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While working for a financial consulting firm that offers insurance against catastrophic events, a young mathematician becomes increasingly obsessed with doomsday scenarios until one of his worst-case scenarios unfolds in Manhattan.
As Fleet is threatened by mutiny, class conflict, and power struggles, Esmay Suiza-Serrano finds herself unceremoniously dismissed from Fleet and hurtled into the midst of warfare that threatens all galactic civilization.
From the New York Times–bestselling “master of crime fiction and equine thrills,” a jockey turned investigator tackles crime in the horse racing world (Newsday). Dick Francis, Edgar Award–winning master of mystery and suspense, takes you into the thrilling world of horse racing. A hard fall took hotshot jockey Sid Halley out of the horse racing game, leaving him with a crippled hand, a broken heart, and the desperate need for a new job. Now he’s landed a position with a detective agency, only to catch a bullet from some common thug. And things are about to get even more hectic. The agency is giving him a case to handle on his own. The case brings him to the door of Zanna Martin, a woman who might be just what Sid needs to get him back up and running. But he’s up against a field of thoroughbred criminals, and the odds against him are making it a long shot that he’ll even survive . . . “Dick Francis is a wonder.” —The Plain Dealer “An imaginative craftsman of high order.” —The Sunday Times “Few things are more convincing than Dick Francis at a full gallop.” —Chicago Tribune “Few match Francis for dangerous flights of fancy and pure inventive menace.” —Boston Herald “[The] master of crime fiction and equine thrills.” —Newsday “[Francis] has the uncanny ability to turn out simply plotted yet charmingly addictive mysteries.” —The Wall Street Journal “Francis is a genius.” —Los Angeles Times “A rare and magical talent . . . who never writes the same story twice.” —The San Diego Union-Tribune
Memoirs of sleight-of-hand practitioner and authority on gambling and odds.
In the second title in the slam-dunk new series from bestselling author Amy Ignatow, the Odds are back and trying to figure out just who inflicted these lame abilities on them in the first place. Nick can still teleport four inches to the left, and Farshad’s thumbs are still super strong. Cookie can still read minds, if they’re thinking of directions, and Martina can still change the color of her eyes. But now, Martina can see the invisible, and when Nick is super stressed, he can move a lot farther than four inches. As their powers evolve in possibly dangerous ways, the Odds are even more determined to solve the mystery of their origin, but it means interacting at school—a serious social risk to popular girl Cookie. Soon, it becomes clear that Auxano, the chemical company that employs half the town, is involved. With the help of some renegade Amish teenagers and Ed, the invisible bus driver, this unlikely group of companions will uncover a nefarious experiment in which they’ve become unwitting test subjects. They’ll also begin to become something even more incredible—friends.
Anyone who watched part three in the Star Wars movie trilogy, Return of the Jedi, saw Matt Roloff. His handicap helped land him a part as one of the diminutive, furry Ewoks. In Matt's biography Against Tall Odds, readers view a world of fast-walking giants, where common obstacles for most are mountains for little people, and stares from strangers are the norm. Through perseverance and faith, Matt shows that success comes not by trying to be what you're not, but by being what God has made you.
Odds On: The Making of an Evidence-Based Investor isn't just another investment advice book. It's a memoir, a manifesto, and a guide to the way investing should be. Odds On describes author Matt Hall's role in an ongoing revolution in the investment world: the shift from a traditional sales-driven, active-management model to a model that draws on academic evidence to better serve the real interests of investors.
In a time of heart-stopping terror and magnificent human triumph, the citizens of Britain rose up, refusing to buckle under the brutal bombing assault of a relentless enemy. Here is the story of a handful of ill-equipped British flyers who confronted the mightiest air force on Earth!
The common thread among the 18 stories in Against the Odds is the way people can resourcefully overcome obstacles to realize their ambitions and dreams. The “odds” are varied in these skillfully written tales. An obstacle to one’s success or happiness may lie in one’s own character or the prejudice of someone else. A potential employer may cast a suspicious eye on an individual’s background. A guardian seems reluctant to sponsor any further education for his charge. Other characters here are looking as much for increased self-respect as financial reward or better training. Set in locales as varied as Ontario, Saskatchewan, and Prince Edward Island, the stories of Against the Odds are peopled with orphans, teachers, actors, struggling single-parent families, intransigent relatives. It’s a world, though distant from our own, where Montgomery’s characters have problems similar to ours, and their methods of solving them are not very different from what we would try.
Odds Against Tomorrow (1959), which stars Harry Belafonte, Robert Ryan, Ed Begley, and Gloria Grahame, is written by blacklisted screenwriter Abraham Polonsky and directed by Robert Wise. The last great film noir of the black and white era it reflects the author's strong social conscience as racial conflict is portrayed as central to the failure of a bank robbery. This publication of the complete script blends the shooting script (written before the film was shot) and the continuity script (the elements which are contained in the finished film). The critical analysis draws extensively on specially conducted interviews with Robert Wise, Harry Belafonte and Abraham Polonsky. Discussed in depth are the significance of a black protagonist within the film noir genre; the adaptation from William McGivern's novel; and the critically celebrated jazz score by John Lewis of the Modern Jazz Quartet.