five centuries. Tragically, part of that history includes thousands of ships that have met their fates in Florida waters. Potentially more than 5,000 shipwrecks reside off Florida's 1,200 miles of coastline, with hundreds more lost in the state's interior rivers. In and of itself, the Florida Keys archipelago, consisting of approximately 1,700 islands stretching 200 miles, is littered with the remains of close to 1,000 shipwrecks. In fact, many features of the Florida Keys were named after various shipwreck events, such as Fowey Rocks, which earned its name after the 1748 wrecking of the British warship HMS Fowey, and Alligator Reef, where the schooner USS Alligator met her demise in 1822. Florida's Shipwrecks utilizes captivating images to illustrate dramatic stories of danger and peril at sea, introducing readers to a fascinating cross-section of Florida's shipwreck history.
This volume explores the history and interpretation of mediaeval technical treatises on the arts, and includes a catalogue of over 400 manuscript sources, many of them largely unknown.
Edward Gorey (1925–2000) was a fascinating and prolific author and artist. Of the one hundred delightful and fascinating books that Gorey wrote and illustrated, he rarely revealed their specific inspirations or their meanings. Where did his intriguing ideas come from? In Gorey Secrets: Artistic and Literary Inspirations behind Divers Books by Edward Gorey, Malcolm Whyte utilizes years of thorough research to tell an engrossing, revealing story about Gorey’s unique works. Exploring a sampling of Gorey’s eclectic writings, from The Beastly Baby and The Iron Tonic to The Curious Sofa and Dracula, Whyte uncovers influences of Herman Melville, Agatha Christie, Edward Lear, the I Ching, William Hogarth, Rene Magritte, Hokusai, French cinema, early toy books, eighteenth-century religious tracts for children, and much more. With an enlightening preface by Gorey collaborator and scholar Peter F. Neumeyer, Gorey Secrets brings important, uncharted insight into the genius of Edward Gorey and is a welcome addition to collections of both the seasoned Gorey reader and those who are just discovering his captivating books.
"Over the past three decades, Eric Fischl (born 1948) has infused American figurative painting with fresh edginess and a new vocabulary of suburban disquiet. Richly illustrated with 148 works of art--including photographs, drawings, prints, sculptures and paintings from 1979 to the present--this companion catalogue to the Pennsylvania Academy of the Fine Arts and San Jose Museum of Art's 2012 exhibition "Dive Deep: Eric Fischl and the Process of Painting" explores Fischl's rigorous and iterative creative process as well as his exemplary readiness to embrace new technological changes in the service of his art"-- From Alibris website (viewed November 9, 2012).
Every human society displays some form of behavior that can be called “art,” and in most societies other than our own the arts play an integral part in social life. Those who wish to understand art in its broadest sense, as a universal human endowment, need to go beyond modern Western elitist notions that disregard other cultures and ignore the human species’ four-million-year evolutionary history. This book offers a new and unprecedentedly comprehensive theory of the evolutionary significance of art. Art, meaning not only visual art, but music, poetic language, dance, and performance, is for the first time regarded from a biobehavioral or ethical viewpoint. It is shown to be a biological necessity in human existence and fundamental characteristic of the human species. In this provocative study, Ellen Dissanayake examines art along with play and ritual as human behaviors that “make special,” and proposes that making special is an inherited tendency as intrinsic to the human species as speech and toolmaking. She claims that the arts evolved as means of making socially important activities memorable and pleasurable, and thus have been essential to human survival. Avoiding simplism and reductionism, this original synthetic approach permits a fresh look at old questions about the origins, nature, purpose, and value of art. It crosses disciplinary boundaries and integrates a number of divers fields: human ethology; evolutionary biology; the psychology and philosophy of art; physical and cultural anthropology; “primitive” and prehistoric art; Western cultural history; and children’s art. The final chapter, “From Tradition to Aestheticism,” explores some of the ways in which modern Western society has diverged from other societies--particularly the type of society in which human beings evolved--and considers the effects of the aberrance on our art and our attitudes toward art. This book is addressed to readers who have a concerned interest in the arts or in human nature and the state of modern society.