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Treasury of 37 well-known and representative poems by great Romantic poet includes "Ode to the West Wind," "To a Skylark," "Adonais," "Ozymandias," "Hymn to Intellectual Beauty," many more. Lists of titles and first lines.
Opening in 1969 in New England, I KNOW WHERE I AM WHEN I'M FALLING is as rich in relationships as the colours and textures of the time. Ruby Lambert, is the eldest daughter in the eccentric Lambert family who get caught up in the life of Angus Aleshire, a charming, smart and athletic boy who they try to help and who shares Ruby's unconventional bent and love of the piano. Ruby and Angus fall in love but Angus has a dark side. His boyish charms start to wear thin losing him family and friends along the way and when his clever schemes and misbehavior get him in trouble, culminating with an art heist, he tries even Ruby’s love for him. The story spans thirteen years, and poses uncomfortable questions about the blindness of love, nurture versus nature and life through rose tinted glasses. Ruby struggles to square her vision of Angus’s potential with the unsettling and mounting reality.
A major new anthology of Percy Bysshe Shelley's work, edited by Jack Donovan and Cian Duffy. 'My name is Ozymandias, King of Kings: Look on my works, ye mighty, and despair!' Percy Bysshe Shelley was one of the leading English Romantics and is critically regarded among the finest lyric poets in the English language. His major works include the long visionary poems 'Prometheus Unbound' and 'Adonais', an elegy on the death of John Keats. His shorter, classic verses include 'To a Skylark', 'Mont Blanc' and 'Ode to the West Wind'. This important new edition collects his best poetry and prose, revealing how his writings weave together the political, personal, visionary and idealistic. This Penguin Classics edition includes a fascinating introduction, notes and other materials by leading Shelley scholars, Jack Donovan and Cian Duffy.
This book presents a major reassessment of Shelley's poetry. Whereas other criticism has stressed the philosophical and political concerns of his poetry in isolation, Angela Leighton argues that Shelley's philosophy and politics are presented as problems of poetic utterance and are this inseparable from his aesthetics. The author begins by tracing the origins of Shelley's poetic theory in eighteenth-century ideas of the sublime. She then discusses the effect of such a theory on the language of seven of Shelley's most important poems including 'Hymn to Intellectual Beauty', Prometheus Unbound, 'Ode to the West Wind', 'To a Skylark' and Adonais. In these poems the task of political change is expressed as the prerogative of the inspired poet, who desires to reunite the fallen language of poetry with the original impulse of inspiration that it supplants. This significant contribution to Shelley studies will interest all serious students of English Romantic poetry and aesthetics.
Here is the poem Ozymandias by Percy Bysshe Shelley like you've never seen it before. With strange illustrations that breathe a new life into the poem, this book is something different for you to add to your bookshelf.