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Although best known as the author of Notre Dame de Paris and Les Misérables, Victor Hugo was primarily a poet—one of the most important and prolific in French history. Despite his renown, however, there are few comprehensive collections of his verse available and even fewer translated editions. Translators E. H. and A. M. Blackmore have collected Victor Hugo's essential verse into a single, bilingual volume that showcases all the facets of Hugo's oeuvre, including intimate love poems, satires against the political establishment, serene meditations, religious verse, and narrative poems illustrating his mastery of the art of storytelling and his abiding concern for the social issues of his time. More than half of this volume's eight thousand lines of verse appear here for the first time in English, providing readers with a new perspective on each of the fascinating periods of Hugo's career and aspects of his style. Introductions to each section guide the reader through the stages of Hugo's writing, while notes on individual poems provide information not found in even the most detailed French-language editions. Illustrated with Hugo's own paintings and drawings, this lucid translation—available on the eve of Hugo's bicentenary—pays homage to this towering figure of nineteenth-century literature by capturing the energy of his poetry, the drama and satirical force of his language, and the visionary beauty of his writing as a whole.
This generous, varied selection of poems by one of France's best-loved and most reviled poets is presented with facing originals, detailed notes, and a lively introduction to the author's life and work. Steven Monte presents more than eighty poems in translation and in the original French, taken from the earliest poetic publications of the 1820's, through collections published during exile, to works published in the years following Hugo's death in 1883. The introduction provides helpful background information about Hugo's life and work, the selection, and what is involved in translating a poet whose effortless rhymes are central to the poetry's power. Detailed notes at the back of the volume offer information about the poems and their publishing and historical contexts. This is an ideal introduction to a poet whose work, for all its renown, remains for Anglophone readers undiscovered.
The Consecration of the Writer is the definitive study of the first stages of a phenomenon that has profoundly affected world literature: the process by which modern writers ceased to speak as representatives of some religious or political power and instead seized the mantle of spiritual authority in their own right, speaking directly to and in the name of humanity. ø Paul Bänichou identifies three great moments in this process: the advent of the Enlightenment faith in philosophy and the rise of its literary concomitant, the man of letters; the literary creations of the counterrevolution and their surprising involvement in the elevation of the status of poetry; and, finally, the fusion of these tendencies in the early phases of romanticism in France. ø Bänichou deepens our understanding of romanticism by showing that it was a revision of the Enlightenment faith rather than a reaction against it. The extraordinary depth of Bänichou?s research, the originality of his conclusions, and the importance of his methodological reflections make this study an essential reference in the contemporary return to literary history.
'To the English, I am "shocking"...What's more, French, which is disgusting; republican, which is abominable; exiled, which is repulsive; defeated, which is infamous. To top it all off, a poet...' Victor Hugo dominated literary life in France for over half a century, pouring forth novels, poems, plays, and other writings with unflagging zest and vitality. Here, for the first time in English, all aspects of his work are represented within a single volume. Famous scenes from the novels Notre-Dame, Les Misérables, and The Toilers of the Sea are included, as well as excerpts from his intimate diaries, poems of love and loss, and scathing denunciations of the political establishment. All the chosen passages are self-contained and can be enjoyed without any previous knowledge of Hugo's work. Much of the material is appearing in English for the first time, and most of it has never before been annotated thoroughly in any language.
Victor Hugo’s Bug-Jargal (1826) is one of the most important works of nineteenth-century colonial fiction, and quite possibly the most sustained novelistic treatment of the Haitian Revolution by a major European author. This Broadview edition makes Hugo’s novel available in a completely new English translation, the first in over one hundred years. Set in 1791, during the first months of a slave revolt that would eventually lead to the creation of the black republic of Haiti in 1804, Bug-Jargal is a stirring tale of interracial friendship and rivalry, a provocative account of the ties that bind a young Frenchman to one of the rebel leaders and the tragic misunderstandings that threaten to sever those ties completely. This Broadview edition contains a critical introduction and a broad selection of appendices, including Hugo’s never-before-translated 1820 short story “Bug-Jargal,” contemporary reviews of the novel, documents pertaining to the young Hugo’s poetics and politics, and selections from his source materials about the Haitian Revolution.