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"_Of brigands and bravery: Kuniyoshi's heroes of the Suikoden_ is the first monograph in English on the stunning series of 74 prints illustrating figures from the Suikoden by Utagawa Kuniyoshi (1797-1861), one of the outstanding Japaese woodblock-print masters of the 19th century. [This monograph] reproduces the 74 known designs of the series in full colour; each is accompanied by an explanatory text. The publication also offers supplementary information on topics relating specifically to the series such as tattooing: a number of the Suikoden figures are adorned with tattoos and it is thought that Kuniyoshi himself had a passion for this art. In addition, Kuniyoshi's illustration of a variety of armour and dress types, his at times graphic portrayal of heroes in battle and his integration of Western stylistic devices are testimony to the creative genius behind the Suikoden series."--from publisher
1st monograph in English on the stunning series of woodblock prints 'One hundres & eight heroes of the Suikoden'. Many of the designs were and still are a source of inspriation in Japanese tatooing and supplementary information on this subject is also included in the book.
The classic Chinese novel The Water Margin (Shuihu zhuan) tells the story of a band of outlaws in twelfth-century China and their insurrection against the corrupt imperial court. Imported into Japan in the early seventeenth century, it became a ubiquitous source of inspiration for translations, adaptations, parodies, and illustrated woodblock prints. There is no work of Chinese fiction more important to both the development of early modern Japanese literature and the Japanese imagination of China than The Water Margin. In The Japanese Discovery of Chinese Fiction, William C. Hedberg investigates the reception of The Water Margin in a variety of early modern and modern Japanese contexts, from eighteenth-century Confucian scholarship and literary exegesis to early twentieth-century colonial ethnography. He examines the ways Japanese interest in Chinese texts contributed to new ideas about literary canons and national character. By constructing an account of Japanese literature through the lens of The Water Margin’s literary afterlives, Hedberg offers an alternative history of East Asian textual culture: one that focuses on the transregional dimensions of Japanese literary history and helps us rethink the definition and boundaries of Japanese literature itself.
It's sometimes difficult for those of us steeped in the comforts and ease of today’s modern world to grasp what a life of radical faith can look like. What was ministry like for missionaries living a hundred years ago? What happened "back in the day" when brave missionary pioneers forsook all to follow the calling of God into completely unknown territories? How did God’s faithfulness sustain them? This collection of 24 short stories of missionary adventures from around the globe is a cold shower for a sleeping Church. It reminds us of the hefty price missionaries must be willing to pay to prepare previously untilled soil for the Gospel of Jesus Christ. It also drives home this astounding truth: that God provides for those whom He calls — even when things don’t go as planned. Filled with incredible front-line stories, including both victories and defeats, this book will leave you with a newfound respect and gratitude for kingdom forerunners whom God used to open doors to previously unreached people groups. It will also leave you to grapple with a piercing question: How big is your God?
The present volume comprises thirteen of the papers delivered at RICAN 5, which was held in Rethymnon, Crete, on May 25-26,2009. The theme of the volume, ‘The Construction of the Real and the Ideal in the Ancient Novel,’ allows the contributors the freedom to use their skills to examine the real and the ideal either individually or in conjunction or in interaction. The papers offer a wide and rich range of perspectives: a political reading of prose fiction in Late Period Egypt (Selden); the presence of robbers and murderers in ideal fiction (Dowden); the interaction between illusion and reality in novelistic ekphrasis (Zeitlin); divine loves as real precedents for human loves (Rosati); comical elements in Heliodorus’ Aethiopika (Doody); myths as paradigms for the inexperienced lovers in the Greek novels (Létoublon); moral ideas in the Odyssey and the Greek novels in relation to moralizing interpretations of Homer (Montiglio); the reality of the basic plot of Callirhoe in the light of historical events and Aristotle’s Poetics (Paschalis); the interaction between fictionality and reality in Daphnis and Chloe (Bowie); entrapment and insufficient understanding of reality in the Satyrica (Labate); fantasy, physical and ideal landscapes in Apuleius’ Metamorphoses (König); bridging the gap between Photis (real) and Isis (ideal) in Apuleius (Carver); the gendered aesthetics of the Greek novels viewed through the lens of the mimetic theory of Dionysius of Halicarnassus (Whitmarsh).
Kuniyoshi is best known for his warrior prints; his two great series are the 'Suikoden' (Tales from the Water-Margin) and the 'Taiheki' (Chronicles of the Great Peace), selections from which are illustrated in this booklet. His interest in warrior prints