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On March 30, 1992, Tom Dodge lost his stepfather and inherited the duty of caring for his mother, a woman he confesses he never got to know. Suddenly he was confronted with the extent to which she had slipped into the fog of Alzheimer's. During his childhood, Dodge was never allowed to bring up the topic of his birth, but his mind whirled with questions: Who was my real father? Where was he? Who am I? Now, even if he summoned the courage to ask for the truth, would she be able to tell him? This memoir, interweaving the twin themes of adult responsiblity for a parent suffering from Alzheimer's and the search for a birth parent, is a painful account, raw with emotion, of an alienated adolescence. But it is also a nostalgic look back at life in small-town Texas in the 1940s and 1950s, a life where young boys frolicked in the swimming hole and worked in the family garden. Oedipus Road is a timeless and timely, funny and heart-breaking, evocative account of one man's journey down the road of self-discovery.
Oedipus on the Road is a rendering of the journey that leads Oedipus from Thebes to Colonus - and from a world of exile to one of legend. This is the chapter that Sophocles never wrote, the redemptive passage of the fallen, blinded king to his final - this time glorious - encounter with destiny. Bauchau finds Oedipus stranded outside the walls of his former palace, eye sockets and soul still bleeding, and leads him - along with his daughter Antigone and the seductive shepherd-bandit Clius, whose loyalty to the pair probably has less to do with his allegiance to Oedipus than his intentions toward his daughter - through a geographical and spiritual landscape littered with the physical, artistic, and mental rites of passage that separate Oedipus from immortality.
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When Oedipus met the Sphinx on the road to Thebes, he did more than answer a riddle—he spawned a myth that, told and retold, would become one of Western culture’s central narratives about self-understanding. Identifying the story as a threshold myth—in which the hero crosses over into an unknown and dangerous realm where rules and limits are not known—Oedipus and the Sphinx offers a fresh account of this mythic encounter and how it deals with the concepts of liminality and otherness. Almut-Barbara Renger assesses the story’s meanings and functions in classical antiquity—from its presence in ancient vase painting to its absence in Sophocles’s tragedy—before arriving at two of its major reworkings in European modernity: the psychoanalytic theory of Sigmund Freud and the poetics of Jean Cocteau. Through her readings, she highlights the ambiguous status of the Sphinx and reveals Oedipus himself to be a liminal creature, providing key insights into Sophocles’s portrayal and establishing a theoretical framework that organizes evaluations of the myth’s reception in the twentieth century. Revealing the narrative of Oedipus and the Sphinx to be the very paradigm of a key transition experienced by all of humankind, Renger situates myth between the competing claims of science and art in an engagement that has important implications for current debates in literary studies, psychoanalytic theory, cultural history, and aesthetics.
The ancient Greek tragedy about the exiled king’s final days—and the power struggle between his two sons. The second book in the trilogy that begins with Oedipus Rex and concludes with Antigone, Oedipus at Colonus is the story of an aged and blinded Oedipus anticipating his death as foretold by an earlier prophecy. Accompanied by his daughters, Antigone and Ismene, he takes up residence in the village of Colonus near Athens—where the locals fear his very presence will curse them. Nonetheless they allow him to stay, and Ismene informs him his sons are battling each other for the throne of Thebes. An oracle has pronounced that the location of their disgraced father’s final resting place will determine which of them is to prevail. Unfortunately, an old enemy has his own plans for the burial, in this heart-wrenching play about two generations plagued by misfortune from the world’s great ancient Greek tragedian.
The Rough Guide to Greece has been the definitive guidebook to the country. With user-friendly accommodation and eating reviews, crystal-clear maps, detailed background and a journalistic eye for detail, this is the ideal guide for all your Greece travel needs. Top 5 lists and itineraries will help you plan your route, with insider tips on the best beaches to escape the crowds. You'll discover the choicest resorts from boutique to backpacker, get the low down on island hopping from Corfu to Kos and read expert background on everything from Homer to hiking.
First published in 2001. Routledge is an imprint of Taylor & Francis, an informa company.
This book shows how the legendary past of Greek Thebes influenced the development of the city's landscape from the time of the oral epics to the Roman period. It will appeal to readers with interests in the relationships between Greek myth, ancient topography and archaeology, and the development of urban space.
In this book J. Peter Euben argues that Greek tragedy was the context for classical political theory and that such theory read in terms of tragedy provides a ground for contemporary theorizing alert to the concerns of post-modernism, such as normalization, the dominance of humanism, and the status of theory. Euben shows how ancient Greek theater offered a place and occasion for reflection on the democratic culture it helped constitute, in part by confronting the audience with the otherwise unacknowledged principles of social exclusion that sustained its community. Euben makes his argument through a series of comparisons between three dramas (Aeschylus' Oresteia, Sophocles' Oedipus Tyrannos, and Euripides' Bacchae) and three works of classical political theory (Thucydides' History and Plato's Apology of Socrates and Republic) on the issues of justice, identity, and corruption. He brings his discussion to a contemporary American setting in a concluding chapter on Thomas Pynchon's The Crying of Lot 49 in which the road from Argos to Athens, built to differentiate a human domain from the undefined outside, has become a Los Angeles freeway desecrating the land and its people in a predatory urban sprawl.
An entrancing new telling of ancient Greek myths “This book is a triumph! . . . [A] magnificent retelling of the Greek myths.”—Alexander McCall Smith, author of the No. 1 Ladies’ Detective Agency series “Move over, Edith Hamilton! Sarah Iles Johnston has hit the magical refresh button on Greek myths.”—Maria Tatar, author of The Heroine with 1001 Faces Gripping tales that abound with fantastic characters and astonishing twists and turns, Greek myths confront what it means to be mortal in a world of powerful forces beyond human control. Little wonder that they continue to fascinate readers thousands of years after they were first told. Gods and Mortals is a major new telling of ancient Greek myths by one of the world’s preeminent experts. In a fresh, vibrant, and compelling style that draws readers into the lives of the characters, Sarah Iles Johnston offers new narrations of all the best-known tales as well as others that are seldom told, taking readers on an enthralling journey from the origin of the cosmos to the aftermath of the Trojan War. Some of the mortals in these stories are cursed by the gods, while luckier ones are blessed with resourcefulness and resilience. Gods transform themselves into animals, humans, and shimmering gold to visit the earth in disguise—where they sometimes transform offending mortals into new forms, too: a wolf, a spider, a craggy rock. Other mortals—both women and men—use their wits and strength to conquer the monsters created by the gods—gorgons, dragons, harpies, fire-breathing bulls. Featuring captivating original illustrations by Tristan Johnston, Gods and Mortals highlights the rich connections between the different characters and stories, draws attention to the often-overlooked perspectives of female characters, and stays true both to the tales and to the world in which ancient people lived. The result is an engaging and entertaining new take on the Greek myths.