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Through a series of 34 essays by leading and emerging scholars, A Companion to Romantic Poetry reveals the rich diversity of Romantic poetry and shows why it continues to hold such a vital and indispensable place in the history of English literature. Breaking free from the boundaries of the traditionally-studied authors, the collection takes a revitalized approach to the field and brings together some of the most exciting work being done at the present time Emphasizes poetic form and technique rather than a biographical approach Features essays on production and distribution and the different schools and movements of Romantic Poetry Introduces contemporary contexts and perspectives, as well as the issues and debates that continue to drive scholarship in the field Presents the most comprehensive and compelling collection of essays on British Romantic poetry currently available
Diva Mawrdew Czgowchwz (pronounced “Mardu Gorgeous”) bursts like the most brilliant of comets onto the international opera scene, only to confront the deadly malice and black magic of her rivals. Outrageous and uproarious, flamboyant and serious as only the most perfect frivolity can be, James McCourt’s entrancing send-up of the world of opera has been a cult classic for more than a quarter-century. This comic tribute to the love of art is a triumph of art and love by a contemporary American master.
Just in time for graduation, a smart and edgy collection of advice for young people from dozens of the most creative and visionary people on the planet. Contributors include: Camille Paglia • Wayne Koestenbaum • Jonathan Ames • Jennifer Belle • Howard Zinn • Joe Dallesandro • Bruce LaBruce • Dr. Laura Schlessinger • Tom Robbins • Judith Butler • Martha Nussbaum Horst • William S. Burroughs • Larry Niven • Veruschka • Lydia Lunch • Spalding Gray • Eileen Myles • Roger Scruton • Ken Kesey Mary Gaitskill • Richard Powers • Mark Dery • Florence King • Mark Simpson • Bob Shacochis • Joanna Scott • Quentin Crisp • Carolyn Chute • Michael Thomas Ford • Alexander Theroux • George Saunders • Charles Baxter • Ian Shoales • Fay Weldon • Bruce Benderson • Scott Russell Sanders • John Shirley • Dr. John Money • Cindy Sherman • Richard Meltzer • Gene Wolfe • Abbie Hoffman • Diane Wakowski • Richard Taylor • Bette Davis • Arthur Nersesian • Jim Harrison • Martha Gellhorn • Lucius Shepard • Dan Jenkins • Steve Stern • Murray Bookchin • John Zerzan • Maurice Vellekoop • Joel-Peter Witkin • Stewart Home • Maxx Ardman • Katharine Hepburn • Bret Lott • Lynda Barry • Alain de Botton • Mary McCarthy • Hakim Bey • Anita O'Day • Chris Kraus • R. U. Sirius • C. D. Payne W. V. Quine • Rita Dove • Robert Creeley • Valerie Martin • Paul Krassner • Alphonso Lingis • Mark Helprin • John Rechy • Ram Dass • William T. Vollmann • Bettie Page
With her superb coloratura soprano, passion for the world of opera, and down-to-earth personality, Beverly Sills made high art accessible to millions from the time of her meteoric rise to stardom in 1966 until her death in 2007. An unlikely pop culture phenomenon, Sills was equally at ease on talk shows, on the stage, and in the role of arts advocate and administrator. Merging archival research with her own love of Sills's music, Nancy Guy examines the singer-actress's artistry alongside the ineffable aspects of performance that earned Sills a passionate fandom. Guy mines the memories of colleagues, critics, and aficionados to recover something of the spell Sills wove for people on both sides of the footlights during the hot moments of onstage performance. At the same time, she analyzes essential questions raised by Sills's art and celebrity. How did Sills challenge the divide between elite and mass culture and build a fan base that crossed generations and socio-economic lines? Above all, how did Sills capture the unnameable magic that joins the members of an audience to a performer--and to one-another? Intimate and revealing, The Magic of Beverly Sills explores the alchemy of art, magnetism, community, and emotion that produced an American icon.
The Encyclopedia of Modern Jewish Culture is an extensively updated revision of the very successful Companion to Jewish Culture published in 1989 and has now been updated throughout. Experts from all over the world contribute entries ranging from 200 to 1000 words broadly, covering the humanities, arts, social sciences, sport and popular culture, and 5000-word essays contextualize the shorter entries, and provide overviews to aspects of culture in the Jewish world. Ideal for student and general readers, the articles and biographies have been written by scholars and academics, musicians, artists and writers, and the book now contains up-to-date bibliographies, suggestions for further reading, comprehensive cross referencing, and a full index. This is a resource, no student of Jewish history will want to go without.
New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.
In this two-volume work, hundreds of alphabetically arranged entries survey contemporary lesbian, gay, bisexual, transgendered, and queer American literature and its social contexts. Comprehensive in scope and accessible to students and general readers, Encyclopedia of Contemporary LGBTQ Literature of the United States explores contemporary American LGBTQ literature and its social, political, cultural, and historical contexts. Included are several hundred alphabetically arranged entries written by expert contributors. Students of literature and popular culture will appreciate the encyclopedia's insightful survey and discussion of LGBTQ authors and their works, while students of history and social issues will value the encyclopedia's use of literature to explore LGBTQ American society. Each entry is written by an expert contributor and lists additional sources of information. To further enhance study and understanding, the encyclopedia closes with a selected general bibliography of print and electronic resources for student research.
Opera, Sex, and Other Vital Matters gathers both classic and never-before-published essays from one of the leading stylists in contemporary American letters, and one of our more revered public intellectuals, Paul Robinson. Diverse and elegant, the essays in this new collection showcase the sly wit and lightly worn erudition of their author. Each celebrates art and the flesh, directing us to the twin ecstasies of music and eros. The essays on opera gathered here explore how masterpieces like Fidelio and The Magic Flute reflect the intellectual currents of their day. Be it the work of Verdi or Mozart, Wagner or Strauss, Robinson compels us to search for meaning not just in the lyrics of opera but also in the music. In melody, not libretto, we are more likely to discern key historical complexities and appreciate the way opera transcends language and time. The essays on sexuality, meanwhile, are ruminative, funny, and even moving. At one moment, Robinson measures whether homosexuality is the result of destiny or free choice. In another, he shares a touching exchange of letters with a gay student in the process of coming out. The final essays that encompass "other vital matters" find Robinson at his most incisive. Whether defending Freud as the most influential thinker of the twentieth century, attacking the dreaded use of semicolons, reflecting on his own mortality, or even meditating on the nature of cats, Sex, Opera, and Other Vital Matters is an eclectic work that will appeal to any reader interested in the continuing relevance of ideas to life.
Jackie Under My Skin is a nuanced description of how Jacqueline Kennedy Onassis transformed our definitions of personal identity and style. As Wayne Koestenbaum follows her into America's dreamwork, far from pious "family values," he dares to see her as a pleasure principle, a figure of Circean extravagance, and liberates her from the propagandistic uses to which her image if often harnessed.