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Odilon Redon (Bordeaux, 1840 - Paris, 1916) was a painter, lithographer, draughtsman and pastellist, as well as a writer, critic and musician. As so many symbolists he was fascinated by synaesthesia, the idea that an experience can be more intense when several senses are solicited together. Redon was masterful at interweaving the expressive powers of literature, music and the visual arts. By addressing some of Redon's favorite themes, this richly illustrated publication shows how he transposed literary and musical motifs into his own work and how he reinvented such themes over and over again creating new associations and meaning. Next to literary themes and subjects linked to classical drama, Redon chose topics that were inspired by, among others, Richard Wagner's and Robert Schumann's music. With more than 200 illustrations of works largely in private collections and the Kröller-Müller Museum, and with essays by renowned experts on Redon and Symbolism, this book provides extensive insight into the importance of literature and music in Odilon Redon's oeuvre. Exhibition: Kröller-Müller-Museum, Otterlo, The Netherlands (02.06.-09.09.2018) / Ny Carlsberg Glyptotek, Copenhagen, Denmark (11.10.2018-20.01.2019).
A prominent Symbolist and a precursor to the Surrealists, Redon transformed common subjects into fantastic images, depicting serpents, skeletons, and monsters with a distinctive style of realism. 172 lithographs, plus 37 etchings and engravings.
To Myself is the autobiography of the late nineteenth century French artist Odilon Redon. Composed of his personal notes and journals, which he kept for over sixty years, it is a poignant testament of a self-effacing artist whose life was totally devoted to his self-imposed task. His writings consist of his reflections on being an artist, the creative act, and the struggle to achieve the lofty goals to which the truly committed artist aspires.
The four-volume publication features 2,657 of Odilon Redon¿s paintings, pastels, watercolors, and drawings. Because Redon (1840¿1916) rarely dated his work, the catalogues are organized thematically to instead highlight significant elements of the artist¿s ¿uvre, and the reiteration of certain motifs. The first volume is dedicated to portraits and figures, while the second deals with myths, legends and Redon¿s overall interest in the fantastic. The third volume gathers Redon¿s still lives and bouquets, as well as his landscapes and marinescapes. The fourth and last volume features Redon¿s sketchbooks and design projects such as paravents, screens, tapisseries, or murals.
One girl, one painting a day...can she do it? Linda Patricia Cleary decided to challenge herself with a year long project starting on January 1, 2014. Choose an artist a day and create a piece in tribute to them. It was a fun, challenging, stressful and psychological experience. She learned about technique, art history, different materials and embracing failure. Here are all 365 pieces. Enjoy!
This book brings together a colorful mixture of various works focusing on themes of the fantastic and surreal, starting with B?cklin's ""Toteninsel"" and including Dorothea Tanning, Max Ernst, Hans Bellmer's dolls, the Australian painter Sidney Nolan, Giger's monsters, Cattelan's pope, and the Chapman brothers? hybrids, as well as surreal painting from Magritte and Delvaux, the mystical and sensual work of Gustav Klimt, and Frida Kahlo's dreamlike self-portraits. Artists featured: Balthus, Hans Bellmer, Arnold B?cklin, Fernando Botero, Maurizio Cattelan, Jake and Dinos Chapman, Salvador Dal?, Paul Delvaux, Peter Doig, Alfred Kubin, James Ensor, Max Ernst, Ernst Fuchs, Frida Kahlo, Gustav Klimt, Joan Mir?, Sidney Nolan, Odilon Redon, Dorothea Tanning, Franz von Stuck, Andrew Wyeth.
For the first time since Jeff Buckley’s untimely death on May 29, 1997, Dave Lory reveals what it was like to work alongside one of rock’s most celebrated and influential artists. Go on the road and behind the scenes with Buckley, from his electrifying first solo shows in New York to the difficult sessions for the second album he never completed. Lory opens up about their struggles with the record label and trouble with the band, shares previously untold stories and describes fascinating scenes that only he witnessed, including what went down in the days immediately after getting that fateful call, “Jeff is missing.”