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"Haunting ... teems with raw emotion, and McCullough deftly captures the experience of learning to behave in a male-driven society and then breaking outside of it."—The New Yorker "I will be haunted and empowered by Artemisia Gentileschi's story for the rest of my life."—Amanda Lovelace, bestselling author of the princess saves herself in this one A William C. Morris Debut Award Finalist 2018 National Book Award Longlist Her mother died when she was twelve, and suddenly Artemisia Gentileschi had a stark choice: a life as a nun in a convent or a life grinding pigment for her father's paint. She chose paint. By the time she was seventeen, Artemisia did more than grind pigment. She was one of Rome's most talented painters, even if no one knew her name. But Rome in 1610 was a city where men took what they wanted from women, and in the aftermath of rape Artemisia faced another terrible choice: a life of silence or a life of truth, no matter the cost. He will not consume my every thought. I am a painter. I will paint. Joy McCullough's bold novel in verse is a portrait of an artist as a young woman, filled with the soaring highs of creative inspiration and the devastating setbacks of a system built to break her. McCullough weaves Artemisia's heartbreaking story with the stories of the ancient heroines, Susanna and Judith, who become not only the subjects of two of Artemisia's most famous paintings but sources of strength as she battles to paint a woman's timeless truth in the face of unspeakable and all-too-familiar violence. I will show you what a woman can do. ★"A captivating and impressive."—Booklist, starred review ★"Belongs on every YA shelf."—SLJ, starred review ★"Haunting."—Publishers Weekly, starred review ★"Luminous."—Shelf Awareness, starred review
Seventeen-year-old Jay Harris lives in a world struck down by a deadly virus. His parents are dead, along with half the planet. When Jay's sister Maia falls ill, he must find a cure before he loses her, too. But unbeknownst to Maia, Jay is also sick... and he's running out of time to save them both. When Jay's friends tell him there might be a cure for him in France, he must decide whether to pursue it. The journey will be difficult and dangerous, especially in his weakened state, but with little time left-for himself and for Maia-it soon becomes clear there's no other choice. Jay leaves the relative comfort of London to search for help, knowing he may never find it. Along the way, he experiences the effects of disaster on the bonds of friendship and fluctuating notions of family. These teens, decimated by a dangerous plague, face stark choices in their search for help, not knowing if their efforts will end in loss and pain. Will Jay and Maia find a cure before the virus takes them?
They're all dead now. I am the last one. Dr Morrow can't identify the 'thing' he found living in the lake but he knows it's dangerous . . . then it goes missing . . . Caught in the flood that is devastating the town, brothers Sean and James stumble across Morrow and the carnage left at his lab. The missing specimen is some kind of deadly parasite that moves from person to person, destroying its hosts in disgusting, gory ways. The death toll will rise along with the waters unless the brothers can track down the homicidal specimen and find a way to destroy it.
“Fascinating! [A] must-read for all concerned about how humans manage to live together. Or not.” —Margaret Atwood “Superb... an instant true crime classic.” —Publishers Weekly (starred review) A masterfully told true story, perfect for fans of Say Nothing and Furious Hours: a brutal murder in a small Nova Scotia fishing community raises urgent questions of right and wrong, and even the very nature of good and evil. In his riveting and meticulously reported final book, Silver Donald Cameron offers a stunning, intricate narrative about a notorious killing and its devastating repercussions. Cameron’s searing, utterly gripping story about one small community raises a disturbing question: Are there times when taking the law into your own hands is not only understandable but the responsible thing to do? In June 2013, three upstanding citizens of a small town on Cape Breton Island murdered their neighbor, Phillip Boudreau, at sea. While out checking their lobster traps, two Landry cousins and skipper Dwayne Samson saw Boudreau in his boat, the Midnight Slider, about to vandalize their lobster traps. Like so many times before, the small-time criminal was about to cost them thousands of dollars out of their seasonal livelihood. Boudreau seemed invincible, a miscreant who would plague the village forever. Meanwhile the police and local officials were frustrated, cowed, and hobbled by shrinking budgets. One of the men took out a rifle and fired four shots at Boudreau and his boat. Was the Boudreau killing cold blooded murder, a direct reaction to credible threats, or the tragic result of local officials failing to protect the community? As many local people have said, if those fellows hadn't killed him, someone else would have...
Detective Alex Morrow discovers that the darkest secrets never stay buried as she investigates the criminal underbelly of a seemingly tranquil seaside town. For reasons she can't quite explain, Alex Morrow is addicted to watching surveillance footage of Roxanna Fuentecilla -- a gorgeous Spanish mother of two, in a tempestuous relationship with her boyfriend, who recently relocated to Glasgow under mysterious circumstances. She is also Morrow's prime suspect in an investigation that resembles a soap opera, filled with glamorous jetsetters and enough money to interest the highest levels of law enforcement. Until Roxanna vanishes. Morrow traces Roxanna's steps to Helensburgh, a sleepy, picturesque seaside community. But behind the idyllic Victorian homes and quaint storefronts, darkness lurks. Home to a man with blood on his hands who is haunted by guilt, a mysterious woman with ulterior motives back in town for the first time in decades, a sexually frustrated restaurateur looking to blow off steam, and a crew of vicious small-time gangsters blindly following orders, it's a town ruled by base instincts where no one is quite what they seem. And it's the perfect place to get rid of someone. When she uncovers an unsettling connection to Roxanna's job back in Glasgow, Morrow suspects that her missing person is more than a white-collar criminal on the lam -- she may also be a victim caught up in a sophisticated conspiracy that stretches far beyond Helensburgh and is more personal than Morrow ever imagined. As the truth rises to the surface and the conflicts that lie beneath Helensburgh's calm waters threaten to explode, Morrow must find Roxanna before any hope of solving the case disappears with her. A gripping tale of greed, power, and vengeance, Blood, Salt, Water is a masterful crime novel from Denise Mina that confirms her reputation as "one of the genre's brights stars" (George Pelecanos).
It’s your turn to HUNT A KILLER in this original YA mystery based on the bestselling immersive murder mystery game! The town of Barton Beach is a popular summer destination known for its surfing, sandy beaches, and local restaurants, like the Beachcomber. Or at least it was -- until Flash Fremont washes up dead on the shore. Flash’s sixteen-year-old nephew, Zac, is the only one who doesn’t believe that Flash died in a freak surfing accident. Zac is determined to find out what really happened to his uncle out in the water. But his investigation reveals more than a few people who might have wanted to see Flash dead -- from old surfing rivals to Zac’s own father. As Zac keeps asking questions, more people start showing up dead. Flash’s killer is still out there. . . and if Zac isn’t careful, his blood could end up in the water next. This original Hunt A Killer novel features all new characters, in-world clues, and a mystery not seen in the games!
Jena Nardella, cofounder of Blood:Water and one of Christianity Today’s 33 Under 33, shares a “captivatingly honest” (Publishers Weekly) account of how her passion for saving the world grew into a humbler, long-term calling of loving the world in all its brokenness in this beautifully written memoir. Ten years ago, Jena Lee Nardella was a fresh-out-of-college, twenty-something with the lofty goal of truly changing the world. Armed with a diploma, a thousand dollars, and a dream to build one thousand wells in Africa, she joined forces with Grammy Award–winning band Jars of Clay to found Blood:Water and begin her mission. Jena’s dream for her nonprofit turned that initial $1 into $20, and then $100, and today into more than $25 million. Working throughout eleven countries in Africa, Blood:Water has provided healthcare for over 62,000 people in HIV-affected areas and has partnered with communities to provide clean water for more than one million people in Africa. But along the way she faced many harsh realities that have tested her faith, encountered corruption and brokenness that nearly destroyed everything she’d fought for, and learned that wishful thinking will not get you very far. Jena discovered true change comes only when you stop trying to save the world and allow yourself to love it, even when it breaks your heart. With a fresh, intelligent, and winsome voice, Jena Lee Nardella weaves an evocative, personal narrative filled with honest and hard-won lessons that demonstrate the amazing things that can happen when you fight for your dreams.
"The book is a history of the political and environmental transformation of the Indus basin as a result of the modern construction of the world's largest, integrated irrigation system. Begun under British colonial rule in the 19th century, this transformation continued after the region was divided between two new states, India and Pakistan, in 1947. Massive irrigation works have turned an arid region into one of dense agricultural population, but its political legacies continue to shape the politics and statecraft of the region"--Provided by publisher.
PULITZER PRIZE WINNER • The definitive history of the infamous 1971 Attica Prison uprising, the state's violent response, and the victim's decades-long quest for justice. • Thompson served as the Historical Consultant on the Academy Award-nominated documentary feature ATTICA “Gripping ... deals with racial conflict, mass incarceration, police brutality and dissembling politicians ... Makes us understand why this one group of prisoners [rebelled], and how many others shared the cost.” —The New York Times On September 9, 1971, nearly 1,300 prisoners took over the Attica Correctional Facility in upstate New York to protest years of mistreatment. Holding guards and civilian employees hostage, the prisoners negotiated with officials for improved conditions during the four long days and nights that followed. On September 13, the state abruptly sent hundreds of heavily armed troopers and correction officers to retake the prison by force. Their gunfire killed thirty-nine men—hostages as well as prisoners—and severely wounded more than one hundred others. In the ensuing hours, weeks, and months, troopers and officers brutally retaliated against the prisoners. And, ultimately, New York State authorities prosecuted only the prisoners, never once bringing charges against the officials involved in the retaking and its aftermath and neglecting to provide support to the survivors and the families of the men who had been killed. Drawing from more than a decade of extensive research, historian Heather Ann Thompson sheds new light on every aspect of the uprising and its legacy, giving voice to all those who took part in this forty-five-year fight for justice: prisoners, former hostages, families of the victims, lawyers and judges, and state officials and members of law enforcement. Blood in the Water is the searing and indelible account of one of the most important civil rights stories of the last century. (With black-and-white photos throughout)
Blood is more than a fluid solution of cells, platelets and plasma. It is a symbol for the most basic of human concerns--life, death and family find expression in rituals surrounding everything from menstruation to human sacrifice. Comprehensive in its scope and provocative in its argument, this book examines beliefs and rituals concerning blood in a range of regional and religious contexts throughout human history. Meyer reveals the origins of a wide range of blood rituals, from the earliest surviving human symbolism of fertility and the hunt, to the Jewish bris, and the clitoridectomies given to young girls in parts of Africa. The book also explores how cultural practices influence gene selection and makes a connection with the natural sciences by exploring how color perception influences the human proclivity to create blood symbols and rituals.